Verdi: Rigoletto [Blu-ray]
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Canada DVD Cover InformationActor: Mosuc, Nucci, Santi, Zurich Opera HouseComposer: Verdi Blu-ray: Region Code 0 Audio: English (Unknown); English (Subtitled); Italian (Subtitled); German (Subtitled); French (Subtitled); Spanish (Subtitled); Italian (Original Language), DTS-HD 7.1 Format: Classical, Subtitled, Widescreen Picture Format: 1.77:1 Running Time: 128 minutes Blu-ray Release Date: 2008-11-18 Audience Rating: NR (Not Rated) Studio: Arthaus Musik Movie Reviews of Verdi: Rigoletto [Blu-ray]Movie Review: Rigoletto--film or staged version ?
For many opera fans the favourite Rigoletto on dvd remains the 1983 film version starring the young Pavarotti as the dashing Duke, his irrepressible singing and high spirits contrasting sharply with the gut wrenching wretchedness of the jester played by Wixell almost to perfection,and of course the inimitable Gruberova as Gilda the jester's daughter.(For me this together with the Domingo/Migenes 'Carmen', and the Domingo/Stratas 'La Traviata' represents the best of opera films). Now comes the 2006 production of Rigoletto, staged by the Zurich Opera House with Chorus and Orchestra wonderfully conducted by Santi, recorded in High-Definition and transfered to an Arthaus Blu Ray disc of breathtaking quality. I'm not exaggerating. Even by today's Hi-Def standards, the picture quality here is simply stunning: inky blackness, realistic night time scenes accurately rendered with proper light and shadow effects, atmospheric blue lighting, and the sets and costumes show up in vivid pop-up colours with razor sharp contrasts. The audio is no less exemplary, with the DTS HD MA 7.1 presenting a wide and believable soundstage within which the singers' voices are clearly 'imaged'. No balance problems here. In fact, this disc is technically a near reference recording which will warm the hearts of audiopliles and videophiles everywhere. But what about the performance itself? Well, here Leo Nucci steals the show, his rich and dark-toned voice and excellent vocal characterisation both satisfy and convince. In Act 1, he is the cynical court jester and is nasty cockiness personified. Come Act 2, his is the voice of the enraged father hell bent on vengeance against his Duke and in the final Act we hear the sobs of a broken man cradling his dying daughter Gilda. The downward metamorphosis is heartbreaking and the human degradation devastating. Elena Musoc whilst not in the same league as Gruberova in coloratura, sings beautifully and in many ways fills the role of the tragic daughter better. Of course the cherry in the pie of the film version is Pavarotti's high octane rendition of "La donna e mobile", whereas here the Duke(Piotr Beczala) is much less flamboyant and tosses off the famous aria in an almost casual style without much of the spotlight, which suits me fine, but most fans would find Pavarotti's approach irresistible. Overall the film version gives an impression of more dynamism and visual excitement, in part due to the relative freedom of film-making versus the physical confines of the traditional stage, but this by no means suggest that the Zurich version is somehow static or staid. Far from it. This version scores in its intimate telling of a harrowing tragedy and the depths of human suffering, is as well acted and sung as the other without the superstar names, and in the video and audio department is streets ahead of the older film. This superiority greatly enhances the viewing pleasure. Even if you have the film version, I would still highly recommend this Zurich production to you. Truly this is a 5 star disc. Enjoy!!
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