The Giallo Collection
by Aldo Lado, Antonio Bido, Giuliano Carnimeo
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DVD Cover Information
Actor: Barbara Bach, Fabijan Sovagovic, Ingrid Thulin, Jean Sorel, Mario AdorfDirector: Aldo Lado, Antonio Bido, Giuliano Carnimeo
Writer: Aldo Lado
Writer: Antonio Bido
Writer: Domenico Malan
Writer: Ernesto Gastaldi
Writer: Francesco Barilli
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Italian (Original Language)
Format: Box set, Color, DVD, NTSC, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 394 minutes
DVD Release Date: 2002-06-25
Audience Rating: NR (Not Rated)
Studio: Starz / Anchor Bay
Movie Reviews of The Giallo Collection
Movie Review: Four chilling classics
Summary: 5 Stars
Antonio Bido's "The Bloodstained Shadow" begins by introducing us to a scholar named Stephano (Lino Capolicchio) returning home after many years for a visit with his brother Father Paul (Craig Hill), the local priest. Right from the start, the film also introduces us to some tensions in this little town. Paul hints at problems he has had with a few locals involved in some sort of séance group. The members consist of Nardi (Juliette Mayniel), a woman who acts as a midwife to pregnant mothers but harbors a secret she keeps hidden in her house; Count Pedrazzi (Massimo Serato), an unsavory character whose hatred for Father Paul knows no bounds and who is involved in suspicious activities with his assistant and the town's younger citizens; and a doctor who accidentally shot and killed his wife years before while cleaning a firearm. A nice bunch, eh? All suspects in the coming bloodbath, too. On the very first night Stephano spends with his brother, the murder of the woman who leads these séances takes place right outside. Father Paul witnesses the crime, in fact, but is too late to do anything to prevent the tragedy. Oddly, both Stephano and his personal assistant were outside at the time. Throw in strange paintings, Stephano's flashbacks, and a conclusion torn right from Fulci's "Don't Torture a Duckling" and you have the makings of a great giallo.
Aldo Lado's "Who Saw Her Die?" is a confusing film. I haven't seen a movie this messy since...well...never, actually. Even in the convoluted world of the giallo, "Who Saw Her Die?" stands as a cryptic statement. It's only redeeming feature in terms of plot are the relatively easy to follow opening sequences. The film begins in 1968 on some snow-capped mountains as a girl and her mother play around in the snow. Soon the young girl zips down the hill on her sled, moves out of sight of her mother, and runs straight into the hands of a killer wearing a black veil. After completing the nasty deed, the murderer buries the redheaded girl in the snow. There is no explanation for this crime. Then the film jumps ahead four years to Venice, where we soon meet Franco Serpieri (George Lazenby!) and his redheaded daughter Roberta (Nicoletta Elmi). A sculptor with talent, Franco divorced his wife Elizabeth (Anita Strindberg) some time before and only gets to spend time with his daughter once in awhile. After a few scenes used to establish the father and daughter connection, and another scene in which the girl meets up with one of her dad's creepy acquaintances, Roberta suddenly disappears after playing with a group of local kids. Cue the mystery and its ultimate resolution, if you can follow it.
It's much easier to follow the plot of "The Case of the Bloody Iris." Andrea Barto (George Hilton) is the owner of an apartment plagued with problems. When a young lady with an unusual wrestling job (watch and see) perishes in the apartment thanks to a black-gloved killer, Barto approaches models Jennifer Lansbury (Edwige Fenech) and her friend Marilyn (Paola Quattrini) with a great deal. He offers them the spacious apartment for a song, a piece of luck the two attractive women can't believe is true. Of course, there's the murder to worry about, but its resolution is only a matter of time with Inspector Enci (Giampiero Albertini) on the case. Enci is an odd duck, a man given to shouting at his insubordinates while he roots through people's mail in search of new stamps to collect. Anyway, Barto makes the offer and the girls agree. They're so happy about the deal that Jennifer strikes up a torrid relationship with Andrea despite increasing suspicion that he might be involved in the murder. Too, Jennifer's jealous ex-husband Adam (Ben Carra) presents a formidable challenge; he's the leader of a free love type cult Lansbury left after she tired of starring as the main attraction on the activities roster. The title of the film refers to the flower Jennifer's husband uses in his free love ceremonies.
Whereas "Who Saw Her Die?" took place in Venice, Lado's "Short Night of Glass Dolls" takes place in Prague, Czechoslovakia. As the film opens, a groundskeeper finds the lifeless body of a journalist named Gregory (Jean Sorel) in a thicket. Not surprisingly, he calls in the authorities, who arrive and move the body to the local morgue in the hopes of discovering its identity and the cause of death. But Gregory, we soon learn, is not dead. Rather, he's in a cataleptic state as a result of an injection brought about by an odd series of events. The journalist tells us his story in flashback as the morgue doctors go about their grim task. At one point a physician friend of the reporter arrives to identify the body, and expresses astonishment when he notices that Gregory's temperature seems higher than it should be. This doctor attempts to revive his friend since cases supposedly exist where someone who appeared dead did in fact wake up. Alas, there are also cases where a deceased individual's temperature remained elevated for some time after death. Thus it comes as no great disappointment when the attempts fail to bring the reporter back to life. It's an enormous disappointment to Gregory, however. Especially when they wheel him in for his autopsy...
I love giallo films and I love this box set. All of the films come with a few extras, usually a trailer and filmography, but on three of the four discs Anchor Bay also gives us short interviews with the directors. According to some sources, a second collection of four more films may arrive sometime this year. I hope so since I'm rapidly running out of new gialli to watch. "The Giallo Collection" is a great place to start for those beginning their journey through the wonderful world of the giallo.
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