Whirlpool
by Otto Preminger
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DVD Cover Information
Actor: Barbara O'Neil, Charles Bickford, Gene Tierney, José Ferrer, Richard ConteDirector: Otto Preminger
Brand: Whirlpool
Cinematographer: Arthur C. Miller
Producer: Otto Preminger
Editor: Louis R. Loeffler
Writer: Andrew Solt
Writer: Ben Hecht
Writer: Guy Endore
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 1.0; English (Subtitled); Spanish (Subtitled); English (Original Language), Dolby Digital 1.0; Italian (Original Language); English (Dubbed), Dolby Digital 1.0
Format: Black & White, Dubbed, DVD, Full Screen, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 98 minutes
DVD Release Date: 2005-09-06
Audience Rating: NR (Not Rated)
Studio: 20th Century Fox
Movie Reviews of Whirlpool
Movie Review: Tierney's best acting. A noir treat!
Summary: 5 Stars
This is a marvelous film noir story set in every day upper-middle-class America. It presents the popular ambivalence felt at the time about psychoanalysis, with one "good" Doctor and one charlatan.
I am a fan of Gene Tierney, without thinking she a great actress. She was exceptionally pretty, had a very polished manner, and very average in range. This made her a wonderful representative of both the middle class, and their hopes of being refined. To my mind, while this is not her best film (That being either THE GHOST AND MRS. MUIR or LEAVE HER TO HEAVEN), this IS her finest acting work. It uses her blankness to advantage, and this script also gives her the pathos and confusion to vent full emotional range which is rare for her films. (To the observant person, it also displays the flaws of her presentational acting style; as when she breaks down in a torrent of bitter tears, and looks up afterwards - dry eyed and serene. But for THIS film - playing a woman completely divorced from her own emotions - even that works to the benefit of the plot.)
An actor is always helped - made better, challenged more - by working with other great actors, and she is working here with one of the very best, Jose Ferrer. This was shortly before his academy award win in CYRANNO, and quite possibly, this incredibly complex performance contributed to that win, he is simply excellent. All screen villains should watch this, every second of his performance is filled with a gamut of emotions, and mundane details. It is clear that not only is his character the smartest person in the room, but Ferrer may be as well. Tierney carries the story and Ferrer moves it along. Charles Bickford also gives a marvelous performance in a smaller, yet layered role as the rumpled, grieving Detective.
Richard Conte, is the real oddball casting. His street-tough demeanor is what carried his career. (He is magnificent as the psycho mob boss in stylish expressionistic noir film, THE BIG COMBO.) So it was an interesting choice to cast him as the intellectual top-notch psychologist, and ideal husband, but it doesn't really work. We just can't really believe that people would turn to him for help, that level of sensitivity isn't there. Ultimately, this is an undercurrent of the movie, however, and Director Otto Preminger may have been making the point that even a good Psychiatrist may not be that good for people.
This film was probably shocking in its day - not very nice - like watching those lovely people next door have a drunken brawl. A larger theme which is being exposed here is that the "perfect post-war life" is an empty façade. Since this was made in 1949, this film presents a very early warning shot across the bow of the "Cleaver Family" façade. It would be almost 10 years before this was a much more common thread, in such movies as the Kim Novak/Kirk Douglas "STRANGERS WHEN WE MEET," and then films with James Dean, who became the poster boy of idyllic family life with a dysfunctional core.
The talented Ben Hecht wrote the screenplay with Andrew Solt, based on a novel by Guy Endore. Much more than mystery, much more than noir, this is a very fine story with good plot twists, emotional life (which is usually absent or ice-cold in noir), developed with subtlety and brains. It is still a joy to watch for itself, but made timeless by the despicable, love-to-hate-him performance of Jose Ferrer.
Summary of Whirlpool
A habitual shoplifter falls prey to a fraudulent hypnotist and winds up accused of murder, leaving her psychoanalyst husband to figure it out.Genre: Feature Film-Drama
Rating: NR
Release Date: 6-SEP-2005
Media Type: DVD
Laura will always be director Otto Preminger's most beloved movie, but he gets closer to the essence of film noir in this fascinatingly slippery item about a psychiatrist's wife whose weakness for kleptomania makes her prey to an oily hypnotist, con artist, and manipulator par excellence. The fashion-plate wife (dresses, robes, and peignoirs by Oleg Cassini) is played by Laura herself, Gene Tierney. The mellifluous conniver is Jose Ferrer, coming off like the illegitimate son of Waldo Lydecker ("I'm so glad you're here--you make Tina's party seem an almost human event"). Among other things, Ferrer would probably like to get Tierney into bed, and a good many people--including Richard Conte as the caring husband--come to believe he has. But that's not the extent of his ambitions, and before long Tierney has been framed for a murder of convenience to clear up another bit of messiness in the cad's career. Whirlpool's mise-en-scène has a sinuous fluidity and subtle play of light and shadow (it was among the last films shot by that master of black-and-white, Arthur C. Miller), and the complexly structured screenplay--by Ben Hecht and Andrew Solt--takes us by surprise in reel after reel. There's nothing redeeming about Ferrer's character (except how much pleasure his villainy affords), but Preminger doesn't really side with any of the characters or permit our facile identification with anyone. Different parts of the movie are dominated by each of the key figures, including police detective Charles Bickford, and we keep learning there's more to each of them than we initially assumed. Whirlpool's a good title for it. Dive in. --Richard T. Jameson
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