Movie Reviews for Whirlpool

Whirlpool

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Movie Reviews of Whirlpool

Movie Review: The Tierney Magic
Summary: 5 Stars

The suspense is totally engrossing, and serves as a good example of Otto Preminger's mastery of the genre. Gene Tierney's performance is deeply moving as she plays the kleptomaniac spouse of a famous psychiatrist, Richard Conte, who falls into the clutches of a nefarious charlatan. The Tierney magic works at full potency as she emotes the conflicting thoughts and feelings that tear at her soul.
Jose Ferrer as the sociopathic astrologer/hypnotist, is completely sinister as he cons, then blackmails, rich women in need of psychiatric help out of their fortunes. Whirlpool is a must for suspense freaks and film noir addicts. Reminiscing a bit about Laura, Otto Preminger created a point of rendezvous for past and future shades. Ironically, this film foreshadows the kind of desperate battle into which Gene Tierney will later be caught up in, as she fights to stay afloat in her own swirling torrent.

Movie Review: Whirlpool...
Summary: 5 Stars

I bought this DVD based on the overall approval of my fellow Amazoners. But, I haven't had time to open and watch it! Caught it on cable at 4am today! I for one, liked it. Good Film Noir! I can't add anything that already hasn't been said (nor will I detract, as I have nothing negative to say about this DVD). I will watch this again!

I rate Whirpool: 5 stars.

P.S., For the record, I also bought these Otto Preminger-Directed films: Fallen Angel, Where the Sidewalk Ends and, that classic-of-classics, LAURA. Among the Amazoner opinions, LAURA scores the highest! The prices are right and these are great Film Noir choices. Buy all four and have a Film Noir party...but, watch your DVDs, they may grow legs and disappear!

Movie Review: Pure noir
Summary: 5 Stars

This film and its DVD treatment are superb. There's nothing left to say that hasn't already been said in great detail by other reviewers but as a classic film fanatic and a film noir junkie I cannot recommend this title enough. If you've seen and enjoyed 'Laura' and or 'Where the Sidewalk Ends', both also starring the breath-taking Gene Tierney and directed by Otto Preminger, have no hesitation in securing this DVD for your collection. The price is at least half what it's worth!

Movie Review: "I dislike inspiring so much terror in such a lovely woman."
Summary: 4 Stars

Believe it or not, Whirlpool (1949) is my very first Otto Preminger film, probably because I spend a great deal of time rummaging around in the cinematic `bargain bin', meaning many of the movies I watch (almost exclusively on DVD) tend not to be of the highest caliber...that's not to say I don't enjoy wonderful films like this, but I may not review them as often as I should...anyway, based on a novel by Guy Endore titled "Methinks The Lady", and directed by Otto Preminger (Laura, The Man with the Golden Arm, Porgy and Bess), the film stars the very lovely Gene Tierney (Laura, Leave Her to Heaven, The Razor's Edge), Richard Conte (Call Northside 777, The Blue Gardenia, Ocean's Eleven), and José Ferrer (Cyrano de Bergerac, Moulin Rouge), whom I'm thankful to see in a decent, if not excellent role, given the last two films I saw him in, Dracula's Dog (1978) and Bloody Birthday (1981), were hardly vehicles that showcased his true talents, but I suppose in Hollywood, to maintain a sense of longevity in terms of an acting career, you take what you can get...also appearing is Charles Bickford (Brute Force, A Star Is Born) and Barbara O'Neil (Gone with the Wind, I Remember Mama).

As the film begins we see an attractive woman (Tierney) leaving a department store (stores have valet parking? I gotta get out more...), soon to be accosted by the store detective, as she's caught stealing an expensive trinket. As she's hauled back in, protesting all the way, a man named David Korvo (Ferrer) recognizes the woman, and comes to her aide. Turns out she's Ann Sutton, wife to a prominent and affluent psychoanalyst named Dr. William Sutton (Conte). The management, seeing the possibility of negative publicity for the store, releases Ann (must be nice...if this happened to me I'd probably be enjoying the comforts of a 6 by 9 concrete room with burly man named Bubba), but thus begins her relationship with Korvo, an oily, opportunistic, highly intelligent and perceptive con artist who passes himself off as a doctor of sort, his specialty being astrology and hypnosis. Given this recent event, you'd think it a prime opportunity for blackmail, but Korvo expresses interest in helping Ann with her issues, which include a persistent case of insomnia. Ann secretly takes Korvo up on his offer mainly due to the fact her husband doesn't know about her condition, as she's afraid of the adverse effects her problems may have on her husband's career (and their marriage) if word ever got out, but Korvo's machinations prove a slippery slope marked with lies, deceit, and even murder.

