Townes Van Zandt - Be Here to Love Me
by Margaret Brown
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DVD Cover Information
Actor: Guy Clark, Joe Ely, Kris Kristofferson, Townes van Zandt, Willie NelsonDirector: Margaret Brown
Brand: UNIVERSAL MUSIC VIDEO DIST.
Producer: Amy Shatsky-Gambrill
Producer: Chris Mattsson
Producer: Ellen Naegeli
Producer: Jannat Gargi
Producer: K. Lynn Martin
Producer: Lecia Rosenthal
Producer: Lisa Cohen
DVD: Region Code 1
Audio: English (Original Language)
Format: Color, DVD, NTSC, Widescreen
Picture Format: 1.33:1
Running Time: 99 minutes
DVD Release Date: 2006-03-14
Audience Rating: NR (Not Rated)
Studio: Palm Pictures / Umvd
Product features:
- As a musician, Townes Van Zandt was legendary -- perhaps one of the greatest who ever lived, inspiring artists from Bob Dylan to Norah Jones to Steve Earle. As a man, a husband, and a father his life was as tragic and as beautiful as the songs he wrote. Townes was an enigma to his family, pinned between a deep longing for home and the nomadic lifestyle that was necessary for his livelihood. Direct
Movie Reviews of Townes Van Zandt - Be Here to Love Me
Movie Review: The Hard Times And Great Lyrics Of A Troubled Man
Summary: 4 Stars
The main points of this review have been used to review Townes Van Zandt CDs in this space. They can serve here as well in this very well done documentary by Margaret Brown on the hard times and great lyrics of a very troubled man.
Readers of this space are by now very aware that I am in search of and working my way through various types of American roots music. In shorthand, running through what others have termed "The American Songbook". Thus I have spent no little time going through the work of seemingly every musician who rates space in the august place. From blues giants, folk legends, classic rock `n' roll artists down through the second and third layers of those milieus out in the backwoods and small, hideaway music spots that dot the American musical landscape.
I have also given a nod to more R&B, rockabilly and popular song artists then one reasonably need to know about. I have, however, other than the absolutely obligatory passing nods to the likes of Hank Williams and Patsy Cline spent very ink on more traditional Country music, what used to be called the Nashville sound. What gives?
Whatever my personal musical preferences there is no question that the country music work of, for example, the likes of George Jones, Loretta Lynn and Tammy Wynette in earlier times or Garth Brooks and Faith Hill a little later or today Keith Urban and Taylor Swift (I am cheating on these last two since I do not know their work and had to ask someone about them) "speak" to vast audiences out in the heartland. They just, for a number of reasons that need not be gone into here, do not "speak" to me. However, in the interest of "full disclosure" I must admit today that I had a "country music moment" about thirty years ago. That was the time of the "outlaws" of the country music scene. You know, Waylon (Jennings) and Willie (Nelson). Also Kris Kristofferson, Johnny Cash and Jerry Jeff Walker. Country Outlaws, get it? Guys and gals ( think of Jesse Colter)who broke from the Nashville/ Grand Old Opry mold by drinking hard, smoking plenty of dope and generally raising the kind of hell that the pious guardians of the Country Music Hall Of Fame would have had heart attacks over (at least in public). Oh, and did I say they wrote lyrics that spoke of love and longing, trouble with their "old ladies" (or "old men"), and struggling to get through the day. Just an ordinary day's work in the music world but with their own outlandish twists on it.
All of the above is an extremely round about way to introduce the "max daddy" of my 'country music moment', Townes Van Zandt. For those who the name does not ring a bell perhaps his most famous work does, the much-covered "Pancho And Lefty". In some ways his personal biography exemplified the then "new outlaw" (assuming that Hank Williams and his gang were the original ones). Chronic childhood problems, including a stint in a mental hospital, drugs, drink, and some rather "politically incorrect" sexual attitudes. Nothing really new here, except out of this mix came some of the most haunting lyrics of longing, loneliness, depression, sadness and despair. And that is the "milder" stuff. Not exactly the stuff of Nashville. That is the point. The late Townes Van Zandt "spoke" to me (he died in 1997) in a way that Nashville never could. And, in the end, the other outlaws couldn't either. That, my friends, is the saga of my country moment. Listen up to any of the CDs listed below for the reason why Townes did.
Townes Van Zandt was, due to personal circumstances and the nature of the music industry, honored more highly among his fellow musicians than as an outright star of "outlaw" country music back in the day. That influence was felt through the sincerest form of flattery in the music industry- someone well known covering your song. Many of Townes' pieces, especially since his untimely death in 1997, have been covered by others, most famously Willie Nelson's cover of "Pancho and Lefty". However, Townes, whom I had seen a number of times in person in the late 1970's, was no mean performer of his own darkly compelling songs.
Summary of Townes Van Zandt - Be Here to Love Me
As a musician, Townes Van Zandt was legendary - perhaps one of the greatest who ever lived, inspiring artists from Bob Dylan to Norah Jones to Steve Earle. As a man, a husband, and a father his life was as tragic and as beautiful as the songs he wrote. Townes was an enigma to his family, pinned between a deep longing for home and the nomadic lifestyle that was necessary for his livelihood. Director Margaret Brown's Be Here To Love Me is an artful, expertly directed portrait of both of these sides of Van Zandt and ultimately serves as an insightful look at the sacrifices, challenges, and consequences faced in pursuit of a dream. Haunting and lyrical, Be Here To Love Me combines emotional interviews with friends and family with never seen footage of Townes Van Zandt.You might have never heard of Townes Van Zandt. You might not even know his songs. But this Texan's music was profoundly influential on his peers--so much so that some of the folks interviewed for Be Here to Love Me, a documentary about Van Zandt's work and difficult life, call him one of the best songwriters, maybe even the best, in American history. That's a stretch, but there's no doubting the man's talent; his two best-known tunes, "Pancho and Lefty" (popularized by Willie Nelson and Merle Haggard) and "If I Needed You" (a beautiful Emmylou Harris-Don Williams duet), by themselves guarantee him a spot in a few Halls of Fame. But the Van Zandt chronicled in director Margaret Brown's 100-minute film was his own worst enemy. Born in 1944, he was a troubled young man who played Russian roulette for kicks, deliberately fell off a fourth-floor balcony, and was placed in a mental home, where shock treatments robbed him of significant parts of his memory and personality. Married three times, he was also wedded to the bottle, which ultimately destroyed him (he died of a heart attack in 1997). Be Here to Love Me details these events through various interviews with Van Zandt himself, as well as Nelson, Harris, Steve Earle, Nanci Griffith, and other notables. But whereas a fellow tippler like singer Guy Clark fondly remembers the good times, Van Zandt's family tells a different story: "Bummer," replies one ex-wife when asked to describe living with him, while his eldest son, JT, betrays a good deal of bitterness about a dad who couldn't control his own life, wasn't much of a family man, and died young and unfulfilled. DVD extras include several Van Zandt performances (in addition to clips throughout the main program), which is a good thing; were it not for his soulful, affecting songs, there wouldn't be a lot to admire about this guy. --Sam Graham
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