The Chaplin Revue (2 Disc Special Edition)

The Chaplin Revue (2 Disc Special Edition)

The Chaplin Revue (2 Disc Special Edition)
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DVD Cover Information

Actor: Albert Austin, Edna Purviance, Henry Bergman, Mack Swain, Syd Chaplin
Brand: Warner Brothers
Primary Contributor: Edna Purviance
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 2.0 Mono; English (Subtitled); Spanish (Subtitled); French (Subtitled); Portuguese (Subtitled); Georgian (Subtitled); Chinese (Subtitled); Thai (Subtitled)
Format: Black & White, Closed-captioned, DVD, NTSC
Picture Format: 1.33:1
Running Time: 214 minutes
DVD Release Date: 2004-03-02
Audience Rating: Unrated
Studio: Warner Home Video

Movie Reviews of The Chaplin Revue (2 Disc Special Edition)

Movie Review: Finally! The Chaplin Revue presents him as he was meant to be seen
Summary: 5 Stars

There was no single correct projection speed for motion pictures until standardization in 1927, when 24 FPS was necessarily decided upon as a prelude to the coming of talkies. Most prior photoplays were shot at varying speeds. In his earliest films, D.W. Griffith favored 12 FPS. This means, at playback on a motorized projector set at the standard 24 FPS, BIRTH OF A NATION and other movies seem bizarrely fast!

Comedies were often filmed at 16 FPS and undercranked for action scenes. All these movies were designed to be shown on a hand-cranked projector. Thus, when 24 FPS came in, the natural look of earlier silent films DISAPPEARED. With the passage of decades, viewers have come to accept these ridiculously quick-moving images as "normal" because they have no point of previous reference.

When Sir Charles selected in 1959 the three shorts that comprise THE CHAPLIN REVUE and added his own musical compositions, he made certain that these movies would run at their ORIGINAL projection speeds. So we are able to see here how silent movies actually appeared to cinemagoers in 1918 and 1923. The naturalness of unbusy passages is delightful and certainly NOT a distraction. For the first time, modern audiences can appreciate the subtleties of Chaplin's facial expressions and movements. This is a wonderful compilation!


"The Chaplin Revue" is available on DVD.

Also recommended:
Sir Charles often cited THE GOLD RUSH (1925) as his favorite picture. (VHS edition) (DVD edition)


Parenthetical numbers preceding titles are 1 to 10 viewer poll ratings found at a film resource website.

(7.7) A Dog's Life (1918) - Charlie Chaplin/Edna Purviance/Syd Chaplin/Harry Bergman/Minnie Chaplin

(6.8) Shoulder Arms (1918) - Charlie Chaplin/Edna Purviance/Syd Chaplin/Jack Wilson/Harry Bergman

(7.4) The Pilgrim (1923) - Charlie Chaplin/Edna Purviance/Syd Chaplin/Mack Swain/Harry Bergman (uncredited: Mickey Daniels/Marion Davies)

Summary of The Chaplin Revue (2 Disc Special Edition)

That Charles Chaplin's Little Fellow (his own name for the Little Tramp) is such a Comic Everyman enabled the master moviemaker to place the character in all manner of situations. That versatility abounds in this treasure chest of seven marvelous movies made for First National between 1918 and 1923. Included are such touchstones as Shoulder Arms (his popular portrayal of World War I trench life), The Idle Class (skewering the rich) and The Pilgrim (lampooning small-town hypocrisy), along with the charming and hilarious views of family life and romance in A Dog's Life, A Day's Pleasure, Sunnyside and Pay Day.
Seven Charlie Chaplin two-reelers are included on this two-disc set, including The Chaplin Revue, a 1959 compilation comprising three silent comedies (A Dog's Life, Shoulder Arms, and The Pilgrim). Among the high points are the flawless A Dog's Life, in which the Tramp befriends a mutt (among its sublime routines is a superbly executed scene with Chaplin stealing pastries from a street vendor), and the ambitious Shoulder Arms, which sends Charlie to the trenches of World War I. There's also The Idle Class, which casts Chaplin in two roles: as the Tramp, and as a foppish rich man with a weakness for drink (and a weakness for absent-mindedness, in a brilliant scene in which he forgets his trousers). A Day's Pleasure is a lark with good gags aboard a swaying boat, while Sunnyside is downright peculiar at times--though Chaplin's addled dance with imaginary nymphs is pure acrobatic daffiness. --Robert Horton

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