Variety Lights (The Criterion Collection)

Variety Lights (The Criterion Collection)
by Federico Fellini

Variety Lights (The Criterion Collection)
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DVD Cover Information

Actor: Carla Del Poggio, Dante Maggio, Giulietta Masina, John Kitzmiller, Peppino De Filippo
Director: Federico Fellini
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Italian (Original Language), Dolby Digital 2.0 Mono
Format: Black & White, DVD, Full Screen, NTSC
Picture Format: 1.33:1
Running Time: 93 minutes
DVD Release Date: 2000-08-22
Audience Rating: Unrated
Studio: Criterion

Movie Reviews of Variety Lights (The Criterion Collection)

Movie Review: My favorite neo-realist Fellini film
Summary: 5 Stars

First thing first, the DVD cover is misleading. Guillietta Masina does not star in Variety Lights. She is a co-star with a fair amount of screen time. It's worth picking up simply for her performance because when she is on screen she shines. Masina plays Melina a woman who is wronged by her man (a reoccurring theme she will revisit in La Strada, Nights of Cabiria and Juliet of the Spirits). Checco, Melina's man, is a delusional womanizing manager of a vaudeville troupe who takes under his wing Liliana, a girl with stars in her eyes who will stop at nothing to achieve her goal. Liliana's "skirt less" number is a highlight for me. What a great song! Checco, much to Melina's chagrin, unsuccessfully tries his hardest to impress Liliana with his so called "connections" and can barely contain his jealously over Liliana's many suitors. Liliana slowly transforms from "innocent" girl to a calculating manipulative shrew who uses Checco to further her ambitious career goals and thinks nothing of squashing his dreams. The changes in Checco and Liliana are so subtle that by the time the inevitable climax is reached I was hard pressed to tell which character I disliked the most. Ultimately, it's the tragically loyal Melina with whom I sympathized. This film is a true testament to Fellini's genius as a filmmaker. Out of all of Fellini's tragic neo-realist films this is my favorite. I passionately loved and hated many of the characters and at times found myself yelling at the television. A must for any Fellini fan.

Summary of Variety Lights (The Criterion Collection)

A beautiful ingenue joins a tawdry music hall troupe and quickly becomes its feature attraction in Fellini's stunning debut film (directed in collaboration with neorealist filmmaker Alberto Lattuada). Featuring Giulietta Masina, Fellini's wife and frequent leading lady, Variety Lights introduces the director's affection for the carnivalesque characters that frequent the cinematic landscape of such classics as Nights of Cabiria, La Strada, and La Dolce Vita. Criterion is proud to present Variety Lights in a beautiful digital transfer.
Federico Fellini codirected this film from his own story about a romance between an ambitious young dancer and the aging manager of a variety theater in Rome. It's a sharply realized first effort, showing that Fellini could work his magic even in 1950. The dancer--played with luscious, complicated innocence by Carla del Poggio--talks her way into Signor Checco's troupe by showing him her legs. The others, including his girlfriend (Giulietta Masina), protest, but Checco takes her into the poverty-stricken group anyway. Soon enough, he is justified: Their sparsely attended shows are suddenly packed with men stomping their feet and whistling for "the Redhead." Checco not-so-secretly wants her himself, and she lets him think he might get her (even while looking for someone else with money.) The film's many lively performances include Giulietta Masina, whose eyes register pluck, resignation, and weariness in a moment as she watches her guy fall in love. Poggio is good, too: When she gets what she wants, her face slides into a quiver of doubt about its value. Self-delusion, arguably the main arrow in Fellini's quiver of themes, gets a subtly layered treatment here, and Fellini, so extravagant later in his career, shows an early talent for, of all things, restraint. --Lyall Bush
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