Tomorrow
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Movie Reviews of Tomorrow
Movie Review: Robert Duvall...as SlingBlade?
Summary: 5 Stars
Missed the first 25 minutes of Tomorrow when it was on cable. But the whole time I was reminded of SlingBlade & immediatly fell in love with the character. Glad I bought the movie to add to my collection. Plus, since I missed the beginning, I didn't understand the courtroom scene at all...and I had to know.Movie Review: beautiful
Summary: 5 Stars
Wonderful acting of very emotional, sad story. Beautifully done in black and white. This story will stay with me forever, the people seem so real. Duvall is one of the great actors of our time and should be remembered for this performance.Movie Review: One of Duvall's Finest
Summary: 5 Stars
This film introduced the world to one of America's greatest actors. Duvall's performance is simple but cuts right through. You'll never be the same after this one.Movie Review: Old movies
Summary: 5 Stars
I loved this movie for Duvall's performance alone. His character is so believable, I found myself crying at some moments.Movie Review: Two lonely people . . .
Summary: 4 Stars
This is a movie for fans of a) William Faulkner, b) Horton Foote, c) Robert Duvall, and d) stage plays. Viewers unused to the pace of drama as written for the stage will find this adaptation of Foote's play slow and wordy. Confined mostly to the four walls of a shack, the action will seem claustrophobic at times. But the performances are wonderful, and Foote's always gentle vision of everyday people struggling for love and against loneliness makes the relationship between the story's two central characters poignant and touching.
Meanwhile, Duvall's performance is compelling. The only thing distracting about it is not his fault but Billy Bob Thornton's, who obviously stole from it years later for the unforgettable role he plays in "Slingblade." The early performances of so many actors show them still learning their craft, but the risks Duvall takes with his character shows him already an uncanny master of his art. Finally, Faulkner's world is given eloquent expression in this small black-and-white gem of a film, set in a kind of timeless place that his Mississippi represents. The DVD includes an interview with Duvall and Foote, made in 2003, and provides a number of interesting perspectives on the making of the film. Foote, for example, expresses reservations about the undue influence of the film's editor in the shaping of its final form, and Duvall describes a scene so crucial in his estimation that he would not see the film when the scene was cut.