The Rimers of Eldritch (Broadway Theatre Archive)
by Davey Marlin-Jones
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DVD Cover Information
Actor: Cliff Carpenter, K Callan, Kathleen Doyle, Roberts Blossom, Sarah CunninghamDirector: Davey Marlin-Jones
Cinematographer: Paul Goldsmith
Editor: Victoria Hochberg
Producer: David S. Howe
Producer: Matthew N. Herman
Writer: Lanford Wilson
DVD: Region Code 1
Audio: English (Original Language)
Format: Color, DVD, NTSC
Picture Format: 1.33:1
Running Time: 88 minutes
DVD Release Date: 2002-06-11
Audience Rating: NR (Not Rated)
Studio: Kultur Video
Movie Reviews of The Rimers of Eldritch (Broadway Theatre Archive)
Movie Review: "You shoulda seen it when the mines were running!"
Summary: 4 Stars
Living in Eldritch, a nearly abandoned Bible Belt town which was formerly a center of coal-mining, the remaining residents are hard-pressed to find much to do, other than to gossip about each other and attend church activities run by the hell-fire-and-damnation preacher. Anyone who is different from the norm is ostracized--a senile old woman, the town derelict living in a shack, the woman who runs a caf? and who is apparently having an affair with a much younger man. The young men who remain in Eldritch ride around in trucks, race their cars, and look for easy sex. The attempted rape of an innocent young girl and the murder of a derelict become the events which trigger the "action."
Pulitzer Prize-winning playwright Lanford Wilson, in this early play from 1966, creates a mood of high tension through a series of scenes which move back and forth through time. The dialogue between the characters overlaps, cutting from the town gossips to passionate excoriations by the preacher, tender love scenes between two very young teenagers, the heavily sex-laden conversations of caf?-owner Cora and the young man she hires to work and to share her bed, and the murder "trial" conducted by the preacher, who dominates the town.
Though the play itself lacks a central set, Davey Marlin-Jones, director of this vibrant 1974 Broadway Theatre Archive production, takes advantage of the video possibilities by actually showing the town's abandoned and dilapidated buildings, the wasteland of the landscape, and the reality of the emptiness. As the camera pans and then fades from one scene to another, the isolation of Eldritch and the claustrophobia of living there add drama and intensity, while the lack of chronology keeps the tone of the play impressionistic.
Susan Sarandon, as a flighty young girl anxious to get married, Rue McClanahan as lusty Cora, and Frances Sternhagen in a small role as one of the town gossips, star in this large cast of seventeen characters, all beautifully acted. The play transcends its 1960s setting, and the contrasts--between the moral bankruptcy of the residents and their churchly commitments, between the town's beliefs about the murder and rape and the reality of these crimes, and between the innocence of young Robert and Eva (James Staley and Carol Williard) and the sexual experience of caf?-owner Cora and her lover (Rue McClanahan and Clifford Pellow)--create a dramatic intensity that is rare in modern theatre. Many viewers will find this adaptation of Wilson's play even stronger than the stage production. n Mary Whipple
Summary of The Rimers of Eldritch (Broadway Theatre Archive)
Set in a ghostly burg on the verge of disappearing, a place where the only movie house closed eight years ago, this adaptation of Lanford Wilson's play explores a community's reaction to rape, lies and murder. The plot revolves around the sexual assault of a teenage girl and an unrelated murder trial in the town of Eldritch. Wilson's innovative use of overlapping dialogue makes the people of the community the real focus of the play. "Ambitious, intriguing, attractive, demanding." --The Washington Post. With Frances Sterhagen, Rue McClanahan, Susan Sarandon, Davey Marlin-Jones.An ensemble cast and deft editing bring this haunting Lanford Wilson piece to life. The Rimers of Eldritch is set in a dying Midwestern town, and in many ways the town itself is the central character. The plot radiates outward from a trial, and the action shifts back and forth in time as we piece together what happened. The scenes are brief, often lasting just long enough to give a quick impression before moving on, and the dialogue is cleverly overlapped. Wilson uses these shreds of action and thought both to carefully add information about the violence that has happened and to dissect the community (viewers may be reminded of Twin Peaks more than once). The ensemble cast, including a young Susan Sarandon, is uniformly good, though Rue McClanahan is a standout. McClanahan's character, Cora, seems simple at first, but as the piece continues she expertly shades her with rich layers. --Ali Davis
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