The Pirate
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Movie Reviews of The Pirate
Movie Review: great old movie
Summary: 5 Stars
I love Gene Kelly and have seen most of his movies. I heard about this one and watched it and was not disapointed. Judy Garland and Gene Kelly were fantastic together in this movie. If you love old movies and musicals this is a must see.Movie Review: Classic Musicals
Summary: 5 Stars
I'm a fan of classic musicals, and am thankful so many are available now on DVD. The Pirate is one of my favorites. Thank you.Movie Review: Classic Musical!
Summary: 5 Stars
Gene Kelly and Judy Garland are great in this. It is truly a beautiful musical with unforgettable songs, such as "Be a Clown."Movie Review: Lush to the point of being stultifying, but thank goodness for the Nicholas Brothers
Summary: 4 Stars
Take the conceit of commedia del'arte, add the lush fussiness of Vincente Minnelli's artistic taste and then varnish on the glossy, expensive polish of the MGM style...and you have The Pirate, a film that proves the point, too much is just too much. When the actors play second fiddle to their costumes, you know there's a problem.
On a Caribbean island, young and innocent Manuela (Judy Garland) dreams her foolish dreams of the dashing, brave, romantic pirate, Mack, the black macoco. Alas, Manuela is an orphan, living with her aunt and uncle who are loving but who have suffered financial reverses. They tell Manuela that they have arranged for her to marry in a few days the powerful and wealthy mayor of their town, Don Pedro Vargas (Walter Slezak). But then some traveling players arrive, led by Serafin (Gene Kelly), juggler, conjurer, singer and dancer, a dark, curly-haired rogue who oozes macho charm. He woos, wins and leaves all the beautiful women he meets, all of whom he simply calls nina. Well, of course, Manuela and Serafin will meet. He falls in love, she resists and Don Pedro is furious. By the end of the movie we learn a great deal about Mack the Black and who he is, we learn about love and stage folks and, of course, that talent and love must have their way.
For a musical with songs by Cole Porter starring Garland and Kelly, The Pirate turns into a bit of a slog. Fifty minutes into the 101-minute movie and we've experienced only two songs. Minnelli evidently thought that the rococo-tinged acting, especially by Kelly, combined with lavish velvet dresses and Carmen-Miranda turbans for the women, harlequin tights for the men, exploding purple and scarlet smoke bombs and flaming torches in every night scene would wow us groundlings. When we first meet Manuela's aunt, the woman is encased from throat to toe in deep green velvet which has been puffed and fringed to within an inch of its life. It's difficult not to keep staring at this thing while the scene is played. Everything we can see -- the costumes, the sets, the whole mise en scene -- is so overwrought with color and fussiness I wanted to open a window and let fresh air in. The Pirate, even with many of the good things it possesses, is often just plain stultifying and campy.
There are good elements, but none, in my view, are knock-outs. Kelly gives probably the most athletic performance of his career. He swings from ropes, clambers up to balconies and leaps down again, dances with a sword (with all those exploding fire bombs behind him) and stomps about in a semi-flamenco. I'm not a great fan of Kelly, either as an actor or a dancer, but he is supremely athletic and graceful in everything he does in this film. It's a pleasure just to watch him move. The Cole Porter songs, in my view, need to be heard more than once to be appreciated. Some, like Nina and Mack the Black, written to be the basis of big production numbers, depend too heavily for me on their orchestrations. But You Can Do No Wrong and Love of My Life are small-scale gems. Be a Clown is a terrific speciality number used twice. The first time is with Kelly and Fayard and Harold Nicholas. It's fast and heavy on gymnastics. I'll admit I was a little surprised to see that Kelly was able to keep up with the two. The second time closes the movie, with Manuela and Serafin performing in clown costume. Here's Judy the waif, all made up, clowning and singing and dancing, with Kelly by her side. It seems to take a long time to get to this point, but the number is worth waiting for...and the fast forward will make it easier the second time.
The DVD transfer looks a little pale to me at times, but on balance all that MGM Technicolor gloss comes through. There are several extras.
Fans of movie musicals will detect an uncanny similarity between Porter's music for Be a Clown and the Nacio Herb Brown music for Make 'Em Laugh, which Brown came up with specifically for Singin' in the Rain. In fact, the similarity is almost note for note. The story goes that when the similarity was pointed out to producer (and the writer of the lyric for Make 'Em Laugh) Arthur Freed, he contacted Porter and asked what he should do. Porter is supposed to have just laughed and told him not to worry about it. Hear the tune in your mind and match it against the two sets of words:
Be a Clown 1948, music and lyrics by Cole Porter:
Be a clown,
Be a clown,
All the world loves a clown.
Act a fool, play the calf,
And you'll always have the last laugh.
Wear the cap and the bells
And you'll rate with all the great swells
If you become a doctor, folks'll face you with dread,
If you become a dentist, they'll be glad when you're dead,
You'll get a bigger hand if you can stand on your head,
Be a clown,
Be a clown,
Be a clown.
Make 'Em Laugh 1952, Music by Nacio Herb Brown, Lyrics by Arthur Freed:
Make 'em laugh
Make 'em laugh
Don't you know everyone wants to laugh?
My dad said "Be an actor, my son
But be a comical one
They'll be standing in lines
For those old honky tonk monkeyshines"
Now you could study Shakespeare and be quite elite
And you can charm the critics and have nothin' to eat
Just slip on a banana peel. The world's at your feet
Make 'em laugh,
Make 'em laugh,
Make 'em laugh.
Movie Review: Very under-rated musical!
Summary: 4 Stars
The Pirate (1948) was MGM's lush musical extravaganza starring Judy Garland and Gene Kelly in their second of three movies together (1942's "For Me and My Gal" and 1950's "Summer Stock"). Judy had just finished making the hugely successful "Easter Parade" and didn't feel "The Pirate"s plot was substantial enough to make a movie. During the filming, Judy was dealing with illness, though no signs of it ever show. And her husband, Vincente Minnelli, was so engrossed in directing the movie, that their marriage began to suffer. True to Judy's belief, "The Pirate" did not do as well as hoped at the box-office. I think it was the only Judy Garland movie that wasn't an instant hit. The story's plot might not have much depth, but it is still enjoyable to watch.
The story takes place on a 19th. Century Caribbean Isle.
Manuela (Judy Garland) is th guiless maiden and hero of the movie, who dreams of one day meeting Mack the Black, the pirate of her dreams. But an arranged marriage to the town's old mayor (Walter Slezak) is being planned for her by her Aunt Inez (Gladys Cooper), who agrees to let Manuela have her wish to go to the sea before her wedding day. It is during her visit there that she meets a traveling actor, Serafin (Gene Kelly), who, learning of her fascination for Mack the Black, becomes him to win the beautiful Manuela's heart and become the pirate of her dreams.
Cole Porter wrote the score for "The Pirate," which includes Judy's dazzling "Mack the Black" song and dance that's probably the peak moment in the movie, Judy and Gene's hilarious "Be a Clown," "You Can Do No Wrong," "Nina" and "Love of My Life."
With Judy's incredible singing, Gene's great dancing and Cole Porter's great score - You really can do no wrong!