The Ballad of the Sad Cafe - The Merchant Ivory Collection
by Simon Callow
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DVD Cover Information
Actor: Austin Pendleton, Cork Hubbert, Keith Carradine, Rod Steiger, Vanessa RedgraveDirector: Simon Callow
Brand: Image Entertainment
Cinematographer: Walter Lassally
Producer: Donald Rosenfeld
Producer: Ismail Merchant
Producer: Paul Bradley
Writer: Carson McCullers
Writer: Edward Albee
Writer: Michael Hirst
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 2.0 Stereo; English (Subtitled)
Format: Closed-captioned, Color, Dolby, DVD-Video, NTSC, Special Edition, Widescreen
Picture Format: 1.78:1
Running Time: 101 minutes
DVD Release Date: 2005-01-18
Audience Rating: PG-13 (Parental Guidance Suggested)
Studio: Merchant Ivory
Movie Reviews of The Ballad of the Sad Cafe - The Merchant Ivory Collection
Movie Review: Ford should change its logo to - "Built Redgrave Tough"
Summary: 2 Stars
A review for "The Ballad of the Sad Caf?" once opened with the formidable question of who would ever consider casting Vanessa Redgrave as Miss Amelia, a Depression-era love-starved local recluse. As this critic seemed to point out, the only really two options were either Shelley Duvall or Sissy Spacek, two women who have continually redefined that particular role time and time again. For me, Redgrave was phenomenal in a role unfamiliar to her typical typecast. She was strong, leathery rough, and the absolute definition of an independent woman who literally ran this little mill town in the South. An adaptation of a book by Carson McCullers and helmed by famed Brit Simon Callow, this had the makings to be the next "Grapes of Wrath" or Oscar winning human drama. This film was unique, mysterious, bold, delicate, honest, and brutal, with a small element of David Lynch lurking around the corner. The characters seemed to be placed well, Callow's direction was superb in some moments, lacking in others, but with all of this praise behind it - it still suffered as merely an average film. Why? Major parts seemed, or at least felt, like they were dropped on the cutting room floor. Scenarios played out in a logical sense, but the physical connectors seemed to be weak, and unable to support a story of this nature. "The Ballad of the Sad Caf?" worked hard at its image, but when it came down to crunch-time, it was left standing in its own self-created dust.
One cannot image saying this out loud, but if Vanessa Redgrave's Amelia were to fight John Wayne or even Clint Eastwood, my hard-earned dollars would have to go to Redgrave. Her portrayal of Amelia was as close to perfection and consumed with more detailed dedication than most actors are willing to give to any multi-million dollar contracted persona. Redgrave gave Amelia this soulful drawl that was a blend of her own unique voice and a hard-earned woman from the south. To the average viewer, this could be construed as annoying, but as the film progressed it became her - Miss Amelia transforming this stage beauty into a roughneck. It was Redgrave's performance, as well as her interaction with the other characters, that made this film stand tall - but not the tallest. The others following her performance were needed, but not stellar. As we moved past the murky clich? image passed on by every set designer hired for the post-Depression South job, the minor characters felt like poster board. The image was needed to set the scene, but the characters of the town had no other purpose. Take for example Rod Steiger's vision of some old, wild spoken preacher. His scenes alone will make any viewer question the validity of this off-the-beaten-path town. The main two players who surrounded Amelia battled with charm for the admirable top scene-stealing moment, but due to the lacking direction - it just seemed faded. The most absurd of the two (albeit both rank high among the questionable sanity line) is Cork Hubbard who plays Amelia's "cousin" who shows up randomly one night. His character is never quite defined, he lacks true motive, and his loyalties remain uncertain. He plays no vital role in this film outside of forcing us, the viewers, to question his sanity and honesty. Can you create a character simply by sticking out your tongue, flicking your ears, and punching your chest and head? Finally, there is the other end of the absurd - Keith Carradine. Callow's close-ups of this tormented man build character, but our lack of understanding between him and Amelia causes his purpose to flounder. These were the characters, as clich? Southern as they were - some stood forward and attempted to create an absurdist period piece, and I cannot argue that they failed.
