Two Short Films by François Truffaut (Les Mistons / Antoine et Colette)

Two Short Films by François Truffaut (Les Mistons / Antoine et Colette)
by Francois Truffaut

Two Short Films by François Truffaut (Les Mistons / Antoine et Colette)
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DVD Cover Information

Actor: Bernadette Lafont, Gerard Blanc, Jean-Pierre Léaud, Marie-France Pisier, Patrick Auffay
Director: Francois Truffaut
DVD: Region Code 0
Audio: English (Subtitled)
Format: Black & White, Color, DVD, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 47 minutes
DVD Release Date: 1999-09-07
Audience Rating: NR (Not Rated)
Studio: Fox Lorber

Movie Reviews of Two Short Films by François Truffaut (Les Mistons / Antoine et Colette)

Movie Review: Les Mistons: What a discovery!
Summary: 5 Stars

A boy bends down to smell the bicycle seat of a beautiful girl. A young woman laughs and giggles her way through a game of tennis with her lover. An elderly man sprays water at a young rascal. Forgettable yet utterly unforgettable moments are captured on film in Truffaut's enchanting short film LES MISTONS.

LES MISTONS is a beautifully conceived story that seizes the attention from start to finish. Truffaut brings together the artistic endeavour and human spontaneity that characterized the best of the French Nouvelle Vague in the '50s and '60s. It is a real pleasure to watch a simple tale told so engagingly, so cinematically, a tale in which the the smallness of everyday life intersects with the vastness of human existence and emotion.

Summary of Two Short Films by François Truffaut (Les Mistons / Antoine et Colette)

François Truffaut's 1957 short "Les Mistons" (roughly translated to "The Brats") is an early testament to Truffaut's affinity with kids and his first exploration of impossible love. Five boys palling around one summer fall for a teen beauty, but as the narrator (one of the five) describes, "Too young to love Bernadette, we decided to hate her--and torment her." These adolescent boys are neither cute nor innocent, but Truffaut sympathizes with the frustration born of budding hormones and sexual mystery. In 1962, he revisited similar territory in the sketch "Antoine and Collette." The second film to feature alter ego Antoine Doinel (Jean-Pierre Léaud), it was originally made for the omnibus film Love at Twenty but has outlived its companion shorts. As romantic and gently ironic as The 400 Blows is harsh and haunting, this modest 20-minute lark finds a teenage Antoine pursuing the lovely, lithe 20-year-old Colette (Marie-France Pisier) like a lovesick puppy dog. The comic sweetness of this episode sets the tone for all future Doinel films, and Léaud, who matured into the poster boy for the French new wave, displays the lanky charm and self-effacing egotism that propelled him through some of the greatest films of the next two decades. --Sean Axmaker
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