Wilhelm Backhaus/Karl Bohm: Beethoven - Piano Concerto No.4/Brahms - Symphony No. 2
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Canada DVD Cover InformationBrand: Naxos OF America INCDVD: Region Code 0 Audio: English (Unknown); English (Original Language) Format: Classical, Color, DVD, NTSC Picture Format: 1.33:1 Running Time: 73 minutes DVD Release Date: 2006-09-26 Audience Rating: NR (Not Rated) Studio: Euroarts Movie Reviews of Wilhelm Backhaus/Karl Bohm: Beethoven - Piano Concerto No.4/Brahms - Symphony No. 2Movie Review: The Four B's -- Beethoven, Brahms, Backhaus, Böhm
The main reason to buy this DVD is for the 1967 performance of the Beethoven Fourth Piano Concerto with Wilhelm Backhaus, piano, and the Vienna Symphony under Karl Böhm. The only other widely available DVD featuring the legendary Backhaus is an earlier one in which he plays the same concerto with Fritz Knappertsbusch and the Vienna Philharmonic. The present one is superior in most respects -- musically, sonically and visually. Unlike the earlier DVD, this one was filmed in color in a studio and thus there probably was some patching and editing involved; certainly the videography is freer and more inventive. In the earlier live B&W concert DVD one can barely see Backhaus's hands, the sound is in hissy mono, and the VPO, while wonderful, are not given very good sound. In the present DVD we get great closeup views of Backhaus's actual playing -- and my goodness he plays gloriously, especially for an 83-year-old! -- and intelligent videography of the orchestra and of Böhm. Clearly, though, the focus is on Backhaus. He is best-known for his playing of the central Austro-German literature and indeed he recorded the complete Beethoven sonatas twice, once each in mono and stereo, as well as all the concertos. The present performance, like most such by Backhaus, is somewhat understated but deeply felt. Most striking is his way with the second movement -- the one that Liszt is erroneously credited with having said is 'Orpheus taming the wild beasts' (it was actually A. B. Marx who wrote that, and Tovey got it wrong in his attribution to Liszt). Backhaus, with his immense gravitas, never raises his voice in this movement, except slightly in the one clear climax Beethoven wrote, and he 'tames the wild beasts' by virtue of his undeniable authority. He plays the second of Beethoven's known cadenzas in the first movement and one that he himself wrote in the third. Backhaus's cadenza is strikingly Beethovenian -- one is reminded, actually of the virtuosity of the Fifth Concerto's first movement -- while, unlike some modern cadenza writers, never breaking the conventions of early 19th-century piano writing. This is a memorable performance and to be able to see it as well as hear it makes it really treasurable.
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