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The Red and The White by Miklós Jancsó
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DVD Cover InformationActor: Anatoli Yabbarov, András Kozák, Jácint Juhász, József Madaras, Tibor Molnár Director: Miklós Jancsó Brand: Kino International Writer: Miklós Jancsó Producer: András Németh Producer: Jenoe Goetz Writer: Giorgi Mdivani Writer: Gyula Hernádi Writer: Luca Karall Writer: Valeri Karen DVD: Region Code 1 Audio: English (Unknown); English (Subtitled); Hungarian (Original Language); Russian (Original Language) Format: Black & White, DVD, NTSC, Subtitled, Widescreen Picture Format: 2.35:1 Running Time: 90 minutes DVD Release Date: 2002-01-08 Audience Rating: NR (Not Rated) Model: 2232 Studio: Kino Video Product features: - RED & THE WHITE, THE CSILLAGOSOK, KATON (DVD MOVIE)
Summary of The Red and The WhiteSet in central russia during the cival war of 1918 the story details the murderous entanglements between russias red soldiers and the counter-revolutionary whites in the hills along the volga. The epic conflict moves with skillful speed from a deserted monastery to a riverbank hospital to a massacre. Studio: Kino International Release Date: 01/08/2002 Run time: 92 minutes Rating: Nr Miklós Janscó takes the romance out of Russia's Revolutionary struggle in this simultaneously beautiful and brutal look at the civil war following the Bolshevik coup of 1918. Set in a remote region of Central Russia in 1919, The Red and the White follows the shifting balance of power around an abandoned monastery. The anti-Bolshevik White Army has embarked on a campaign to completely eradicate the area of Red Army soldiers, and scores of Hungarians, former Bolshevik prisoners thrust into battle, are caught in the middle. The graceful camerawork and lush, lovely landscape captured in stunning black-and-white widescreen stand in sharp contrast to the abrupt on-the-spot executions and sadistic cat-and-mouse games of the White Army, hiding behind a mask of politeness and civility as they line up their next row of victims. But Janscó's portrayal of the Bolsheviks, while decidedly more heroic, isn't much more sympathetic. The dreamlike poetry of Janscó's cinema and the surreal atmosphere of doom carries the film in place of a strong story or a central set of characters, but there is no mistaking his sympathies for the victims of the struggle--peasants and prisoners and civilians caught between collision of two armies, systematically stripped of their dignity and their lives as the battle rages around them like an evocation of hell on Earth. It's a brave stance for a Hungarian filmmaker working on Soviet soil in 1968 and it makes for a powerful film. --Sean Axmaker
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