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The Thirteenth Floor by Josef Rusnak
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DVD Cover InformationActor: Armin Mueller-Stahl, Craig Bierko, Dennis Haysbert, Gretchen Mol, Vincent D'Onofrio Director: Josef Rusnak Brand: Sony Writer: Josef Rusnak Producer: Helga Ballhaus Producer: Kelly Van Horn Producer: Marco Weber Producer: Michael Ballhaus Writer: Daniel F. Galouye Writer: Ravel Centeno-Rodriguez DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 2.0 Surround; English (Subtitled) Format: Closed-captioned, Color, Dolby, Full Screen, NTSC, Special Edition Picture Format: 1.33:1 Running Time: 100 minutes DVD Release Date: 1999-10-05 Audience Rating: R (Restricted) Studio: Columbia Pictures
Movie Reviews of The Thirteenth FloorMovie Review: Is there a movie more underrated than this one??? Summary: 5 Stars
The Thirteenth Floor is a film that deserves far more praise than it has received so far. Sure, acting could've been better by certain actors, script had flaws, but the film's film-noir mystery atmosphere is so good that you won't notice the deficiencies; unless, of course, you are already convinced about how bad TTF is and are going to look only for the mistakes. This is not a rehash of The Matrix! The only part borrowed from The Matrix was the love story. The Matrix was a mind-altering film, but its world was far less tangible. And it sure as hell wasn't film-noir!TTF has a very good storyline. Many people say it is confusing; that means that they haven't understood it fully (is it really so hard to understand the idea of a simulation inside a simulation?). At no point in the movie I had the what-the-hell-is-going-on feeling. On the contrary: the story kept me more and more interested as it unfolded. I had goosebumps while watching Douglas realizing the terrifying truth in the supermarket. The story got even more involved at the end. I don't agree with those saying that the ending was bad, either. Actually, it was pretty nice to see the film end like that. The love story was a great enrichment of the story. I like film-noir style. Unfortunately, it is one of the most difficult styles to implement into filmmaking so that audiences don't fall asleep while watching. No matter what everyone else says, I think that TTF has an excellent film-noir atmosphere. I knew this from the first moments when I saw Fuller writing the letter, having a drink, looking at his watch..., all made the film-noir way. Inherently, film-noir movies are somewhat slow and that is probably the main reason why people thought of it as a boring film. The idea of creating new worlds is of course very thought-provoking. The same idea was explored in The Matrix, but from a very different perspective. First, we never see the actual computer hardware that holds the system (I found that a little annoying). Second, the minds of the people inside the system belonged to people in the real world; that is, people in the real world were dreaming inside the matrix. In TTF, the virtual people are created from scratch (sure, they are more or less copies of the people who made them but they live separate lives). That whole thing about memory loss and changing identities is similar to Dark City, but in Dark City both the aliens and people lived in the same world, whereas in TTF they live in separate dimensions. The 13th Floor is a very involved movie. People who liked The Matrix will not necessarily like this one. I admit it could have been better: cinematography is pretty standard, characters should probably have been a little more worked on and the script made more cohesive. Acting by the lead characters, music, sound and visual effects are pretty good, however. Having said that, I get to the last and most troubling topic: why was this film such a disaster at the box office, huh? I guess most people had still video clips of Reeves and Moss jumping on the walls and slaughtering guards (no offense to The Matrix) replaying in their heads, so they really didn't have a desire to see something else. My point is, TTF release date was unfortunate (and I don't agree that it tried to capitalize on the success on The Matrix). It was poorly promoted, too, but given that most of the people associated with making of it were rookies, that is not surprising. But I am still puzzled as to why only 700 people voted for this movie. Man, there are really so few people who have seen it? I hope that, with its release on VHS and DVD, more people will see it and rate it, so its rating will be more representative of the film's qualities. And if you are discouraged by some of the very negative reviews it got, give it a try. TTF appears to be a love-or-hate thing and with movies like that, you cannot rely on what other people are saying. If you let yourself into the film's atmosphere, you might just enjoy it as much as I did.
Summary of The Thirteenth Floor13TH FLOOR - DVD Movie Computer scientist Hannon Fuller (Armin Mueller-Stahl) finds something extremely important. Knowing that he's marked for assassination, he leaves a message in the virtual reality world he's designed, hoping it will be found by colleague Douglas Hall (Craig Bierko). Hall is a suspect in Fuller's murder and indeed finds a bloody shirt in his house, with no recollection of what he did the night before. Hall plunges headlong into Fuller's world (a re-creation of 1937 Los Angeles) to try to unravel the slaying and is soon knee-deep in confusion and trouble. What this film lacks in character depth and plot cohesiveness it makes up for in special effects and high concept. Fans of films like Blade Runner, Dark City, eXistenZ, and even the game Sim City should find this appealing. Of course, there's the question of letting the computers do all the heavy lifting in films while the humans walk through the plot (an all-too-familiar scenario in 1999), but the re-creation of '30s Los Angeles is certainly something to see, pallid script and acting or not. The Thirteenth Floor is a stylish modern-day noir that raises questions about technology versus reality, all the while wrapped up in a murder-mystery story line. --Jerry Renshaw
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