The Color of Money
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DVD Cover Information
Actor: Alvin Anastasia, Bill Cobbs, Elizabeth Bracco, Randall Arney, Robert AginsBrand: Team Marketing
Primary Contributor: Newman, Paul
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 4.1
Format: Closed-captioned, Color, DVD-Video, Letterboxed, NTSC, Widescreen
Picture Format: Letterbox, 1.85:1
Running Time: 118 minutes
DVD Release Date: 2002-06-04
Audience Rating: R (Restricted)
Studio: Walt Disney Video
Product features:
- Classic DVD
- Exclusive interviews, highlights, and behind the scenes coverage
- DVD's main menu allow you to jump directly to the action
- Presented in full-screen digital video
Movie Reviews of The Color of Money
Movie Review: Damn good! (But doesn't entirely fulfill its promise)
Summary: 4 Stars
There's an admirable economy in the set-up. We see right away that Fast Eddie (Newman, in a reprise of his role from 1961's The Hustler) is still hustling, now off-brand liquor instead of pool, from which he retired long ago. At the same time we meet his love interest, conveniently doubling as the object of his liquor hustling, trying to break through the sales pitch to reach Eddie. We soon see cheap liquor has brought him good money, but it isn't made to appear all that glamorous or enriching in other ways. At the same time we're introduced to Vincent (Cruise) and his girlfriend/manager Carmen (Mastrantonio). The sound of Vincent's "sledgehammer break" (the break being the first shot of the cue ball into the group of nine balls) distracts Eddie from his pitch, and after observing Vincent, Eddie moves in to make a pitch of an entirely different kind. For a few minutes we're being hustled along with Vincent and Carmen. Carmen isn't really so dumb, though, and soon we wonder who will end up hustling whom.
With Eddie as manager/teacher, the trio go on the road where Vincent is to learn to hustle as they work their way to a big score at the national pool championships. Along the way Eddie's own passions, and pride, are rekindled, and he starts to believe he should be pushing the cue stick himself. The trio splits up, to meet again at the nationals.
Among the virtues of the first part of the film, in addition to the very tight script and editing, is that the three main characters are well balanced, each with an interesting and important kind of power and weakness. The emphasis is on psychology and character. As the film enters the final third, there is a shift to the kind of build-up to a show-down that we might have expected from the start. Mastrantonio's character becomes less important, and what replaces the earlier psychological tensions doesn't pay off as well either in terms of depth or excitement. To be sure, there is character development at the end, but some of it's pretty barely sketched. And there's plenty of excitement leading up to the climax, with some impressively edited pool sequences, but the very end is more of a whimper (almost literally, as there's some near-begging) than a bang.
Bottom line: this is an excellent film in most respects, with fine acting from all involved, interesting ideas, intelligent dialogue, exciting sports, and a mixed pay-off. Well worth seeing and owning. The currently available DVD is nonanamorphic widescreen, meaning it has its complete original image but will have black bars on the sides on a wide-screened monitor. The image quality is good; the stereo sound was a bit jarring at first (to me) but quickly became enjoyable in its brightness and fulness. Good music from Robbie Robertson and others.
Some notes. A number of reviewers complain of Cruise's acting, and he often divides audiences in that regard. I think he was a natural for the role, and filled it very well. (I also thought he had the more difficult role in Rain Man, and was every bit as good as Hoffman, maybe better.)
The film avoids almost completely the truly dark side of gambling/hustling, to the point that Eddie openly hands Vincent an envelope clearly stuffed with money at a key point in a way that would have led to investigations, broken kneecaps or worse in real life. Vincent's hustle that led up to this didn't make much sense to me, given the other options available, and not letting Eddie in on it made more sense as a way to heighten the drama than as a rational decision.
The film doesn't draw attention to the different moral/sporting issues involved in different kinds of hustles. Some hustles are used only to build up the bets, but sporting skill is still relied on to get the pay-off. There seems a big difference between that and actually winning money by throwing a game, especially in a major tournament where others rely on everyone bringing their best.
That Eddie had to repeatedly ask a certain character if he was a hustler rang false to me, as the excellent actor who played the character was making it clear to us he was hustling. More subtle direction would have helped make the scene more believable.
About the ending, lack of resolution or open-endedness isn't a problem for me, but it just didn't fit the build-up. Another reel fleshing out the end with material as good as the first part of the film would have made this film great.
I'm among those who would love to see a sequel in Cruise's later years where he passes on the legacy to another hot newcomer.
Summary of The Color of Money
Legendary actor Paul Newman (MESSAGE IN A BOTTLE) and Academy Award(R)-nominee Tom Cruise (Best Actor, 1996, JERRY MAGUIRE) ignite the screen in this powerful drama. Brilliantly directed by Martin Scorsese (GANGS OF NEW YORK), Newman re-creates one of his most memorable roles from THE HUSTLER. As Fast Eddie Felson, he still believes that "money won is twice as sweet as money earned." To prove his point, he forms a profitable yet volatile partnership with Vince (Cruise), a young pool hustler with a sexy, tough-talking girlfriend (Mary Elizabeth Mastrantonio, THE PERFECT STORM). But when Vince's flashy arrogance leads to more than a few lost matches, all bets are off between Eddie and him. THE COLOR OF MONEY will electrify you with its suspenseful story, dazzling cinematography, and dynamic performances.Martin Scorsese handles directing duties in this 1986 sequel to the classic 1961 film The Hustler, which marks the return of Paul Newman to the role of pool shark Fast Eddie Felson. Anxious to break into the big time again, Eddie finds a talented prot?g? (Tom Cruise) to groom; but with the addition of the latter's manipulative girlfriend (Mary Elizabeth Mastrantonio) and the wild streak in Cruise's character, the trio make for a fascinating portrait in group psychology. The cast is brilliant, the script by Richard Price (Clockers) is a paragon of tightly controlled character study and drama (at least in the film's first half), and Scorsese and cinematographer Michael Ballhaus make an ornate show of the collision and flight of pool balls through space--something of a metaphor for the dynamics among the three principals. The film is generally regarded as weaker in its second half, and rightly so, as everything that was interesting in the first place disappears. Still, Newman won a deserved Oscar for his performance. --Tom Keogh
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