Theater of Blood
by Douglas Hickox
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DVD Cover Information
Actor: Coral Browne, Diana Rigg, Harry Andrews, Ian Hendry, Vincent PriceDirector: Douglas Hickox
Producer: Gustave M. Berne
Producer: John Kohn
Writer: John Kohn
Producer: Sam Jaffe
Writer: Anthony Greville-Bell
Writer: Stanley Mann
Writer: William Shakespeare
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Mono; Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Mono; French (Original Language), Dolby Digital 2.0 Mono; Spanish (Dubbed), Dolby Digital 2.0 Mono
Format: Closed-captioned, Color, DVD, Letterboxed, NTSC, Subtitled, Widescreen
Picture Format: 1.66:1
Running Time: 104 minutes
DVD Release Date: 2001-08-28
Audience Rating: R (Restricted)
Studio: MGM (Video & DVD)
Movie Reviews of Theater of Blood
Movie Review: Revenge is a dish best served by Vincent Price
Summary: 5 Stars
As incredibly good as this movie is, one must give pause before attempting to review it; after all, Vincent Price plays an actor who murders the critics who panned his performances and cost him the acting award he felt he deserved. I find it something of a relief to have nothing at all negative to say about this unusual, almost brilliant movie. This is essentially a slasher film, but it differs markedly from its modern counterparts by injecting the story with intelligence, culture, and actual feeling. Vincent Price plays Edward Lionheart, a Shakespearean actor who deigns to perform no dramas not penned by the Bard. There is no better actor, he truly believes, than himself, and thus he is slowly crushed by the stream of bad reviews the local critics hurl down upon his performance in one play after another. After facing humiliation at an annual awards banquet, he takes his own life-or at least so everyone thought at the time, despite the fact that his body was never found. Two years later, a literary critic dies mysteriously on the ides of March of multiple stab wounds. Then a second critic is killed and his body dragged through the streets behind a horse. As more critics die, it begins to become clear, even to the rather ineffectual police, that the murders are all patterned on the death scenes of Shakespearean dramas. After the fourth murder, where the culprit deviates from the script of The Merchant of Venice by literally taking a pound of flesh from the victim, the de facto leader of the critics knows that Lionheart is the murderer because "only he would have the temerity to rewrite Shakespeare." The deaths here range from the somewhat comical to the ludicrously horrid to the deliciously gruesome, with a few nice touches of 1973-style blood thrown in for good measure. Each murder is of course accentuated by a vainglorious dramatic performance by Lionheart. This imbues the movie with both maudlin comedy as well as academic pretentiousness. At the very end, even more unexpected emotions bubble up in the viewer, a phenomenon manifesting itself through a combination of Price's perfectly over-the-top acting and a wonderfully evocative soundtrack. One actually gets something of a lesson in Shakespeare in this film. Lionheart doesn't base his revenge killings on Shakespeare's most famous plays-instead, he draws on several that I and probably many others are not intimately familiar with-yet the magic he breathes into each scene makes one anxious to delve into the Bard's original plays themselves. In total, the following Shakespearean plays serve as the basis of the murders: Julius Caesar, Troilus and Cressida, Cymbeline, The Merchant of Venice, Richard the Third, Romeo and Juliet, Othello, Henry the Sixth, part 1, Titus Andronicus, and King Lear. A little Hamlet is also thrown in for good measure. I must say that the cast is a great complement to the storyline, although even the lovely Diana Rigg of Avengers fame pales in the shadow of Price's mesmerizing aura as he brings to life a character seemingly written especially for him. Who else could have played such a convincing Shakespearean actor and ingeniously mad killer simultaneously? I must admit it is somewhat strange to watch Rigg play the role of Lionheart's fiercely loyal daughter, though, and I daresay that many Rigg devotees such as myself may not even recognize her when she first appears.
Theater of Blood is truly one of Vincent Price's most memorable performances. His ability to morph into and truly become different Shakespearean characters is superb, and the range of emotions he is able to express is pretty powerful, especially in the closing moments of the film. A couple of the killings are somewhat farcical, but most of them are rather ingenious and fascinating. Just wait until you see Price playing the role of a bushy-headed hairdresser. The best killing, without a doubt, involves a surgical gown, a scalpel, and a handsaw-I'll let you figure out what Lionheart does with these items. The idea for this movie may not be wholly original, but Theater of Blood works magnificently, and the combined talents of Price and Rigg make this a classic that really should find a home in the collection of all horror movie buffs.
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