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The Claim
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DVD Cover InformationActor: Milla Jovovich, Nastassja Kinski, Peter Mullan, Sarah Polley, Wes Bentley Brand: TCFHE/MGM DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 5.1; Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1; Spanish (Original Language), Dolby Digital 5.1; Spanish (Dubbed), Dolby Digital 5.1 Format: Anamorphic, Closed-captioned, Color, Dolby, Dubbed, DVD, NTSC, Subtitled, Widescreen Picture Format: 2.35:1 Running Time: 120 minutes DVD Release Date: 2001-06-26 Audience Rating: R (Restricted) Studio: MGM (Video & DVD)
Movie Reviews of The ClaimMovie Review: cold truth Summary: 5 Stars
This is the West as I imagine it actually was, rough, unrefined, and brutal. Similar in tone to DAYS OF HEAVEN, another bit of American history, THE CLAIM is told in unsentimental bleak fact; nobody is spared, and there are no real winners except the railroad.
Daniel Dillon arrives in the wilds of Northern California during the gold rush with his wife and infant daughter in hopes of making a fortune in the gold fields. They arrive at a claim shack, cold, hungry, and out of hope and are taken in by the claimer, and in short order, Dillon unsentimentally sells his family to the lonely miner for the claim. The wife, Elena, aware that she has little say, goes with her new master, but does not close the door on Dillon.
Years later, we find that Dillon has made a go of things with his claim; he has built a town called Kingdom Come, wrested out of the mountains virtually by himself, a rough-and-ready place without amenities beyond the ubiquitous saloon and whorehouse to supply the miners. A survey crew appears; negotiations are begun to possibly bring the newly-constructed railroad through Kingdom Come and establish Dillon as the baron he envisions himself to be. The survey crew brings with it, however, a nasty shock for him; his erstwhile wife and now-grown daughter - who is unaware that Dillon is her father. Elena - the wife - is dying; she has come back to make some sort of arrangement with Dillon, as the man she was sold to has died and left her destitute, and she wants to provide for her daughter, the unlikely-named Hope. Dillon, on seeing her, realizes suddenly that his ambitions have left him hollow; his closest association is the madam of the town bordello, who loves him, but who he has no intention of marrying. He unceremoniously dumps the madam and presents Elena with an offer she can't refuse, and they are married - despite already being married - before all the townsfolk and move into a - for a town like that - palatial house overlooking his mountain fiefdom.
Both Hope and the madam view all this with equal suspicion and disapproval. Hope is aware that some connection is involved of which she is ignorant; the madam is deeply angry at being shunted off like yesterday's news. The survey company comes periodically into town for refreshment, always greeted enthusiastically by the girls from the bordello, played just right with a brittle gaiety and hope by the cast of women; you can see the wavering despair of one in particular, hopelessly in love with her regular customer and played to the pathos of hoping against hope that he will return each time and maybe, MAYBE spirit her away from Kingdom Come some day. The town itself is crude and unapologetic; no church or school, totally utilitarian, without sidewalks or a good road. Dillon's hopes of the coming railroad elevating the town are clearly laid out in his efforts to sway the survey crew, but his dreams of dynasty - and of leaving it all to Hope, the daughter he abandoned and regained - lie in the hands and at the mercy of the railroad company.
There is nothing soft or romantic about this movie; it is told in real-life format. People make choices that are wrong or right and pay the consequences thereof. There is no silver lining here; frontier life was hard and nasty sometimes, and this makes that very clear. Nothing came easy in the Old West, and justice was meted out unofficially and with speed. There were no second chances here.
This movie got under my skin almost immediately. It is shot in winter, for one thing; I was cold the whole time I watched it, merely from suggestion. The performances are top-rate; Wes Bentley - a young man I was previously unfamiliar with - plays the chief surveyist with careful consideration of his surroundings, sizing up every situation; Hope, played by Sarah Polley, shows just the right mix of doubt and loyalty as a daughter; her mother, played sublimely by the legendary Nastassja Kinski, faces her slow death bravely and accepts the life she was given.
Daniel Dillon, played by Peter Mullan, takes his role as the king of Kingdom Come and makes it believeable, with equal parts of strength, bravado, and regret for mistakes made.
This was not a big movie; I'd never heard of it until I chanced on it, but it was a worthwhile couple of hours' insight into the life of a frontier mining town near the end of the 1800s West. And the scenery can be pretty awesome also.
Summary of The ClaimABOUT LOVE, LOSSS AND RETRIBUTION EXPOSES ONE MAN'S SENSELESS GREED AFTER HE SACRIFICES EVERYTHING FOR A CLAIM OF LAND THAT PROMISES GREAT FORTUNE. SPECIAL FEATURES: ORIGINAL THEATRICAL TRAILER: SUBTITLES IN FRENCH AND SPANISH: CLOSED CAPTIONING:ENGLISH AND SPANISH STEREO SURROUND, AND WIDESCREEN VERSION.
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