The Goebbels Experiment

The Goebbels Experiment
by Lutz Hachmeister

The Goebbels Experiment
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DVD Cover Information

Actor: Engelbert Dollfuss, Heinrich Br?ning, Kenneth Branagh, Udo Samel, Winston Churchill
Director: Lutz Hachmeister
Producer: Lutz Hachmeister
Writer: Lutz Hachmeister
Producer: Mark Samels
Producer: Nick Fraser
Producer: Sharon Grimberg
Producer: Thorsten Pollfuss
Writer: Michael Kloft
DVD: Region Code 1
Audio: English (Original Language); German (Original Language); English (Subtitled)
Format: Black & White, Closed-captioned, Color, DVD, NTSC, Subtitled, Widescreen
Picture Format: 1.78:1
Running Time: 108 minutes
DVD Release Date: 2006-05-23
Audience Rating: NR (Not Rated)
Studio: First Run Features

Movie Reviews of The Goebbels Experiment

Movie Review: Heavily Censored Propaganda - about a Propagandist
Summary: 3 Stars

The biggest revelation contained in (or more to the point, censored from) the carefully written and edited video titled the "Goebbles Experiment" is the use of the film itself as a Pro-Homosex Propaganda Tool.

While it has been clearly established that the Nazi Party was created and led by Homo-Anal Coprophile Ephebophiles such as founder Ernst Rohm and his prot?g? Hitler, this fact as well as the nation wide purge known as the "Night of the Long Knives" have been completely censored from the video.

Ernst Rohm is Never mentioned once, despite his central role in forming and leading the Nazis and their homosex Storm Troopers during their rise to power. The facts of the purge of 1934 and Goebbles thoughts on it are completely omitted and the story simply skips over those central events as if they never happened, which is good propaganda if not good historical documentary ethics.

In a propaganda trick that even Goebbles would approve of, the only mention of the Homosex Perversions that pervaded the Nazi movement is in Goebbles lamentations that he is being unfairly labeled as one of the same. This `unfair' characterization is handled deftly by the editors focus on Gobbles eventual marriage and children, which by inference discounts the well documented facts about his boy raping comrades like Rohm and Heines - and of course Hitler (detailed in Machtan's book "The Hidden Hitler").

Brief mention is made of Goebbles unhappiness with his early work in Munich, but nothing of the conditions that led to this - despite the fact that Munich was a nexus for the pervasive endemic Homosex Ephebophilia that truly characterized the Nazis and particularly Rohm's Storm Troopers (who often blackmailed the parents of boys they raped). Brief mention is also made of Reifenstahl and her movie 'Triumph of the Will'- but this was essentially a remake of an earlier film "Der Seig Des Glaubens" that was first widely distributed then recalled and destroyed after the purge of 1934, because it showed Rohm in a positive light as Hitler's equal in the movement. Again, No Mention of this propaganda film or of the central role of Rohm in a documentary supposedly about Nazi propaganda.

Thus in the end a rather slick hollyweird documentary about a propagandist, becomes in itself Propaganda - carefully sanitizing the ugly truth of the rank perversions that made the Nazis what they were, because it suits a more modern agenda of the hollyweird homosex lobby.

Beyond that - there are a few good quotes, particularly those about "Change" - which could have (and perhaps were) recycled by the next generation of fascists for the 2008 Presidential Campaign.

I recommend that those interested in the deliberately `missing' pieces to the puzzle - read a copy of "The Pink Swastika" by Abrams and Lively, as well as view the History Channel documentary titled "Night of the Long Knives". Because only by augmenting the `Goebbles Experiment' with outside sources covering the Censored material - can one understand the propaganda experiment that is the video itself.

Summary of The Goebbels Experiment

"Arguably the most gifted of Hitler's henchmen, Joseph Goebbels was an enigmatic genius whose successful manipulation of mass political opinion was unprecedented. His rise to power, and that of the Nazi Party itself, will forever stand as one of history's most terrifying examples of the reach of propaganda, a tool with which Goebbels's name is virtually synonymous. In their fascinating documentary, the filmmakers provide a rare and chilling glimpse into a brilliant but toxic mind. Rejecting commentary, they allow Goebbels to speak for himself (in the voice of Kenneth Branagh), via the extensive diaries that he kept from 1924 to1945. Rare clips from German film and television archives illustrate the readings. At a time when much of our news and entertainment media is controlled by a handful of corporations, The Goebbels Experiment is a cautionary reminder that equal access to the machinery of ideas may be society's most critical goal."
The rise and fall of the Third Reich is chronicled on an intimately personal scale in The Goebbels Experiment, an essential addition to the vast legacy of Nazi-related documentaries. Like no other film before it, this remarkable experiment in archival biography combines two fascinating elements: rare and extensive archival footage and dramatic readings (by renowned British actor Kenneth Branagh) from the personal diaries that Nazi propaganda minister Joseph Goebbels kept from 1924 until his suicide in 1945. The net effect is unexpectedly striking: As Hitler's Nazi Party gained social and political momentum in the late 1920s and early '30s, Goebbels' daily life was so thoroughly covered by newsreel cameras, home movies, and Third Reich historians that there is enough existing footage of him to match (or at least approximate) nearly every event mentioned in his diaries.

From Goebbels' growing influence as an influential orator to his surprisingly affectionate family life, the meticulously edited footage serves as both point and counterpoint to Goebbels' diaries, revealing a paranoid intellectual capable of breathtaking, if not outright schizoid, shifts from one train of thought to another. A perceptive observer of culture (especially the art of motion pictures), he both loved Hitler and felt repeatedly betrayed by the Fuhrer's perceived offenses against him. Prone to chronic bouts of depression, Goebbels found purpose in his unprecedented orchestration of epic-scale propaganda, but his inner demons haunted him until the very end, when it became obvious that the Nazis had completely lost their power. The final images of Goebbels' partially burned body (along with those of his wife and six children) serve as a chilling reminder that absolute power corrupts absolutely. Having never found a satisfying balance between his personal and professional lives as a top-ranking Nazi, Goebbels' fate seems almost predetermined. As a masterful assembly of archival materials, The Goebbels Experiment is not to be missed. --Jeff Shannon

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