The Last Metro (Le Dernier métro) [NON-USA FORMAT, PAL, Reg.0 Import - Australia]
by François Truffaut
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DVD Cover Information
Actor: Andrea Ferreol, Catherine Deneuve, Gerard Depardieu, Heinz Bennent, Jean PoiretDirector: François Truffaut
DVD: Region Code 0
Audio: French (Unknown); English (Subtitled); French (Original Language)
Format: Import, PAL, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 127 minutes
Audience Rating: PG (Parental Guidance Suggested)
Studio: Umbrella Entertainment
Summary of The Last Metro (Le Dernier métro) [NON-USA FORMAT, PAL, Reg.0 Import - Australia]
Australia released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: French ( Dolby Digital 2.0 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (1.85:1), SPECIAL FEATURES: Alternative Footage, Cast/Crew Interview(s), Documentary, Featurette, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: Paris, 1942. Lucas Steiner is a Jew and was compelled to leave the country. His wife Marion, an actress, directs the theater for him. She tries to keep the theater alive with a new play, and hires Bernard Granger for the leading role. But Lucas is actually hiding in the basement... A film about art and life. SCREENED/AWARDED AT: David Donatello Awards, Golden Globes, Oscar Academy Awards, ...The Last Metro ( Le Dernier métro )François Truffaut again tackles the elusive nature of creativity and the elusive creation in this thoughtful, sumptuous, 1980 film. Nominated for the Best Foreign Language film Oscar, and a winner of various Césars, The Last Metro is a tale of the theater in occupied France during World War II. Marion Steiner (Catherine Deneuve) manages the Theatre Montmarte in the stead of her Jewish husband, director Lucas Steiner (Heinz Bennent). He has purportedly fled France but is really hiding out in the basement of the theater. The one hope to save the Montmarte is a new play starring the dashing Bernard Granger (Gérard Depardieu). The attraction between Marion and Bernard is palpable, and as usual Truffaut creates tension and drama from even the most casual of occurrences. The theme of the director locked away while his lover and his creation are appropriated by others makes for interesting Truffaut study, but first and foremost this is a well-spun romance. --Keith Simanton
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