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The Phantom of the Opera [Blu-ray] by Joel Schumacher
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DVD Cover InformationActor: Ciaran Hinds, Emmy Rossum, Gerard Butler, Minnie Driver, Patrick Wilson Director: Joel Schumacher Brand: Warner Brothers Writer: Andrew Lloyd Webber Blu-ray: Region Code 1 Audio: English (Subtitled); French (Subtitled); Spanish (Subtitled); English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 5.1; French (Dubbed), Dolby Digital 5.1 Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, NTSC, Subtitled, Widescreen Picture Format: Widescreen, 2.20:1 Running Time: 142 minutes Blu-ray Release Date: 2006-10-31 Audience Rating: PG-13 (Parental Guidance Suggested) Model: 110810 Studio: Warner Home Video Product features: - Musical Drama based on Andrew Lloyd Webber's celebrated musical phenomenon. The Phantom of the Opera tells the story of a disfigured musical genius (Gerard Butler) who haunts the catacombs beneath the Paris Opera, waging a reign of terror over its occupants. When he falls fatally in love with the lovely Christine (Emmy Rossum), the Phantom devotes himself to creating a new star for the Opera, exer
Movie Reviews of The Phantom of the Opera [Blu-ray]Movie Review: In dreams he came Summary: 5 Stars
Sumptuous, rich, lush and inviting. Like a gilt-edged dream, Joel Schumacher's "Phantom of the Opera" is a triumphant love note to beauty, song and scenery.
Adapted from Andrew Lloyd Webber's musical (and Gaston Leroux's novel), this movie ends up being beautiful in every scene, with solid acting and and a tragic antihero. The singing, the sumptuous sets, the acting -- all are the ingredients of a musical tour de force.
In 1870, a Paris opera house is under new management -- just as diva Carlotta (Minnie Driver, a glorious diva-from-hell) is almost killed by a stage curtain, and stomps out. Fortunately Christine Daae (Emmy Rossum), taught by a mystery tutor, can take over the soprano's role, and soon becomes famous for her singing. Even better, it catches the attention of her childhood sweetheart, Vicomte Raoul (Patrick Wilson).
But Raoul doesn't realize that Christine was taught by a disfigured, tortured genius who hides under the opera house. And the Phantom of the Opera is not only determined that Christine should be the star, but also be his wife. And he's willing to kill for it. Can Raoul break the Phantom's hold over Christine, or will she embrace "the music of the night"?
Watching this, it's hard to believe that it was directed by the same guy who did "Phone Booth" and the awful "Batman and Robin." Instead it looks as if the love child of Jean Cocteau and Peter Jackson decided to direct a musical, swathed in masks, roses, gilt angels, snow and velvet.
And it all wraps around Webber's solid songs ("Turn your face away from the garish light of day/turn your thoughts away from cold, unfeeling light/and listen to the music of the night!") from the stage musical. Most of the lines are sung, which surprisingly doesn't detract from their believability. And there's plenty of fun with the cameras, whether it's the dizzying views of the backstage, or a zoom through a stone floor to the Phantom's face.
Schumacher also adds a few extra scenes, including a sword fight between Raoul and the Phantom, which makes the vicomte seem more passionate; and a flashback to the Phantom's horrific childhood. What's more, the story is framed by scenes from forty years later -- sepia-toned scenes in the dusty remains of the Opera.
The three most prominent roles are what make or break this movie, and in this case, the casting is nearly ideal. Rossum has the ingenue looks -- and the powerful pipes -- to carry off the role of Christine, torn between her love and her passion. Similarly, Patrick Wilson gives some brains and strength to Raoul, and despite the romantic appeal of the Phantom, Raoul isn't hard to cheer for.
Gerard Butler is a bit more difficult. Most of the time his singing is solid, and his acting is powerful and tragic as the "loathsome gargoyle, who burns in hell, but secretly yearns for heaven." The scene where he tries to seduce Christine is deeply sensual. But occasionally his performance gets really hammy, such as the unmasking, where he flings himself around screaming, "You little prying Pandora! You little demon!"
And how does the blu-ray measure up? Well, the regular DVD was hailed for its sumptuous colours and visuals, as well as the lovely songs. Those things are all enhanced by the blu-ray release -- everything just seems so much more brilliant.
Lush, exquisite and passionate, "The Phantom of the Opera" is a solid adaptation of Webber's musical, with good acting and excellent direction. A triumph for "the music of the night."
Summary of The Phantom of the Opera [Blu-ray]No Description Available. Genre: Musicals Rating: PG13 Release Date: 31-OCT-2006 Media Type: Blu-Ray Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song). Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite. Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties. DVD Features The special edition of The Phantom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews of composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher Both are well-done productions by Lloyd Webber's Really Useful Group. The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi More on The Phantom of the Opera  The Phantom of the Opera (Special Extended Edition Soundtrack) (CD) |  The Phantom of the Opera (2004 Movie Soundtrack) (CD) |  The Phantom of the Opera (Original 1986 London Cast) (CD) |  Evita (DVD) |  Andrew Lloyd Weber: The Royal Albert Hall Celebration (DVD) |  More Broadway DVDs |
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