The New Avengers '76

The New Avengers '76

The New Avengers '76
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DVD Cover Information

Actor: Gareth Hunt, Joanna Lumley, Maurice Marsac, Patrick Macnee, Pierre Vernier
Brand: A&E
Writer: Sydney Newman
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Stereo; English (Original Language), Dolby Digital 2.0 Stereo
Format: Box set, Color, DVD, Full Screen, NTSC
Picture Format: 1.33:1
Running Time: 650 minutes
Published: 2003-07-01
DVD Release Date: 2003-07-29
Audience Rating: NR (Not Rated)
Model: AAE-70859
Studio: A&E Home Video
Product features:
  • Steed is back and he's brought two new friends.Seven years after blasting into space in THE AVENGERS' final episode, John Steed (Patrick MacNee) returned to television with THE NEW AVENGERS. The updated show featured deadpan wit, imaginative action sequences and devious villains--all essential ingredients of the original--but added a third member to the traditional Avengers twosome. While

Movie Reviews of The New Avengers '76

Movie Review: Back with a vengeance!
Summary: 5 Stars

As the blurb on the box says: You can't keep a good man down!

After debonair British agent John Steed was blasted into orbit with his companion Tara King at the end of "Bizarre" in 1969, the classic British TV show The Avengers finally came to an end after eight years of international success. There were certainly no plans to revive the series when Patrick MacNee (Steed) and Linda Thorson (King) got together to make a champagne commercial in 1975, but almost as soon as that short reunion was in the can, the wheels spun, and producers Brian Clemens and Albert Fennell, with French and Canadian backing, soon had The Avengers back in production. Well, almost.

For most hardcore fans of the classic Avengers series, The New Avengers is little more than a poor relation, certainly unwelcome in the show's family history. Maybe because it was my first exposure to the Avengers format, I'm not one of them. I love The New Avengers as much as I do the original 60's series. That's not to say it doesn't have faults - it does; and it certainly is more of a cousin than a sister to the original, but for me it's just as worthy of a place in Avengers folklore as anything else.

The programme had undergone many metamorphisms before. The original series starring Ian Hendry (who incidentally appears here as a guest in "To catch a rat") as David Keel, with Steed as his shadowy sidekick, bore little similarity to the subsequent seasons featuring Mrs. Catherine Gale (Honor Blackman). In turn, those episodes are only vaguely similar to the famous Mrs. Emma Peel (Diana Rigg) and Tara King (Linda Thorson) seasons that followed. But it makes perfect sense. It would have been impossible, not to mention laughable to simply pick up where those episodes left off, and it's appropriate that the 70's revival was another stage in the programmes development.

Patrick MacNee agreed to return and revive the character of Steed, without whom it must be said, there could be no incarnation of The Avengers. Now past retirement age, and sadly looking it, he really takes the role of the absent Mother, and acts more as a guiding influence than the man at the center of the action. Two younger characters were created in order to maintain the high action content of the show and keep the traditional sexual chemistry between the leads alive. Gareth Hunt was cast as the (supposedly) rugged and handsome Mike Gambit and Joanna Lumley took the role of Purdey. For me, Purdey is second only to Mrs. Peel as the best of the Avengers girls. Wonderfully elegant, beautiful, cool, witty and with bags of sex appeal she instantly became a hit with the British public, spawning a whole generation of women copying her then highly trendy (but now faintly ridiculous looking) hairstyle. Her balletic fighting style was also a real innovation. Her character became as recognizable and popular as Mrs. Peel, whereas sadly the show as a whole did not. Only 26 episodes were made and broadcast in two batches over 1976 and 1977 and then the Avengers really were over for good. Except for the terrible movie of course, but that's a whole other can of worms.

