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The Hoax by Lasse Hallstr?m
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DVD Cover InformationActor: Alfred Molina, Hope Davis, Marcia Gay Harden, Richard Gere, Stanley Tucci Director: Lasse Hallstr?m Brand: GERE,RICHARD DVD: Region Code 1 Audio: English (Original Language); French (Subtitled); Spanish (Subtitled); French (Dubbed) Format: AC-3, Color, Dolby, Dubbed, DVD-Video, NTSC, Subtitled, Widescreen Picture Format: 1.85:1 Running Time: 115 minutes DVD Release Date: 2007-10-16 Audience Rating: R (Restricted) Studio: Miramax
Movie Reviews of The HoaxMovie Review: Right up there with Hitler's Diary as one of the biggest Summary: 4 Starsfrauds of the 20th century. The biggest would be the one we don't know about. Richard Gere does a pretty good job as Clifford Irving. He's a writer over his head in debt & desperate to write a best-seller. He hatches a scheme to write Howard Hughes biography, as told to him via conversations & phone calls. Why the reclusive billionaire would talk only through him is not exactly clear. Only his lawyer & best friend Richard Sussman played by Al Molina, knows & helps. He totally cons McGraw-Hill into publishing. They are dubious at first. But his research is complete & impeccable. He is so smooth & they are so greedy. They are portrayed as a bunch of stupid empty suits without an original thought. Of course, Irving was confident that Hughes would not appear to contradict him. By this time Hughes was a raging paranoid & not capable of rational thought. But he did have loyal minions. That also is part of this story. He almost succeeds. At the critical moment his best friend & ex-wife lose their nerve & crack. Irving does end up writing a best seller. But not one he thought he'd write.
Summary of The HoaxNo Description Available. Genre: Feature Film-Drama Rating: R Release Date: 16-OCT-2007 Media Type: DVD The Hoax is a happy surprise. Surprise because, for once, having a film's release date bumped back half a year didn't mean it's a dog. Happy because Lasse Hallstr?m's dancing-on-eggshells comedy about a notorious literary scandal of the 1970s is bounteously entertaining, with more solid laughs and certainly slyer wit than, say, the latest Will Ferrell romp. The subject is the world-shaking con an unsuccessful writer named Clifford Irving (Richard Gere) ran on some supposedly sharp cookies in the highest echelons of Manhattan publishing. Irving persuaded McGraw-Hill and Life magazine that ultra-reclusive tycoon Howard Hughes had selected him to transcribe his memoirs. It's pure balderdash, a desperate improvisation by a glib-talker who's perennially one jump ahead of the repo men. But the epic audacity of Irving's scam, the quicksilver way he weaves imaginary and accidental real-life details into beguiling patterns, and the legendary self-isolation of his supposed subject all conspire to keep the fiction afloat ... for a while. This story isn't new to cinema, though few reviewers seem aware of that. In 1973 Orson Welles told it as part of F for Fake, a kaleidoscopic meditation on art, forgery, and the slipperiness of media, in which the real-life Irving was a semi-witting participant. But there's no need to beat up on The Hoax for being inferior to that postmodern masterpiece. Hallstr?m and a deft cast do a killer job on the skyscraper corporate world where there are always more people in the room than there are useful purposes for them to serve (see especially Hope Davis, Stanley Tucci, and Zjelko Ivanek); Marcia Gay Harden summons up a daft Viking serenity as spouse Edith Irving, a.k.a. "Helga R. Hughes"; and Alfred Molina rates a supporting Oscar nod for his balletic suspension between bemusement and panic attack as Dick Suskind, Irving's researcher accomplice and conscience-in-default. As for the con artist in chief, Richard Gere dials back the narcissism of previous performances to limn a schmuck just suave enough to seduce even himself. --Richard T. Jameson
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