 |
The Last Samurai (Two-Disc Special Edition) by Edward Zwick
Buy this DVD movie at online store in your country
Canada
DVD Cover InformationActor: Billy Connolly, Ken Watanabe, Timothy Spall, Tom Cruise, Tony Goldwyn Director: Edward Zwick Brand: Warner Brothers Producer: Tom Cruise Cinematographer: John Toll Producer: Edward Zwick Writer: Edward Zwick Editor: Steven Rosenblum Producer: Marshall Herskovitz Writer: Marshall Herskovitz Producer: Paula Wagner Producer: Scott Kroopf Producer: Tom Engelman Producer: Ted Field Producer: Richard Solomon Producer: Vincent Ward Producer: Charles Mulvehill Writer: John Logan DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 5.1; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 5.1; French (Dubbed), Dolby Digital 5.1 Format: Anamorphic, Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD, NTSC, Subtitled, Widescreen Picture Format: 2.35:1 Running Time: 154 minutes DVD Release Date: 2004-05-04 Audience Rating: R (Restricted) Model: 28383 Studio: Warner Home Video Product features: - Condition: New
- Format: DVD
- Anamorphic; Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitled; Widescreen;
Movie Reviews of The Last Samurai (Two-Disc Special Edition)Movie Review: The Journey of a Lost Soul and the Story a Dying Culture Summary: 5 Stars
Just as the ocean has shallow ends and deep ends, The Last Samurai is a film whose story, in part, lies on the surface and also lies, in part, deeper beneath the surface. At face value, you will find a tale about an old world culture (the Samurai culture) clashing with a rising, powerful modern culture (Western culture). Although this is almost certainly an oversimplification of the story, the clash-of-cultures saga played out in this movie is basically the "shallow end" of the premise. In fact, the story and setting in and of themselves are merely a convenient backdrop for which to convey its actual message; which is much deeper and more interesting. Cruise plays 7th Cavalry Army Captain, Nathan Algren. He is a troubled and tormented man who is haunted by tremendous guilt, brought on by his experiences fighting and killing American Indians circa 1876. He is generally lauded as a hero around the US, ironically admired for the very actions that precipitate his self-loathing. He is not interested in fame or accolades; he is a man who desperately wants to escape his personal demons, but is completely helpless to suffer through them. Like many people who suffer from such inescapable torment, he turns to the bottle for his salvation. Still present are the post-traumatic nightmares and flashbacks of his war-fighting days. But alas, as he tries to drown his sorrows, they do indeed learn to swim. His acquired inclination toward the excessive consumption of libations notwithstanding, he does his best to cope, however unfruitful his efforts may be. Although he has been begrudgingly following orders to this point, he nevertheless has done his best to fulfill them dutifully. By turn of events, Algren encounters a Japanese General named Hasegawa who has a profitable offer for him. Despite his heavy drinking, Algren is eventually hired to train the Japanese army in Western warfare and to use firearms in battle against the fierce battle-experienced Samurai. Western culture is all the rage in Japan, and powerful political influences want to wipe out the old system that was influenced by the Samurai Code in order to foster a modern Japanese culture. Algren is sent to Japan and finds a group of soldiers who know nothing concerning the use of firearms. He earnestly tries to train them properly so as to prepare them for battle, but Japanese General Hasegawa is impatient with the troops' development; and much to Algren's dismay, Hasegawa orders them to begin fighting Samurai even though the troops are ill-prepared to do so. The first battle against the Samurai is disastrous for the secular Japanese troops, and a slaughter ensues at the hands of the defiant Samurai warriors. But Algren survives the battle and winds up being surrounded by several Samurai. Algren, ever the fearless warrior, stands his ground with a ferocious vigor, showing tremendous valor and honor in displaying that he will fight until his last breath. It is here that Samurai elder and leader, Katsumoto notices Algren's impressive will to fight to the death. Katsumoto, if only out of curiosity, spares Algren's life and keeps him as a "free" captive in his Samurai village until winter passes. During his stay, Algren is treated with dignity albeit an underlying