Wolf

Wolf
by Mike Nichols

Wolf
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DVD Cover Information

Actor: Jack Nicholson, James Spader, Kate Nelligan, Michelle Pfeiffer, Richard Jenkins
Director: Mike Nichols
Producer: Douglas Wick
Producer: Jim Harrison
Writer: Jim Harrison
Producer: Michele Imperato
Producer: Neil A. Machlis
Producer: Robert Greenhut
Writer: Wesley Strick
DVD: 2 Sides, Region Code 1
Audio: English (Original Language), Dolby Digital 2.0 Surround; French (Original Language), Dolby Digital 2.0 Surround; English (Subtitled); Spanish (Subtitled); Georgian (Subtitled); Spanish (Dubbed), Dolby Digital 2.0 Surround
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, NTSC, Widescreen
Picture Format: Anamorphic Widescreen, 1.85:1
Running Time: 125 minutes
DVD Release Date: 1997-11-26
Audience Rating: R (Restricted)
Studio: Sony Pictures

Movie Reviews of Wolf

Movie Review: This Wolf Blows The House Down
Summary: 4 Stars

Jack Nicholson makes the perfect gentle, mild-mannered protagonist as Will, who becomes slowly transformed after being bitten on a stretch of dark lonely road in the snow after hitting a wolf with his car and then climbing out to investigate in perhaps the creepiest scene in the movie ("A wolf in Vermont? Are you sure?" everyone keeps asking him). Great star power, atmosphere, and lush interiors in this film, with Pfeiffer as the blue-blood, sarcastic street-smart and estranged daughter of Will's ruthless boss (played beautifully by Christopher Plummer) who replaces Will as senior editor of the publishing house he takes over, with younger, upstart punk Stewart (played by the flawless James Spader who is seemingly BORN to play these kinds of roles) and who we could really refer to as a "wolf-in-sheep's clothing" because he has everyone fooled that he is really a nice guy instead of the ruthless backstabbing coward he really is. David Hyde Pierce is also perfectly cast as Will's coworker and buddy who stands by him and whose role could have been expanded so he would have had more screen time, but hey, I'll take what I can get. The story is a refreshing and original modernization of the werewolf tale that has been told a thousand different ways that we have all seen throughout the history of cinema, complete with humor and gore and plot twists that keep it fresh and exciting. They even retained the mystical element of the story as well, but keeping it relevant with this day and age (Will's transformation enables him to deal with these hard situations in a way he was not previously capable of, so it is a joy, in a way, to see him come into his own so the deserving people get what's coming to them) and the effects on the different interpersonal relationships of the characters. The strange, slow-mo ending sequences of the film fall short compared to the first part of the movie (would a climactic werewolf battle include using gardening tools as weapons and attempted rape? um, probably not, but hey, suspension of disbelief is important here), but are unique and interesting enough to keep you guessing as to how the action will end and who will survive. Sit down with a hot cup of tea on a stormy night and enjoy this great re-telling of a classic horror movie story complete with humor, horror, and some great star power, which also includes Prunella Scales (remember Fawlty Towers?), David Jenkins, Kate Nelligan, Eileen Atkins, Ron Rifkin (who has one of the funniest lines in the film), and Allison Janney and David Schwimmer in bit parts - no pun intended!

Summary of Wolf

Sophisticated to a point, this well-executed wolf-man tale works due to its clever setting and enormous star power. We all know Jack Nicholson can go nuts, but the script makes his character aware of his changes, sometimes for the better, early on. The setting, a publishing house in the middle of a takeover, gives the characters dramatic life before the horror elements kicks in. A senior editor about to get the boot, Nicholson's character becomes a new man after being bitten by a wolf. He takes on challenges at work, lives a more robust life, and attracts a new love. But will his newfound energy consume him? Director Mike Nichols keeps the action alive in the first half, but the film peters out at the end with cheap theatrics and the overuse of slow motion. Michelle Pfeiffer has little to do as simply the love interest with a grittier than average personality. Better is James Spader as a smarmy colleague. Nicholson is in fine form, relying on his keen gift to spark interest (a twitch of the head, a look in the eyes), instead of heavy doses of movie makeup. Giuseppe Rotunno's sweeping camerawork sets the mood quite well. Easy to recommend, with the added feature it's hardly gratuitous. --Doug Thomas

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