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The Glass Shield by Charles Burnett
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DVD Cover InformationActor: Bernie Casey, Erich Anderson, Michael Boatman, Richard Anderson, Wanda De Jesus Director: Charles Burnett DVD: Region Code 1 Audio: English (Original Language), Dolby Digital 2.0 Surround Format: Anamorphic, Closed-captioned, Color, DVD-Video, NTSC Picture Format: 1.85:1 Running Time: 110 minutes DVD Release Date: 2002-02-12 Audience Rating: PG-13 (Parental Guidance Suggested) Studio: Miramax
Movie Reviews of The Glass ShieldMovie Review: A deserving special edition for this movie Summary: 5 StarsCharles Burnett is one of America's most underrated filmmakers working today. Unlike his African-American contemporary, Spike Lee, he is not an outspoken personality in his own right, preferring to let the work speak for itself. In many respects, his films are self-aware in terms of social conscience as John Sayles' own work. As a result, Burnett also finds it hard to get his movies widely distributed. The Glass Shield was his attempt to reach a wider audience by having Miramax distribute it. Sadly, like Jim Jarmusch's Dead Man, it was subjected to the same lackluster release by Miramax head honcho, Harvey Weinstein and promptly disappeared.
Stylistically, Burnett is not as in-your-face as Spike Lee, preferring to let the content and the characters deliver his message. That's not to say his films don't have their own style-The Glass Shield is a well-shot movie (adopting a colour scheme that reflects Johnson's comic book fantasies)-it just doesn't cause unnecessary attention to itself.
There is an audio commentary by writer/director Charles Burnett and composer Stephen James Taylor. Burnett points out that the cops are conditioned not to trust anyone before they are sent out on patrol and this often explains their hostile behaviour on the streets. This is an intelligent, conversational track with lots of excellent observations by both men with some good stories told by Burnett.
"A Conversation with Charles Burnett" is a featurette that alternates between clips from the movie and Burnett talking.
"Film Scoring with Stephen James Taylor" explores this composer's creative process. He drew from all kinds of musical genres with Negro spiritual melodies as the score's heart. He also talks about the origins of key musical cues from the movie.
Finally, there is a theatrical trailer.
Summary of The Glass ShieldEager rookie J.J. Johnson (Michael Boatman) is the only black officer in a Los Angeles sheriffs' substation. He soon comes up against ingrained racism, corruption, and violence on the force as he tries to fit in. A young black man (Ice Cube) is pulled in as a murder suspect after a wealthy man's wife is shot in a botched armed robbery. Boatman and Deputy Fields (Lori Petty) soon realize that the facts in the case don't add up and dig a bit deeper. They soon find a maze of deceit that extends upward from the sheriffs to L.A. city government. Though slow and rather convoluted, this film has an absorbing story worthy of Joseph Wambaugh and an interesting cast to hold viewers' attention. Blaxploitation vet Bernie Casey excels as Ice Cube's defense attorney, and Boatman is fine as the wide-eyed Johnson. Director Charles Burnett infuses a sense of dread and foreboding into sunny Los Angeles locations and well-lit convenience stores that turns the rules of dimly lit thrillers upside down. He also does a fair job of capturing the macho-cowboy mentality of the all-white sheriffs, complete with styled hair and heavy mustaches. Considering the timely subject matter, this film could have easily become heavy-handed cop opera, but the character development and performances are strong enough to lift it above the level of invective. After all, it's a scenario that's all too believable in light of late-1990s events. --Jerry Renshaw
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