The Charles Dickens Collection (Oliver Twist / Martin Chuzzlewit / Bleak House / Hard Times / Great Expectations / Our Mutual Friend)
by Julian Amyes, Lawrence Gordon Clark, Julian Farino

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Movie Reviews of The Charles Dickens Collection (Oliver Twist / Martin Chuzzlewit / Bleak House / Hard Times / Great Expectations / Our Mutual Friend)

Movie Review: Dickens, Dickens and More Dickens
Summary: 5 Stars

Summary of The Charles Dickens Collection (Oliver Twist / Martin Chuzzlewit / Bleak House / Hard Times / Great Expectations / Our Mutual Friend)

Fortunately, the others are considerably juicier: Martin Chuzzlewit, a lesser-known but richly satirical book, has a star-studded production from 1994, featuring Paul Scofield, Tom Wilkinson, Pete Postlethwaite, and Julia Sawalha, among others. The wealthy Martin Chuzzlewit, deeply suspicious of all mankind due to being hounded by greedy, grasping relatives, threatens the happiness of his ward Mary and his namesake grandson. In addition to the sterling and energetic cast, Chuzzlewit has outstanding production values, as does the 1998 version of Our Mutual Friend, which goes to great lengths to evoke the textures of life in Dickens' London. The mysterious death of a man about to inherit a great fortune sets in motion a complex plot that intertwines two love stories (it's one of Dickens' most romantic works), social scheming, and murderous obsession. The names aren't quite as famous (such as Paul McGann, Timothy Spall, Anna Friel, and Keeley Hawes), but the performances are top-notch and the script is particularly dynamic.

Bleak House, a Kafka-esque story of young innocents caught in an all-consuming, multi-generational lawsuit, cultivates a rich and potent Gothic horror; the 19th century seems like an unnerving alien world, through which lawyers and policemen stride like cruel predators. Diana Rigg is the most famous face in this 1985 production, but strong performances abound. The final component of this box set is the most curious: A 1994 version of Hard Times starring Alan Bates and Richard E. Grant, which turns this dark story--about a schoolmaster/politician who raises his children on reason at the expense of all feeling and finally reaps the bitter rewards--into a compact, theatrical feature film that's so swift it's almost jaunty. Adapted and directed by Peter Barnes (writer of The Ruling Class), it's the most stylized production of the bunch, and while lacking the depth and narrative detail of the others, it effectively cuts to the essence of Dickens. --Bret Fetzer

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