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The Puppetmaster

The Puppetmaster DVD Cover Information
Actor: Chingju Huang, Fue Choung Cheng, Giong Lim, Ming Hwa Bai, Tianlu Li
Director: Hsiao-hsien Hou
Writer: Tianlu Li
Producer: Dengkui Yang
Producer: Fu-Sheng Chiu
Producer: Hongzhi Zhan
Producer: Huakun Zhang
Writer: Nien-Jen Wu
Writer: T'ien-wen Chu
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Cantonese (Original Language)
Format: Color, DVD, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 142 minutes
DVD Release Date: 2001-09-25
Audience Rating: Unrated
Studio: Fox Lorber
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Movie Reviews of The Puppetmaster

Movie Review: Worth watching only for Li Tianlu
Summary: 2 Stars

I was profoundly disappointed and have no clue why Hou Hsiao-Hsien is so acclaimed. This film suggested a filmmaker competent enough to make good establishing shots, but little competent enough to do anything else. Li Tienlu was fascinating, and I would have rather had a steady shot of him talking the entire film rather than what Hou gives us. His characters wander in and out of the shots and without Li it would take a lot of cognition to assemble what's going on on his pretty canvases. Maybe he should start making films like Bill Viola. Whatever Village Voice reporter called him "the world's greatest narrative filmmaker" ought to have been fired--he's only good at pretty pictures. The only reason he gets respect is because of his choice of subject matter, not his competence in dealing with it. Another quote on the box referred to the film as "pure cinema," obviously having no concept of what the term means, since there is nothing cinematic in his choices whatsoever. Minimal editing, minimal camera movement, average-quality acting. Long takes in whcih nothing much happens. I guess it makes sense that it was released by a company that didn't bother to subtitle some of the conversations, or the opening credits. I honestly think Li Tianlu is the only reason to watch it.

I'm not inclined to sit through other films by this so-called "master." This filmmaker has no technique. There's more to making a film than choosing historically important subject matter. It's a shame Li died without a better version of his story filmed. While it doesn't help that the film, shot at approximately 1.66, often cuts characters out of the picture while talking while one can see an edge of them. Hou has characters wander out of the frame entirely, as one can tell by the sound. He does so many shots where everything that's going on is hidden, and there doesn't appear to be a reason why. He just does. It's Ed Wood with a pictorial sense and social importance. Hardly a master filmmaker. Watch some Godard or Kurosawa instead.

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