Y Tu Mama Tambien

Y Tu Mama Tambien
by Alfonso Cuarón, Carlos Cuarón

Y Tu Mama Tambien
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DVD Cover Information

Actor: Fernando Becerril, Flor Eduarda Gurrola, Gael García Bernal, Maribel Verdú, Paloma Woolrich
Director: Alfonso Cuarón, Carlos Cuarón
Brand: VERDU,MARIBEL
Producer: Alfonso Cuarón
Writer: Alfonso Cuarón
Producer: Carlos Cuarón
Writer: Carlos Cuarón
Producer: Alejandra Torres
Producer: Amy Kaufman
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Spanish (Original Language), Dolby Digital 5.1
Format: Anamorphic, Color, Dolby, DVD, NTSC, Special Edition, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 105 minutes
DVD Release Date: 2002-10-22
Audience Rating: Unrated
Studio: MGM (Video & DVD)

Movie Reviews of Y Tu Mama Tambien

Movie Review: Oh, those randy Mexicans!
Summary: 5 Stars

A translation of the title of this movie into English would yield something like "And Your Mother Too," which would echo a phrase often used in so-called "mother talk" or "wolfing." (If you're gonna wolf, you better wolf fast/ 'cause your old lady's got a face like a bulldog's Ask me no questions and I'll tell you no lies...)

Having been brought up in the United States and having attended the public schools I am no stranger to the phenomenon of teenaged boys being teenaged boys, having been there and done that myself, including the hazy, sunny obligatory motor trip to Tijuana and points south. But what struck me while watching this fascinating film was how very like the guys I went to school with are Tenoch and Julio. In fact I was a little reminded of the song "Me and Julio Down by the Schoolyard" by Paul Simon. Not much would have to be changed to see this as an American movie about young people in America near the end of the 20th century.

But this is about Mexico and it takes place in Mexico and even though Julio and Tenoch rag on "Team America" there is no doubt that their lives and the styles they copy and take as their own are enormously influenced by American culture, for better or for worse.

Gael Garcia Bernal who previously starred in Alejandro Gonzalez Inarritu's Amores perros (2000) plays Julio, who is from a middle class family. Diego Luna plays his friend Tenoch (named after Tenochtitlan, Aztec founder of Mexico City) who is the son of a prominent Mexican politician. Both boys live the kind of lives of plenty and privilege that the average Mexican can only dream about. And so there is a certain decadent and hedonistic quality to the way they embrace life. But what director Alfonso Cuaron captures with these boys and their adventure to an imaginary beach with an older woman is the zest of youth that throws itself wildly and madly into sex, drugs and the search for experience and the fulfillment of youthful urges. What they learn from Luisa (Maribel Verdu) is something most young men really lust after, that is, how to please a woman sexually--well, at least they experience a first course.

Cuaron shows us teenaged boys as teenaged boys are: raunchy, randy, irreverent, and as a old army sergeant used to say, "young and dumb and full of..." you-know-what. Well, not dumb. Both boys are sharp and quick to learn about life, and as the movie ends and they go their separate ways, we know that both will go on to college and make a good life for themselves. In this sense this is a coming of age movie with Lusia as mentor to the boys.

Looking at the movie a little more deeply we have to ask, why does Lusia go on the trip with Tenoch and Julio, and why does she let herself go, so to speak? We learn that her husband has cheated on her (again, by the way) and had the temerity to call her up immediately after the fact and confess. Later we learn that she has an even more compelling reason to indulge herself in a youthful fling. (But of course you should see the movie to find out what that is.)

The sense of freedom and naturalness that Cuaron captures, not only in the area of human sexuality, but in the spirit of a vast country moving from a largely agrarian society to an industrial one, and the bewilderment that such rapid change makes people feel, is made especially vivid by the focus on the young, since they are the ones moving the fastest. (Of course this focus doesn't hurt at the box office, since young people make up the bulk of viewers, in Mexico as elsewhere.) However, despite what some reviewers have suggested, this movie addresses Mexican poverty in only a token way. This is a movie about privileged Mexicans who could, as I intimated above, pass for Americans or Europeans with only a minor cultural shift.

Be forewarned that the sexuality shown here is about as graphic as any you'll see this side of an X rating, which is okay with me. Certainly it is better than the usual violence that Hollywood serves up. In fact I hope this movie triggers a change in the movie industry away from the belief that you have to titillate the mass audience with violence in order to be successful. Sex will do just fine.

Bottom line: a vital, vivid romp that will delight especially the young. Clearly this is not a movie for prudes or social conservatives--and that's an understatement!

Summary of Y Tu Mama Tambien

Julio and Tenoch are two teens ruled by raging hormonesand a mission to consume exotic substances. But one summer, the boys learn more about life than they bargain for when they set off on a wild, cross-country road trip with seductive, 28-year-old Luisa. Both boys taste forbidden fruit as Luisa schools them in the finer points of passion, but will their mutual desire for her destroy their friendship forever?
Plenty of juicy "s" words apply to And Your Mother Too: sexy, sweet, subtle, sad, surprising, superb... and did we say sexy? With enough male and female nudity to qualify as softcore porn--but deserving none of the stigma attached to that label--this vibrant coming-of-age road movie is guaranteed to jumpstart any viewer's libido. Frank treatment of its characters' burgeoning sexuality makes this unrated film a real eye-opener, but it's never prurient or juvenile. Rather, the three-way odyssey of two 17-year-old Mexican boys (Gael García Bernal, Diego Luna) and a 28-year-old Spanish beauty (Maribel Verdú) is energetic and affirmative, while acknowledging that relationships--and sexual adventures--rarely develop without a hitch or two (or three). Filmed in sequence by Alfonso Cuarón (Great Expectations), and shot with invigorating natural style, this refreshing comedy-drama employs an omniscient narrator to reflect upon precious stolen moments, weaving three lives into a memorable tapestry of fun, friendship, and fate. --Jeff Shannon
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