A&E now bring the first 13 episodes together on four DVD's all in one box set. They've been digitally remastered and certainly look as good as the originals, although there are imperfections in some of the prints. Oddly, the first 7 episodes released have the American titles plus some minor, yet irritating cuts. For example, a reference to Tara King has been excised from "House of cards" for some inexplicable reason. The latter 6 stories seem to be intact, and carry the original animated British title sequence. Another oddity is that the stories are arranged sequentially in production order, whereas all previous Avengers releases run in British TV transmission order. Yet again A&E have provided no extras at all, but the on screen menus are done well, and the packaging is striking. Check out the icon on the box of the three lead characters. For some reason, their heads have been morphed onto their bodies in a completely inaccurate scale, resulting in a very funny, but oddly disconcerting appearance of our three hero's. I'd probably sue if I were them.

I can't help but like these stories; even all these years later. They don't have the surreal camp value of the latter 60's Avengers, and indeed are far more gritty and "real" in many respects. Stylistically it's different too. The wonderful faux location settings achieved in the film studio are replaced by extensive location filming and the use of diabolical masterminds has been superceded by the more plausible threats from international spy and crime rings. There's a great deal of emphasis too on the, (for 1976), bang-up-to-date vehicles of the three leads, a real overplaying of product placement. Sadly, like Ms. King before her, Purdey suffers from some truly dreadful costuming; veering from scene to scene from wonderfully seductive and alluring to hideously frumpy, and don't even ask about Gambit's leisure wear. The involvement, or rather lack of it, of Steed himself is often cited as one of the biggest failings of the show, but the interplay between the two junior cast members more than make up for it. Purdey's acid humor is worth the entrance price alone. Continuity was also something of an issue, and some of the storylines certainly need to be glossed over rather quickly.

Whatever your views on the authenticity of this incarnation of the Avengers, I can't see how you'd fail to enjoy it. Sadly, the second batch of 13 didn't quite match up to this promising start and led to the show's terminal demise, but that's another release for another time.

Summary of The New Avengers '76

Sometimes dismissed as a pale descendant of a great original, "The New Avengers" deserves a second look and is perhaps best considered as a largely successful attempt to re-imagine its predecessor for 1970s audiences. Patrick Macnee was never the most convincing of action heroes, and the decision to make his John Steed the supervisor and mentor of two younger agents was a sensible one--Steed's virtues are style, wisdom, and fortitude rather than physical prowess. Gareth Hunt's Gambit has an unattractively smug side, but also has charm. Joanna Lumley's Purdey is one of the most attractive heroines of genre television, astonishingly leggy and beautiful. Those who only know her later incarnation as Patsy in "Absolutely Fabulous" will now understand why such a fuss is made over her. The script team overlaps heavily with that of the original series; the new show has the same quirkiness, only occasionally varying it with a rather darker Le Carr?©-esque complexity or sudden outbreaks of Hammer Horror. If it lacks some of the sheer style of the original, that is a reflection of its period--the 1970s were less visually imaginative than the '60s. Tightly plotted and imaginatively cast with interesting guest stars, it is only with "The Avengers" that "The New Avengers" suffers by comparison. "--Roz Kaveney"
Sometimes dismissed as a pale descendant of a great original, The New Avengers deserves a second look and is perhaps best considered as a largely successful attempt to re-imagine its predecessor for 1970s audiences. Patrick Macnee was never the most convincing of action heroes, and the decision to make his John Steed the supervisor and mentor of two younger agents was a sensible one--Steed's virtues are style, wisdom, and fortitude rather than physical prowess. Gareth Hunt's Gambit has an unattractively smug side, but also has charm. Joanna Lumley's Purdey is one of the most attractive heroines of genre television, astonishingly leggy and beautiful. Those who only know her later incarnation as Patsy in Absolutely Fabulous will now understand why such a fuss is made over her. The script team overlaps heavily with that of the original series; the new show has the same quirkiness, only occasionally varying it with a rather darker Le Carré-esque complexity or sudden outbreaks of Hammer Horror. If it lacks some of the sheer style of the original, that is a reflection of its period--the 1970s were less visually imaginative than the '60s. Tightly plotted and imaginatively cast with interesting guest stars, it is only with The Avengers that The New Avengers suffers by comparison. --Roz Kaveney
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