distrust and resentment from the local villagers. Because of his heavy reliance on alcohol, Algren begins going through terrible symptoms of withdrawal from it, as he is weaned from the grips of his addiction. Once his head becomes clear again, he begins to learn from the Samurai villagers' ways, being influenced by their strong principles and stoic way of life. It is through their cultural mindset that he begins to free his mind from the shackles of the nightmarish suffering that has dogged his troubled mind for so long. Indeed, Captain Algren experiences the personal growth and enlightenment that changes lives and raises one's consciousness above darkness and despair. It is during this portion of the story that the "meat" of the movie lies. It is here that Algren begins to see life from a different perspective. The Samurai's life is a simple one that focuses on virtues espoused by The Samurai Way; values such as honor, integrity, respect, courage, justice, wisdom, etc. The way the villagers were portrayed in the film remind me of a real-life Samurai named Yamamoto Tsunetomo, who once said in a compilation of his writings entitled "Hagakure" that one should: "be true to the thought of the moment and avoid distraction. Other than continuing to exert yourself, enter into nothing else, but go to the extent of living single thought by single thought." (Hagakure, p. 69). Much of the village's daily life in this movie is summed up quite well by that maxim. In my view, Western culture, though I am fond of it because it is enticingly vivacious, does appear to be soulless and material-based when compared to Eastern Asian cultures. Fast paced, rather emotionally detached, and primarily concerned with wealth, true happiness and peace-of-mind seems to disproportionately elude the advocates of Western values versus supporters of Eastern Asian values. But people and relationships are portrayed as being of high value in Katsumoto's village. Artificiality has no home there; their thoughts are focused on the truly important things in life. They spend most of their time on attaining enlightenment and perfecting whatever craft they have chosen to perform in life. The Samurai Way encompasses a broad variety of topics, much of which are elaborated on much further throughout the storytelling in the movie. The Last Samurai is a fantastic movie with a profound message and beautiful cinematography. The acting is top-notch, as Cruise and Ken Watanabe (Katsumoto) pull off a magnificent performance with excellent chemistry. You will be left satisfied and perhaps even moved. I certainly was, and I liked it so much that I intend to view the film several times more.
Summary of The Last Samurai (Two-Disc Special Edition)Epic Action Drama. Set in Japan during the 1870s, The Last Samurai tells the story of Capt. Nathan Algren (Tom Cruise), a respected American military officer hired by the Emperor of Japan to train the country's first army in the art of modern warfare. As the Emperor attempts to eradicate the ancient Imperial Samurai warriors in preparation for more Westernized and trade-friendly government policies, Algren finds himself unexpectedly impressed and influenced by his encounters with the Samurai, which places him at the center of a struggle between two eras and two worlds, with only his own sense of honor to guide him. While Japan undergoes tumultuous transition to a more Westernized society in 1876-77, The Last Samurai gives epic sweep to an intimate story of cultures at a crossroads. In America, tormented Civil War veteran Capt. Nathan Algren (Tom Cruise) is coerced by a mercenary officer (Tony Goldwyn) to train the Japanese Emperor's troops in the use of modern weaponry. Opposing this "progress" is a rebellion of samurai warriors, holding fast to their traditions of honor despite strategic disadvantage. As a captive of the samurai leader (Ken Watanabe), Algren learns, appreciates, and adopts the samurai code, switching sides for a climactic battle that will put everyone's honor to the ultimate test. All of which makes director Edward Zwick's noble epic eminently worthwhile, even if its Hollywood trappings (including an all-too-conventional ending) prevent it from being the masterpiece that Zwick and screenwriter John Logan clearly wanted it to be. Instead, The Last Samurai is an elegant mainstream adventure, impressive in all aspects of its production. It may not engage the emotions as effectively as Logan's script for Gladiator, but like Cruise's character, it finds its own quality of honor. --Jeff Shannon
|
 |