The Front

The Front

The Front
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DVD Cover Information

Actor: Andrea Marcovicci, Herschel Bernardi, Michael Murphy, Woody Allen, Zero Mostel
Brand: COL
DVD: Region Code 99
Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Subtitled); French (Subtitled); Japanese (Subtitled); Georgian (Subtitled); English (Original Language), Dolby Digital 2.0 Mono
Format: Anamorphic, Closed-captioned, Color, DVD, Extra tracks, Full Screen, NTSC, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 95 minutes
DVD Release Date: 2004-02-17
Audience Rating: PG (Parental Guidance Suggested)
Studio: Sony Pictures Home Entertainment

Movie Reviews of The Front

Movie Review: Great movie, short on features
Summary: 5 Stars

It is always interesting to watch an old movie about an older time. This 1976 examination of the McCarthy-era serves a couple of purposes. At a time when the cold war was focusing on East Asia, the time was right for a re-examation of the excesses of the 50s lest they fade from memory (something that still applies to today). We start off during the opening credits with newsreel scenes from 1952: Joltin' Joe DiMaggio, frontlines from the Korean War, Marilyn Monroe getting her star on Hollywood Blvd, the Rosenbergs being carted off to their execution, new cars, new homes complete with bomb shelters, etc. But the movie focusus on the blacklisitng of writers, directors, and actors in entertainment; specifically at NBC television. The details and the methodology of the blacklist are exact and don't involve a lot of exposition. Halfway through the film, you get a fairly complete picture of how the blacklist worked.

The movie is also a good old-fashioned "Screw You!". The film was written by a blacklisted writer (who is obviously drawing from his own experience), directed by a blacklisted director and is populated (not exclusively) by blacklisted actors. The actors who were blacklisted get their own titles in the closing credits.

And thirdly, (and most importantly) the movie is good entertainment. Amateur bookie Harold Prince, described by his brother as "a lowlife bum", cares about two things: making money with as little effort as possible and getting laid. He has no apparent talent and no political convictions. Prince's lifelong buddy Al Miller (played by Mike "Jack Tanner" Murphy) has problems of his own: despite award-winning work, he can't get a job writing because word is out that he marched in a May Day parade. Al makes a proposition. He writes the stuff, Harold submits it, and Harold gets to keep 10% of the money.

By his own admission, Harold knows nothing and cares nothing about politics or the blacklist. ("Why don't you just sue someone?" he asks). But he doesn't protest: this is easy money, he takes it. When it works, he takes on more writers and finds himself getting both more easy money and more tail than he would have imagined; but as he starts to realize some of the bigger issues at stake, he very slowly (VERY slowly) starts developing a conscience.

The humor comes from Prince, trying horribly to fake being a writer. The producers of the TV shows he writes for love him because he doesn't act like a writer. As he becomes more popular, he keeps trying to play it cool with varying results. He finds himself getting very used to success and keeps thinking he can just finesse his way out of whatever problems come up. There are also some priceless scenes with the writers he fronts for as he keeps needing to be reminded that he's not the talented one.

Special paragraph for people who hate Woody Allen:
Don't let that stop you from seeing this. It is not "A Woody Allen Movie." (aka "Movie about being neurotic in New York") Woody Allen plays Prince. He doesn't write, he doesn't direct, he even tones down the uber-nebbish character he usually plays. With everything that's come up about Allen since 1975, it is easy to forget that the guy can be very, very funny.

But even though Woody is the lead, Zero Mostel (in one of his last films) is the star of this picture. In a couple of scenes we watch him go from top-of-the-world everybody-loves-me, to I've-had-a-setback-but-they-still-love-me, to deep despair. This is made particularly poignent since it parallels Mostel's own career. Even if you don't know Mostel's story (he came up through vaudeville and when he was discharged for disability, spent the rest of the war with the USO entertaining the troops, became a huge splash in Hollywood then couldn't work for 10 years when a producer turned his name over the the House of Un-American Committee and Mostel refused to implicate any of his colleagues in the entertainment industry) his peformance is incredible to watch. You go from hating the guy, to loving him, to pitying him. His emotions really run the gamut.

If there's one negative, it is that the DVD has NO features at all. If a flick ever cried out for a special edition, this is it.

So give it a rent when you've got a free night. Its got everything: humor, sex, political intrigue, nostalgia, Danny Aiello as a guy selling fruit, Andrea Marcovicci's film debut, and other historical importance.

Summary of The Front

Woody Allen's dark comic send-up of Hollywood McCarthyism! Allen stars as a cashier posing as a writer who sells a script as his own, when it was actually written by a blacklisted pal. Stars Woody Allen, Zero Mostel, Danny Aiello and more. Nominated for an Oscar® - Best Writing, Screenplay Written Directly for the Screen (Walter Bernstein, 1977).
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