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Winter Light by Ingmar Bergman
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DVD Cover InformationActor: Allan Edwall, Gunnar Björnstrand, Gunnel Lindblom, Ingrid Thulin, Max von Sydow Director: Ingmar Bergman Cinematographer: Sven Nykvist Writer: Ingmar Bergman Editor: Ulla Ryghe Producer: Allan Ekelund DVD: Region Code 0 Audio: Swedish (Unknown); English (Subtitled); Swedish (Original Language) Format: PAL Picture Format: 1.33:1 Running Time: 81 minutes Audience Rating: Unrated
Summary of Winter LightUnited Kingdom released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Swedish ( Dolby Digital 2.0 ), English ( Subtitles ), SPECIAL FEATURES: Filmographies, Interactive Menu, Production Notes, Scene Access, Trailer(s), SYNOPSIS: On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. After the service, he attempts to console a fisherman (Jonas Persson) who is tormented by anxiety, but Tomas can only speak about his own troubled relationship with God. A school teacher (Maerta Lundberg) offers Tomas her love as consolation for his loss of faith. But Tomas resists her love as desperately as she offers it to him. This is the second in Bergman's trilogy of films dealing with man's relationship with God. ...Winter Light ( Nattvardsgästerna ) Between 1961 and 1963, Ingmar Bergman released a remarkable trilogy of so-called chamber dramas, each one concerned with the futility of sustaining faith in God, family, love, or much else. The series proved transitional for the internationally renowned Swedish filmmaker, securing his crucial collaboration with cinematographer Sven Nykvist (with whom Bergman would go on to make his many masterpieces--including Persona and Cries and Whispers--of the '60s, '70s, and early '80s), and underscoring a new preference for intimate, relationship-driven stories, austere settings, and haunting tones of emotional isolation and despair. Following Through a Glass Darkly, Winter Light reunites Gunnar Björnstrand, this time playing a pastor suffering a crisis of faith while ministering to a shrinking congregation, and Max Von Sydow as a parishioner lost to acute anxiety over the possibility of a nuclear holocaust. Neither man can help or heal the other, or even inspire renewed confidence in practiced rituals and older, more certain views of the world. Set on a chilly, Sunday afternoon, Winter Light's heavy stillness, lack of music, preference for intense close-ups and distancing long shots, and barren setting all lead us inescapably into the core of a profound silence, an echo chamber in which love can't grow and religion rings hollow. The trilogy concludes with The Silence. --Tom Keogh
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