The Martin Scorsese Film Collection (New York, New York / Raging Bull Special Edition / The Last Waltz / Boxcar Bertha)

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Movie Reviews of The Martin Scorsese Film Collection (New York, New York / Raging Bull Special Edition / The Last Waltz / Boxcar Bertha)

Movie Review: A classic and a few gems
Summary: 4 Stars

Summary of The Martin Scorsese Film Collection (New York, New York / Raging Bull Special Edition / The Last Waltz / Boxcar Bertha)

After Taxi Driver, Scorsese went musical. The Last Waltz (1978), a record of the Band's 1976 farewell performance is a solid candidate for the best-ever concert film. Using the lessons learned as assistant director/editor on Woodstock, Scorsese storyboarded as much of the live concert as he could and relied on expert cinematographers to handle the tough shoot (big cameras needing constant attention for the live event). Scorsese's earthy interview segments were parodied in This Is Spinal Tap a few years later. New York, New York (1977) was Scorsese's attempt to recreate the musicals of his youth. He added the realistic flair of a modern film, but re-created the vintage look and style, with mixed results. The design and music are lavishly produced, but the story involving Liza Minnelli and Robert De Niro doesn't click. This "director's cut" has been around for years on home video. The new commentary by Scorsese is interesting, but there's too much dry by-the-facts talk from film critic Carrie Rickey. The DVD extras are plentiful and far more engaging with the new edition of Raging Bull (1979), a Scorsese masterpiece of design and effect following the tumultuous times of prizefighter Jake La Motta (Robert De Niro in an Oscar-winning performance). --Doug Thomas

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• Music Video & Concerts