Throne of Blood (The Criterion Collection)

Throne of Blood (The Criterion Collection)

Throne of Blood (The Criterion Collection)
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DVD Cover Information

Actor: Akira Kubo, Hiroshi Tachikawa, Isuzu Yamada, Takashi Shimura, Toshirô Mifune
Brand: Image Entertainment
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Japanese (Original Language), Dolby Digital 2.0 Mono
Format: Black & White, DVD, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 110 minutes
DVD Release Date: 2003-05-27
Audience Rating: Unrated
Studio: Criterion

Movie Reviews of Throne of Blood (The Criterion Collection)

Movie Review: Mai Kanamori from NIS, "Macbeth and Washizu"
Summary: 5 Stars


One man's life with full of ups and downs is pictured in the film, "The Throne of Blood", directed by Akira Kurosawa. This film is a Japanese re-make version of the famous Shakespearean play, Macbeth. Because this film is a Japanese film, many details differ from Macbeth, although the basic plot of the story is the same. All the plot changes, character and setting differences are effective choices for this film because it adds a different taste to the original form of the story.
Most plot changes in the film due to cultural differences make the plot in this film natural and flowing, with a little twist at the end. Some detailed plot adaptations that the director had to make included Washizu (playing the role of Macbeth) taking over the Cob-web castle, Miki (playing the role of Lady Macbeth) being pregnant and Washizu being killed by his own men towards the end of the story. In medieval Japan, a man taking over a castle did not necessarily mean that he can be the Emperor of Japan, unlike Macbeth aiming to be the King from the start. Therefore, Washizu did not kill the Emperor, but he had to kill the others competing for the castle. However, the conflicts between Washizu and the other competent is similar to Macbeth's because the goal that they both had in mind was to achieve power. In this film, Miki's pregnancy does not seem to have a dramatical change in the plot of the story, but is thought to be necessary for this Japanese film. The reason for this is because the couple wanted their own child to inherit his throne after his death. This inheriting system is similar to the one in Macbeth, but this director decided to add this detail in to reveal the great desires of Washizu. After all of the killing and the struggles to take over the castle, Washizu did not want any other person but his child who shares his blood to inherit the throne. The climax of this film comes when hundreds of soldiers by Washizu's side points their arrows at him and one by one hits him. This is another plot adaptations that has been made for this film because the soldiers wanted to show the sign of surrender. Giving Washizu's head represented surrender. This change made the film more violent thus added a twist with an unexpected ending. In making changes, it is very important that the plot flows and that it is natural. This sort of change is needed because there is no fun in a film or story that is completely same from the original form.
The main character, Washizu is very different from the characteristic that Macbeth has. Washizu is brave, confident, demanding and more selfish than the Shakespearean Macbeth. A Shogun (similar position as the Thane when referring to Macbeth) has to be strong, determined and brave to take over a castle. Unlike Macbeth, he was demanding his wife and the tone of his speech was overall strong. The director probably wanted to express the image of a brave man going through one straight road towards his goal, but ending with a tragic death. This is maybe a typical image of a Shogun during the medieval Japan. One thing that is not expressed because of this characterization of Washizu, is the gradual change of Washizu the beginning to the end of the story. This is an important change to express because in Macbeth, he is growing to become more aggressive and greedy as he overcomes the obstacles to become the King. Similarly, Miki's characterization is different form Lady Macbeth too. Lady Macbeth was a pretty strong woman, telling her husband what to do. However, Miki was not like her because she was under a circumstance where she cannot, since Washizu was a demanding person. But overall, the two characters played the Japanese actors were very well suited for this version of Macbeth.
"The Throne of Blood" was set in medieval Japan, when Shoguns from each castle fought to prove the strongest castle and warlords. this setting is very suited to fit a story like Macbeth into. Both setting has Lords, Emperor/King, and warriors. This made it possible for details to be expressed in the film. An example of one detail is one of the three apparitions that the old lady, gave to Washizu. When the old lady told him that he will be victorious unless the wood nears the neighbor comes down to Washizu's castle. Since medieval castle in Japan were constructed on the top of the fort and used forests and woods as one of the protection and security methods, this apparition was realistic. The director chose Japan as the setting of this film, probably because many things matched with the original setting. Technically, it is a completely different setting but it is good enough to reproduce a similar story which is very impressive.
If people who have never seen or heard about Macbeth happens to see "The Throne of Blood" will not think that this film is a reproductive of a Shakespearean play. This is how almost perfectly Macbeth and The Throne of Blood matches. The changes were made rather to improve the film. Washizu and Macbeth, both who lived a fast and tragic life possess a lifestyle that people today can still learn and achieve from. That is the power of films and stories. "The Throne of Blood" will always be the classical and perfect example of a successful reproductive film.

Summary of Throne of Blood (The Criterion Collection)

One of the most celebrated screen adaptations of Shakespeare into film, Akira Kurosawa?s Throne of Blood re-imagines Macbeth in feudal Japan. Starring Kurosawa?s longtime collaborator Toshiro Mifune and the legendary Isuzu Yamada as his ruthless wife, the film tells of a valiant warrior?s savage rise to power and his ignominious fall. With Throne of Blood, Kurosawa fuses one of Shakespeare?s greatest tragedies with the formal elements of Japanese Noh theater to make a Macbeth that is all his own?a classic tale of ambition and duplicity set against a ghostly landscape of fog and inescapable doom.
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