The Specialist - Portrait of a Modern Criminal

The Specialist - Portrait of a Modern Criminal
by Eyal Sivan

The Specialist - Portrait of a Modern Criminal
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DVD Cover Information

Actor: Adolf Eichmann
Director: Eyal Sivan
Cinematographer: Leo Hurwitz
Producer: Eyal Sivan
Writer: Eyal Sivan
Editor: Audrey Maurion
Producer: Amit Breuer
Producer: Armelle Laborie
Producer: Elke Peters
Producer: Erich Lackner
Producer: Martine Barbé
Writer: Rony Brauman
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); German (Subtitled); French (Subtitled); Hebrew (Original Language), Dolby Digital 2.0 Mono; English (Dubbed); French (Dubbed); German (Dubbed)
Format: Black & White, Dubbed, DVD, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 128 minutes
DVD Release Date: 2002-10-22
Audience Rating: NR (Not Rated)
Studio: Kino International

Movie Reviews of The Specialist - Portrait of a Modern Criminal

Movie Review: Compelling AV evidence supporting Arendt's thesis, BUT...
Summary: 5 Stars

Don't get me wrong: this is an outstanding film, both technically (the recovery and restoration of the original raw videotaped footage, from 1961 (!), was painstaking and the results are superb) and artistically (especially in its use of Altman-esque overlapping voices and vaguely unsettling instrumental score). I highly recommend it to any student of modern history, WWII, and/or the Holocaust in particular. The filmmakers did a wonderful job of fleshing out (literally & figuratively) Hannah Arendt's central thesis (see Arendt, "Eichmann in Jerusalem"), namely that the Nazis' mechanized, bureaucratic approach to genocide gave birth to a new type of evil in the world. This "banal" fiend, personified by Eichmann, does not do evil in furtherance of personal motives or hatreds, but rather as an abstracted "cog" in a larger machine (not of his own design or making) that has the effect of diffusing responsibility (and, along with it, guilt, remorse, or any moral understanding/feeling for his actions). This type of desk-job-murderer supposedly thinks only of his narrow tasks, which must be fulfilled in the name of duty/honor and careerist aspirations. And, so, according to Arendt, it was absurb for the Israeli prosecutors to make out Eichmann as this monster who was among those most responsibile for perpetrating the Holocaust. As I said, the filmmakers do an excellent job illustrating this thesis.

It isn't the film I have a quarrel with, but Arendt. She -- and by extension the filmmakers -- buy into Eichmann's defense (even if not to the point of absolving him of criminal responsibility), which was carefully honed during 15 years of hiding as a fugitive from the Allies' war crimes indictment. Eichmann has, by the time of his capture by Israeli intelligence agents, refined his script beyond that of the Nuremberg defendants ("I was only following orders"), to include the "cog in the machine" theme: "I only organized the transports; I did not do the killing upon arrival of the transports at the camps!" Of course, Eichmann downplays several salient facts, namely that he knew all along what the fate of his "cargo" would be, and that he never expressed publicly or privately any misgivings with the Nazis' extermination plans (of which he was a vital element). Indeed, the testimony of his closest associates conclusively establishes that Eichmann was, contrary to Arendt's thesis, a willing and entusiastic participant in the genocide -- among other details, there is his boast near the end of the war that he did not fear capture by the Allies, but would instead "jump happily into [his] grave, with the knowledge that [he] was responsible for exterminating 5 million jews!" Doesn't sound so banal & detached to me.

In the end, it doesn't much matter how you view Arendt's thesis -- either Eichmann is a chillingly amoral man who willingly played a major role in facilitating the Holocaust, or he is an inconceivably evil monster who happily did his most to bring about the extermination of European Jewry -- and then crafted a defense (possibly as a self-defense to allow him to live with the knowledge of his crimes) good enough to fool one of the 20th century's most brilliant philosophers. Either way, this film is an invaluable window into a thoroughly terrible -- though hauntingly "normal"-appearing -- individual.

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