Videodrome (The Criterion Collection)

Videodrome (The Criterion Collection)
by David Cronenberg

Videodrome (The Criterion Collection)
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DVD Cover Information

Actor: Deborah Harry, James Woods, Leslie Carlson, Peter Dvorsky, Sonja Smits
Director: David Cronenberg
Brand: Image Entertainment
Cinematographer: Mark Irwin
Writer: David Cronenberg
Editor: Ronald Sanders
Producer: Claude Héroux
Producer: Lawrence Nesis
Producer: Pierre David
Producer: Victor Solnicki
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Subtitled); English (Original Language), Dolby Digital 2.0 Mono
Format: Anamorphic, Closed-captioned, Color, DVD, NTSC, Special Edition, Widescreen
Picture Format: 1.85:1
Running Time: 87 minutes
Published: 2004-08-01
DVD Release Date: 2004-08-31
Audience Rating: R (Restricted)
Studio: Criterion

Movie Reviews of Videodrome (The Criterion Collection)

Movie Review: One of the Best Criterion DVDs
Summary: 5 Stars

Videodrome is not only one of the top three horror/sci-fi movies made in the last 25 years it also has the distinguishing trait of having been given one of the best royal treatments from Criterion. If you need basic plot and such look elsewhere. This review is more about why this is one of the greatest films of all time.
First, the film: A must-have for any film collector, not just a horror or sci-fi buff. James Woods plays a Cable-TV station owner who broadcasts soft-porn and adult entertainment. His favorite technician shows him a pirated TV show called Videodrome in which people are tortured and killed. Woods pursues this show, watching more and more of it until his investigations lead him to two sources: The Videodrome show producers itself and the show's arch-enemy, The Cathode Ray Mission. Woods discovers that the show transmits a signal that creates a tumor in the brain that leads to S+M hallucinations. Woods begins to hallucinate incredible sexual/violent nightmares ( the fleshy TV set)and finds himself as a pawn between the two entities. Videodrome plans on using Woods' station to transmit the violent Videodrome show in order to kill the audience of porn. Videodrome owner Barry Convex "programs" Woods to kill his partners at the station and the Cathode Ray Mission Leader, Bianca O'Blivion. Bianca "counter programs" Woods into killing the Videodrome people. Bianca declares that Woods has "evolved" (Darwinism on its ear) into The New Flesh, an allegory of an information-age human with a body that mutates via hallucination. In the end, Woods, alone and his head filled with tumors, is prompted by his now dead girlfriend (Deborah Harry in the flesh TV set) to "evolve" into the next stage by shooting himself. Woods kills himself exactly as the fleshy TV set instructs him to do, declaring: "Long live the New Flesh."

Cronenberg gathered many parts of a script and ideas together to create a near avant-garde film that uses TV and fanatical programmers as villains. This movie sets the thriller basis for which The Matrix and The Ring would so heavily borrow from. Cronenberg's approach is different from his previous film SCANNERS in that the protaganist's perspective (a tremendous James Woods) becomes the actual subject of the movie. Since Videodrome has probably been seen my almost everone who reads this I need not bother to summarize the plot any further. Suffice to say that what starts out as an already interesting and challenging portrait of a soft-porn Cable-TV station owner looking for the next big thing in the adult entertainment world evolves into a nightmare that relentlessly never eases until the very last frame. This psychotic world and body (called The New Flesh)that Woods now finds himself becomes an allegory for our dependance and adhearance to Media and TV in particular. The concepts of "downloading" and "programming people" was, back in 1981, revolutionary. Kafka meets Tom Edison. The villains are evangelical and are either using the cancer-tumor inducing "videodrome" signal to kill sinners (Barry Convex looks like Jimmy Baker) or, in a twist of Darwin, the Cathode Ray Mission using the signal to "evolve" people to the next state of our existance: a personified information society of hallucinating, mutated people. This film was ahead of its time by decades and is still a significant movie using TV/Media as the vehicle for great evil, as prompted by an already receptive audience. Cronenberg suggests that we have created a TV Pornographic Frankenstien that is out of control.

The DVD: Two discs, both essential. The commentary from Cronengerg and James Woods is particulary interesting. Deborah Harry comments as well. The extras on Disc two feature excellent interviews with the special effects team, and a TV interview show from Canadian TV with John Carpenter, John Landis, and Cronenberg. The making of film is good and the actual torture and porn videos shot especially for the film are just bizzare to see, and they are provied with commentary. The DVD case is made to look like a betamax cassette that reads: Long Live the New Flesh. I love this movie, I always have. Yes, it has dated a little bit, but its one of those few movies that gets better with age. In fact, the dating of the effects adds significance to the visionary horror concept itself, light years ahead of its time. This is Cronenberg's masterpiece and everyone associated with it can consider themselves lucky. Make yourself among these lucky and get this DVD set.

Summary of Videodrome (The Criterion Collection)

When Max Renn goes looking for edgy new shows for his sleazy cable TV station, he stumbles across the pirate broadcast of a hyperviolent torture show called "Videodrome." As he unearths the origins of the program, he embarks on a hallucinatory journey into a shadow world of right-wing conspiracies, sadomasochistic sex games, and bodily transformation. Renn?s ordinary life dissolves around him, he finds himself at the center of a conflict between opposing factions in the struggle to control the truth behind the radical human future of "the New Flesh." Starring James Woods and Deborah Harry in one of her first film roles, Videodrome is one of writer/director David Cronenberg?s most original and provocative works, fusing social commentary with shocking elements of sex and violence. With groundbreaking special effects makeup by Academy Award®-winner Rick Baker, Videodrome has come to be regarded as one of the most influential and mind-bending science fiction films of the 1980s, and The Criterion Collection is proud to present it in its full-length unrated edition.
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