There were two stand out performances here for me, that of Gene Tierney, sporting a very short hairdo (she looks so much better with it long), and José Ferrer, whose credentials I began to question lately due to some of his later choices in film roles. Tierney does a great job filling out her character, one full of emotion, passion, fear, love, and confusion. She's a strong, beautiful, and intelligent woman, struggling with her supposed role in life, specifically the perceptions of what she's supposed to be, and what she would like to be...the psychological conflict is purposely buried, but ends up manifesting itself in strange behavior. Ferrer's character, picks up on this enough so to work himself around it, insinuating himself into Ann's life, and setting in motion a carefully crafted, highly devious plan designed to misdirect, confuse, and obfuscate the truth. Oh how I hated him (his character, that is)...he was so manipulative, smug and pretentious...and greasy...oh, not physically, but on the inside. Some of my favorite lines in the film occur at the afternoon society party thrown for Korvo, as he makes various cloaked, verbal jabs at his host...was she deserving? Probably so, but once you get a full realization of from who the remarks are coming from, it tends to feel much like the pot calling the kettle black, except for the fact the kettle is really only gray and the pot is completely charred. Does that make sense? Probably not...the really interesting thing about this movie is I doubt any of the characters here are people I'd want to spend time with...a thief who has clandestine meetings with another man and keeps past indiscretions from her spouse, her knuckleheaded husband who sees his wife as more of a trophy rather than an individual, despite obvious signs the role is not a good fit for her, and a top notch con man willing to do anything to protect himself from trouble. As far as the rest of the performances, some were good, albeit familiar (Bickford), while others seemed acceptable (Conte). As intelligent as Conte's character was supposed to be, he seemed always a few steps (at least) behind what was actually going on...I guess the difficulty I had here was not with the performer, but more so the character, as he presented these perfectly simplistic notions with regards to his relationship with his wife (along with some associated lines of dialog), unable to sense the turmoil developing within, especially given his profession. Was it a case of not seeing the forest for the trees? No, it was more like not seeing the forest or the trees...I found it hard to buy off that Conte's character could be as noted and respected as he was within his profession, yet so dense when it came to his own wife. Despite this gripe, the overall story is solid, interesting and filmed immaculately well, and the dialog strong and supportive and in tune of the differing characters and the performers playing them. The story does feature some fantastical elements to be sure, but there's a level of complexity within the material that can actually support the burden, and create a sense of plausibility, for myself, at least...

The picture on this DVD, presented in the original aspect ration (1.33:1), looks exceptionally clean and sharp, and the audio comes through excellent, available in both Dolby Digital stereo and Dolby Digital mono. Special features include a commentary track with film critic Richard Schickel, a theatrical trailer, and trailers for other Fox noir DVD releases like Call Northside 777 (1948), The Dark Corner (1946), House of Bamboo (1955), Laura (1944), Nightmare Alley (), Panic in the Streets (1947), and The Street with No Name (1948).

Cookieman108

Movie Review: "I can't remember anything about what happened!"
Summary: 4 Stars

One of the first things that struck me about Whirlpool is how good an actress Gene Tierney actually was. She does such a terrific job of portraying both the vulnerability and desperation of her character.

Set in Los Angeles, Whirlpool is an unassuming and unpretentious thriller that sort of fits the mold of noir. The movie certainly isn't the best example of the genre, but it does have many fine elements that, combined with Ms. Tierney's performance, make it eminently watchable.

Gene Tierney stars as Ann Sutton. Ann is the wealthy and respectable wife of successful psychiatrist Dr. William Sutton (a marvelous Richard Conte). The film opens as Ann is caught shoplifting a jeweled broach from a ritzy department store. The police and the store manager are determined to prosecute, but she gets off the hook thanks to David Korvo (Jose Ferrer), a mysterious hypnotist whom Ann employs to help her sleep.

Ann initially thinks that Korvo is out to blackmail her, and she offers him a large some of money to keep him quiet. Korvo, however, has another, far more furtive agenda. As he gradually builds Ann's trust, it soon is revealed that he has been having an affair with Sutton's former patient Theresa Randolph (Barbara O'Neil).

Shortly thereafter, Theresa turns up dead, and Ann is implicated as the murderer since she was found at the scene of the crime. Ann is arrested and charged with murder, but bitterly denies involvement telling her kindly husband that she just can't remember anything. So, who is the murderer? Surely it can't have been Korvo, as he was in the hospital during the time of Theresa's death.

It is left up to Lt. Colton (Charles Bickford) to use his detective skills and Dr. Sutton as the committed psychiatrist to break the hold that Korvo has on Ann and finally learn the truth behind the Theresa's murder.

Ferrer is terrific as the enigmatic Korvo. From the beginning it's plainly obvious that he's a sleazy, amoral confidence trickster, who is probably out to milk the Ann of her money and nothing happens to compromise his position. Richard Conte is also very good as Ann's concerned husband; he knows that his wife is not guilty but he's frustrated at the lack of inaction on behalf the local police to prove her innocence.

The issues of hypnotherapy, especially with the idea that hypnosis can make people do stuff they don't want to, is also interesting. Although, by today's standards it perhaps doesn't carry the kind of psychological weight and dramatic punch that it did back when the film was made.

Perhaps influenced by the wave of films during the period that utilized the growing field of hypnotherapy the picture might have seemed a bit fresher when it was first released. However, the Whirlpool is still fun to watch, especially for the lovely Gene Tierney who apparently used Whirlpool as a comeback after a two-year absence. Mike Leonard September 05.
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