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The Great Gatsby (A&E) by Robert Markowitz
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DVD Cover InformationActor: Francie Swift, Martin Donovan, Mira Sorvino, Paul Rudd, Toby Stephens Director: Robert Markowitz Brand: A&E Producer: Antony Root Producer: Craig McNeil Producer: David Roessell Producer: Delia Fine Producer: Jane Tanyer Writer: F. Scott Fitzgerald Writer: John McLaughlin DVD: Region Code 1 Audio: English (Original Language) Format: Color, DVD-Video, NTSC Picture Format: 1.33:1 Running Time: 100 minutes DVD Release Date: 2001-01-30 Audience Rating: NR (Not Rated) Studio: A&E Home Video
Movie Reviews of The Great Gatsby (A&E)Movie Review: intriguing failure Summary: 1 StarsThis is a fascinating example of how a movie adaptation can be almost excessively faithful to a book -- transcribing dialogue line for line, including voice-over narration -- and still get the details and nuances almost entirely wrong. The diversity of the novel's social world has been completely flattened out: everybody talks the same, regardless of whether they're from Kentucky, Minneapolis, Chicago, or Queens. Daisy's voice is flat and whiny, with no enticing lilt and sparkle. The costumes are frumpy, especially Daisy's -- Mira Sorvino has been beautiful and sexy in other roles, but in this one she looks like a gawky teenager wearing shapeless cotton dresses and giant unflattering hats. (In the flashbacks, she looks like Rachel on Friends!) The relative ages are all messed up... Tom (30) is supposed to be significantly older than Daisy (23), and Tom's mistress Myrtle is supposed to be significantly older than he is (in her mid-30s).
One thing that bothered me is that the film softened Tom's character significantly. Admittedly, Martin Donovan is a great actor who probably couldn't help making his character sympathetic and nuanced. But the whole plot turns on Tom being an "alpha male," physically domineering and harsh - competitive and contemptuous with men, and instinctively controlling with women. Donovan gets the contempt, but he's too slim and articulate, and he lacks "hulking brute" sex appeal, and he's much too affectionate/respectful with women. I couldn't believe he APOLOGIZED to Myrtle after bloodying her nose -- in the book he deliberately BREAKS her nose (with one blow of his hand) as a punishment for talking back, and then ignores her wails of pain and everyone else freaking out. It's a grim scene and should show his callousness and controlling nature. Instead the movie makes it a twisted love scene, with him striking out, then apologizing, saying he didn't mean it and kissing her. Absurd.
The movie also makes a misguided attempt to turn Daisy - shallow, "careless," reckless, life-wrecking Daisy - into a sympathetic heroine. It sets up a parallel between Gatsby's 5-year longing and Daisy's... makes it look like she has been missing him and pining for him all through her marriage. But in the book, unhappiness has made her "sophisticated" and cynical, not wistful and mopey. The movie tries to give her a heart and a soul, which turns the whole story into a goopy "star-crossed lovers" Lifetime romance instead of the much darker and more ironic fable in the book.
Summary of The Great Gatsby (A&E)Studio: A&e Home Video Release Date: 01/30/2001 Run time: 100 minutes Rating: Nr Boy loses girl, boy wins her back, boy loses her again and is killed in his pool. F. Scott Fitzgerald's classic Jazz Age tragedy once again makes a somewhat rocky transition from page to screen in this A&E production starring Academy Award winner Mira Sorvino as the feckless Daisy. This version has Paul Rudd (the stepbrother who got the girl in Clueless) doing the honors as narrator Nick, who reintroduces his married cousin to his lavish-party-throwing neighbor Gatsby. Toby Stephens captures the heartbreaking single-mindedness of Gatsby, although not once does the phrase "old sport" seem to fall naturally from his lips. Director Robert Markowitz uses flashbacks of Daisy and Gatsby's prewar courtship in an attempt to explain their reckless relationship, but they do little more than slow the pace of an already leisurely 93 minutes. The costumes and sets are opulent, however, and Montreal substitutes nicely for Long Island. --Kimberly Heinrichs
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