The World of Jacques Demy
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Canada DVD Cover InformationActor: Anouk Aimée, Caroline Bongrand, Michel Colombier, Nino Castelnuovo, Richard BerryDVD: Region Code 1 Audio: English (Unknown); English (Subtitled); English (Original Language); French (Original Language), Dolby Digital 1.0 Format: Black & White, Color, DVD, NTSC, Subtitled Picture Format: 1.33:1 Running Time: 90 minutes Published: 2003-12-01 DVD Release Date: 2003-12-09 Audience Rating: NR (Not Rated) Studio: Fox Lorber Movie Reviews of The World of Jacques DemyMovie Review: After Demy the child in Jacquot, meet Demy the man and filmmaker
Agnès Varda has over the past 20 years or so turned the lives and careers of both herself and her late husband Jacques Demy into something like a cottage industry; by my count at least 9 of her features and shorts from 1988 on have been directly autobiographical/biographical or essays on previous films. Many cineastes - particularly those allergic to nostalgia or to the filmmaker-as-critic might think such explorations to be excessively narcissistic - but they would be wrong I think. Each of the films that I've seen - JACQUOT DES NANTES, THE GLEANERS AND I...2 YEARS LATER, the short documentaries accompanying the Criterion disc of LE BONHEUR and this film - explore new ground, both intellectually and emotionally, and the careers of both filmmakers at this point stand as testaments to the value of intimate and repeated coverage of the same filmic territory - "film what you know." Most Americans will know only a few of Demy's films - LOLA, THE UMBRELLAS OF CHERBOURG, THE YOUNG GIRLS OF ROCHEFORT and DONKEY SKIN for example are the only ones I've seen - if they know any at all, so it was wonderful for me to learn that he had lived with his family in America for several years and made as many films in English as he did - given how generally unavailable - and poorly reviewed - much of his work is, I'd never bothered to look into much of it. Not that I wasn't interested, it was just a low priority, but Varda's film really gives one an idea of how much Demy's personality and obsessions - the city of Nantes, the American musical, fidelity, the tragedy of unrequited love - infuse even his lesser works; this reinvigorates my interest in getting hold of the other stuff, like his serious non-musical BAY OF ANGELS (1963) or his serious political musical UNE CHAMBRE EN VILLE (1982). I'm also more interested in MODEL SHOP (1969) knowing that it's the sequel to Lola, and that a very young Harrison Ford (interviewed for this film talking about his experience going into an LA sex shop with Demy as "research") was originally set to star in it.
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