The Eye (Two-Disc Special Edition + Digital Copy)

The Eye (Two-Disc Special Edition + Digital Copy)

The Eye (Two-Disc Special Edition + Digital Copy)
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DVD Cover Information

Actor: Jessica Alba
Brand: Lions Gate
DVD: Region Code 1
Audio: English (Original Language); English (Subtitled); Spanish (Subtitled); Spanish (Dubbed)
Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, Full Screen, NTSC, Special Edition, Subtitled, Widescreen
Picture Format: 2.35:1
Running Time: 97 minutes
DVD Release Date: 2008-06-03
Audience Rating: PG-13 (Parental Guidance Suggested)
Studio: Lions Gate

Movie Reviews of The Eye (Two-Disc Special Edition + Digital Copy)

Movie Review: Not a Terrible Remake, But Maybe It's Time to Stop ...
Summary: 2 Stars

Jessica Alba is Sydney Wells, a concert violinist who has recently received an eye transplant. The operation is a success, but soon she starts seeing scary things that other people cannot see. Could it be that her new eyes are deceiving her, or is she just imagining things?

The film's premise itself is fairly interesting, but "The Eye" fails to really interest us because of its derivative story and the lack of scare. It was a bit shocking for me to see the director team David Moreau and Xavier Palud, responsible for their brilliant film "Them," using so many familiar tricks of horrors like sudden big sound or shadowy figure moving around.

The 2002 Hong Kong film (directed by the Pang brothers), upon which this new version is based, made a good use of the premise against the background of the Asian locations and culture. It may not be the greatest horror film (or maybe I should not call it a horror as the story was more about the characters - the recipient and the donor - than about the terrors they experience), but the direction was imaginative and Angelica Lee's acting as the tormented heroine was splendid. Unfortunately Jessica Alba's performances as the terrified heroine is not as good as Lee's and supports including Alessandro Nivola and Parker Posey are not very memorable.

As you know, films with stories related to "the second sight" are nothing new (remember "The Eyes of Laura Mars"? or how about "Blink"?) To create a truly engaging film, however, you need something more, something that makes the whole film more suspenseful or some clever twist as in "The Dead Zone" or, naturally, "The Sixth Sense." Though some may find the film is reasonably entertaining (and I have never said the film is terrible), "The Eye" needs original ways and ideas to develop the story.

Summary of The Eye (Two-Disc Special Edition + Digital Copy)

Sydney Wells is blind and has been so since a childhood tragedy. After undergoing surgery to restore her sight she learns to see again. But soon after, unexplainable shadowy and frightening images start to haunt her. Not knowing if they are an aftermath of surgery, her mind adjusting to sight, her imagination, or something horrifyingly real, Sydney is soon convinced that her anonymous eye donor has somehow opened the door to a terrifying world only she can now see.
Jessica Alba can see dead people in The Eye, the umpteenth Hollywood remake of an Asian horror film. The source material is Korean directors Danny and Oxide Pang's chilling 2002 feature of the same name, and the remake (by French directors David Moreau and Xavier Palud, who made 2006's Them) sticks to the basic facts of the original. Here, Alba is a blind concert musician who undergoes a corneal transplant; the catch is that while the operation restores her sight, it also allows her to glimpse the spirits of the dead that pass among the living, as well as the underworld figures that bring them to the beyond. The frustration and terror of Alba's predicament makes for a compelling story, but while the film is executed with the utmost of professionalism, the scares (the picture's raison d'etre) are delivered in the same ham-fisted manner as any big-budget horror film of the last few years. The result is another disappointing American remake that underscores how the international film community has become more successful at delivering yet another of our most quintessential film genres. -- Paul Gaita

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