White Feather
by Robert D. Webb
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DVD Cover Information
Actor: Debra Paget, Eduard Franz, Jeffrey Hunter, John Lund, Robert WagnerDirector: Robert D. Webb
Brand: TWENTIETH CENTURY FOX HOME ENT
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 4.0; English (Subtitled); Spanish (Subtitled); French (Dubbed), Dolby Digital 2.0 Mono; Spanish (Dubbed)
Format: Color, Dubbed, DVD-Video, Full Screen, NTSC, Subtitled, Widescreen
Picture Format: 2.35:1
Running Time: 102 minutes
DVD Release Date: 2007-05-22
Audience Rating: NR (Not Rated)
Studio: 20th Century Fox
Movie Reviews of White Feather
Movie Review: Directed with a Fair Hand and a Commendably Civil Tongue
Summary: 5 Stars
White Feather takes us back to 1877 Wyoming for the signing of a Peace Treaty. On the one side, we have the Sioux, Arapaho, Crow, Blackfeet, and Cheyenne Indians. On the other, we have the US Government. In the middle, we have Chief Broken Hand, the leader of the Cheyenne, and a complement of the US Calvary commanded by Colonel Lindsay, a man of considerable integrity and remarkable wisdom.
Josh Tanner, played by a young and handsome Robert Wagner, a topographical engineer dispatched by a group of wealthy individuals with interests in land development, also finds himself immediately implicated in the rapid movement of events.
Two young Cheyenne braves, Little Dog and American Horse, played by Jeffrey Hunter and Hugh O'Brian, add their hot blood to the escalation of rivalries.
In a role particularly suited to her undeniable charm and winsome beauty, we find Debra Paget playing the part of Appearing Day. She is sister to Little Dog and the daughter of Chief Broken Hand.
And let us not forget Virginia Leith. Her role is small as Ann Magruder, a lovely young woman with a vivid scar in her past, yet she is quite memorable. With the figure of a dancer and the face of a siren, she harbors a great deal of compassion.
"Sitting on a powder keg," as Colonel Lindsay described the conditions to Josh Tanner, leaves us in a position to extol the civilized behavior encountered multiple times during the intersection of peoples on opposite sides of a contest for land and life. Josh Tanner treats us to a most unusual and unexpectedly original solution to a brush with death, filling us with admiration and regard. It is no wonder that Appearing Day is moved in a magic moment to love and to cherish him. Debra Paget manages to embody these emotions and feelings in the unmistakable language of the heart, with unspoken words expressed so sincerely in her manner of adoration and devotion. Recognizing just how few minutes she had to accomplish this feat of communication is to applaud her performance and purity. Over and over.
Little Dog, son of Chief Broken Hand, is also drawn to Josh Tanner, a reflection of his respect for bravery and courage. He may also like his new comb (smile). It is his invitation to Josh Tanner to come to the Cheyenne village for a welcome feast that permits Josh a brief moment alone with Appearing Day. It is also here where Josh again proffers gifts, unknowingly encouraging Little Dog and American Horse to seek once again to reply in kind. And thus a friendship develops, fragile and delicate under the circumstances, but worthy of some trust. We watch as this trust is tested and find that both sides have their strengths and weaknesses. In this film, an assessment of those characteristics is left to the audience. It is directed with a fair hand and a commendably civil tongue.
Surprisingly, from beginning to end, we are confronted with only five deaths, just three of which are witnessed first hand. The last two signal an end to hostilities and place us on a path towards peace and enlightenment. If only it were true.
White Feather shares some attributes with an earlier film titled Broken Arrow, starring James Stewart and Jeff Chandler. While Debra Paget is the only person to appear in both, the two movies present similar conflicts in similar contexts. In Broken Arrow, Debra Paget is five years younger, approaching seventeen years of age, and equally enchanting. The cinematography of Broken Arrow manages to catch her in the most dazzling light. She fairly glows. Clearly, for me, Debra Paget is the major attraction in both of these films even if the scripts tend to provide little time with her.
Summary of White Feather
The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when one the officers falls for the chief's daughter.Run Time: 264 minutesFormat: DVD MOVIE Genre:?WESTERN/MISC. Rating:?NR UPC:?024543436935 Manufacturer No:?2243693The title refers to the symbol used by Indians to signal their intention to wage war, but White Feather is actually more about peace. Set in the late 1870s, director Robert Webb's film centers on efforts by the U.S. Cavalry, led by Col. Lindsay (John Lund), to negotiate a treaty with various tribes wherein the Indians will relocate and leave their Wyoming territory so white settlers can prospect for gold. The Blackfeet, Crow, Sioux, and Arapaho all seem willing; only the Cheyenne, led by pragmatic Chief Broken Hand (an affecting Eduard Franz) and his fiery son Little Dog (Jeffrey Hunter), are holding out. Enter Josh Tanner (Robert Wagner), a surveyor who's there to map out the town that will spring up once the gold is mined. Tanner makes friends with Little Dog and his sidekick, American Horse (Hugh O'Brian, who was about to assume the role of Wyatt Earp in the TV series about that legendary marshal), and falls in love with Little Dog's sister, Appearing Day (Debra Paget). Complications ensue, as this Western Side Story romance threatens to derail the impending treaty, leading to a final confrontation brought on by the delivery of the white feather. Notwithstanding the inherent absurdity of the treaty (as in most such agreements, the Indians were screwed), the filmmakers handle the issues even-handedly, taking a peaceful point of view that shows considerable sympathy toward the Cheyenne and allows both sides to proceed with dignity and honor. There are plenty of flaws: Wagner, just 25 at the time of this 1955 film, is handsome but bland in the lead role; the romance is handled rather clumsily (after their first kiss, Appearing Day tells Tanner, "I would like it again, please... but longer?"); and even though the Indians are depicted respectfully (of course, they didn't go so far as to cast actual Native American actors), the stereotype of the proud, noble savage so primitive that he can be entranced by a pocket comb persists. Still, White Feather looks good (it was filmed in Technicolor and CinemaScope) and more than holds one's attention throughout its 102-minute running time. Extras include an "interactive pressbook gallery," various still photos, and more. --Sam Graham
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