We Jam Econo - The Story of the Minutemen
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DVD Cover Information
Actor: MinutemenDVD: Region Code 1
Audio: English (Original Language), Unknown; English (Subtitled); French (Subtitled)
Format: Color, Dolby, DVD-Video, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 91 minutes
DVD Release Date: 2006-06-27
Audience Rating: NR (Not Rated)
Studio: Plexifilm
Movie Reviews of We Jam Econo - The Story of the Minutemen
Movie Review: We Film Econo!
Summary: 5 Stars
I've been more of an "appreciator" of The Minutemen for years, not really pursuing their music but not changing the station if they came on. After watching "We Jam Econo" I feel like I understand why they made the music they made. It wasn't pretty. They weren't pretty. They weren't making music about pretty things. Their workman ethos guided their creative output allowing them to constantly explore but always remain true to something. I think this film nailed that smack on the head with great interviews and amazing live footage.
The film proceeds with intertwining threads of our brave captain Mike Watt, looking rougher than ever, driving his van on a tour of San Pedro pointing out important landmarks and a vintage Minuteman interview where we learn the most about what motivated them. In between, we get some choice soundbites from the likes of Rollins, Ian McKaye, Keith Morris, and Thurston Moore that help put the band and the music in to context. It was a treat to see the likes of Chuck Dukowski, Keith Morris and even an appearance by Kira Roessler. Having only seen them in pictures it made them seem like real people to hear them speak. I can't imagine you'll see many of these people on film again.
The real star of "We Jam Econo" has to be the generous live footage from all stages of The Minutemen's career. I never saw them live but watching clips of old Minuteman shows blew me away. The film did a great job demonstrating how each member fought tooth and nail, instruments as weapons, to keep the songs going such a crazy intensity while not careening out of control. You see the drummer, Chad Hurley, literally muscling his kit in to submission while Watt struggles to keep his bass from exploding. Meanwhile, D. Boon defied the laws of physics by frantically jumping across the stage while playing some clean blues licks then returning to his mic just in time to spit out the next lyric.
I did appreciate the filmmakers not lingering on D. Boon's death. Once you understand this band and what held them together for those years, you realize there's no way to present the subject that wouldn't seem maudlin. There's a finality in his death that makes sense when you consider how the band lived on the knife's edge. Like the period at the end of a sentence. The reality of putting yourself out there is that when bad things happen, they hit you the hardest. How you soldier on with life is best summed up by the last line in the film.
Summary of We Jam Econo - The Story of the Minutemen
WE JAM ECONO - THE STORY OF THE MINUTEMEN is the acclaimed feature-length documentary on the too-brief life of one of the most revered, intriguing, and inspired American bands ever. At the heart of their story is the immeasurable personal and musical bond between bassist Mike Watt and singer and guiatrist D. Boon. Childhood friends, their unbridled creativity and political views were the foundation of this groundbreaking band which refused to be categorized as Punk.The film weaves together personal tales from Watt and drummer George Hurley with archival interview footage of the band and rare live performances. New interviews with over 50 musicians, artists, journalists, and friends help tell the Minutemen story, from their humble beginnings in the harbor town of San Pedro, California, to the tragic 1985 death of D. Boon in a highway accident in the Arizona desert.
Chances are if Alt-Rock changed your life in the 1990s you have the 1980s band The Minutemen to thank. And for those of you who missed out when The Minutemen were at the top of their game, you're in luck. We Jam Econo - The Story of the Minutemen is the long-awaited documentary of this wildly eclectic, seminal indie punk band. San Pedro High School graduates and long time friends D. Boon (guitar), Mike Watt (bass), and George Hurley (drums) formed The Minutemen in 1980 in the wake of the late seventies punk explosion. The Minutemen's trademark sound was a unique blend of punk, funk, classic rock riffs, mexicali rhythms and jazz beats sprinkled with a healthy dose of left wing politics and angst. These genres were often blended together into the same song and played in rapid fire bursts clocking in at one to two minutes tops. Their relentless touring and recording helped The Minutemen build a solid underground following while winning praises of music critics everywhere. After releasing their magnum opus Double Nickels On the Dime (1984) and opening for REM in 1985, the Minutemen were quickly rising to the top of the American Underground/College Rock heap. It looked as though super stardom may have been on the horizon for the boys from San Pedro. Sadly, the ride would be cut short when front man D. Boon died in a car crash on December 22, 1985. Culled from hours of home video footage, live concert footage and new interviews with Mike Watt and George Hurley, We Jam Econo chronicles the band from their early teen years, the band's roots in the 1980s Southern California hardcore scene, right up to the tragic death of front man D. Boon. We Jam Econo also includes loads of interviews from fellow musicians that read like a "who's who" list of the 1980s punk/ hardcore scene including the guys from Black Flag, X's John Doe, Minor Threat/ Fugazi's Ian MacKaye, H?sker D?'s Greg Norton and Grant Hart, Flea from the Red Hot Chili Peppers, Dead Kennedys' Jello Biafra, Dinosaur Jr.'s J. Mascis, Sonic Youth's Thurston Moore and Lee Ranaldo, among many other admirers. The extras on this DVD include deleted scenes and extended interviews, their music videos and a complete band interview from 1985. By far the best extra on this set are the three complete live Minutemen performances from 1980, 1984, and 1985. --Rob Bracco
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