Where "Ballad of the Sad Caf?" failed to rise above mediocrity was in the cinematography and narrative. This film was about Amelia, and her need for other souls in her life. The audience's level of comfort with the arrival of her midget cousin was entertaining - one couldn't help but wonder if he was honest or merely a confidence man attempt to leech off a warm heart. Cork Hubbard's character is never quite understood, but we do accept him with brief shots of him and Amelia doing small things together. It is his idea that transforms from a recluse businesswoman to a bona-fide caf? owner. The problem is that director Callow never quite takes us to that dramatic take level between Cork and Redgrave - is the man crazy or does he represent all of Amelia's family? I needed something from Callow that brought these two out of the David Lynch-esque relationship that they had. Then our pool gets even deeper with the addition of Carradine as Amelia's "love interest". Using the technique of a flashback within a flashback, we see the two wed, but never consummate their love - which Amelia's anger against their love drawing him into the world of madness. Why was Amelia so angry? Why was there no connection between Carradine and Redgrave? Why was this even in the film? With the lack of focus towards these characters's connection, the eventual scenes between the two made no sense - throw in Cork's choice and it just gets completely discombobulated. While there were a few beautiful choreographed scenes that Callow created, the inability to transfer his characters from point A to point B. I lost focus, interest, and my care for the characters plummeted when I didn't understand the ultimate question - "why"?
Overall, "The Ballad of the Sad Caf?" began with a bang, but ended with a very small crack of a firecracker. My emotional feel of this film swung up and down, up and down, and eventually stayed further down mainly due to the lack of understanding of the motives of the characters. Redgrave did a phenomenal job as Amelia, and while the other characters (outside of the random Steiger) tried their best, I just didn't quite understand who they were. Their motives were so muddled that when the emotional ending finally occurred, I was apathetic. Director Callow seemed to have been lacking importing connecting scenes that would allow us to understand the dynamic relationship between all of our main players. Callow created some beautiful scenes where faces seemed to overlap the scenery, which allowed us to focus on Amelia - or Carradine, but nothing was explained or developed. The film played out with anger, discover, happiness, flashback, anger, anger, anger, fade out. Without the comparative connectors, this transformed from distinguished period film to actors playing parts in front of camera. It was a shame, because "Sad Caf?" had the promise, it just couldn't deliver.
Grade: ** ? out of *****
Summary of The Ballad of the Sad Cafe - The Merchant Ivory Collection
Three Academy Award? winners-Vanessa Red grave, Keith Carradine, and Rod Steiger-are the stars of this extraordinary 1991 film, directed by British actor Simon Callow. The Ballad of the Sad Caf?, based on the Carson McCullers novella and Edward Albee play, is both a grotesque black comedy and a prime slice of "Southern Gothic," set in a poverty-stricken rural community dominated by the curious, androgynous character of Miss Amelia. A forceful personality with a mysterious past, she runs the town's only caf? and controls the locals through distribution of her own secretly brewed "hooch." But Miss Amelia's eccentric existence is threatened with the arrival of a hunchbacked dwarf, who claims kinship with her, and reappearance of the husband she rejected on their wedding night.As Southern Gothic goes, Simon Callow's The Ballad of the Sad Caf? is about as eerie as a Great Depression-era tragedy can be, rife with subconscious rage, unholy alliances, androgyny, and grotesque spectacle. Based on a Carson McCullers novella but adapted from a stage version written by Edward Albee, Ballad stars Vanessa Redgrave as Miss Amelia, a singular force in her dusty, rural town worthy of a Walker Percy photo spread. Owner of the only general store in sight, medicine woman, and manufacturer of moonshine strong enough to numb the day laborers who collapse on her porch, Miss Amelia controls the pulse of her community. Things change with the arrival of a strange, hunchbacked dwarf (Cork Hubbert) who claims to be her cousin, but who ultimately sides with Amelia's ex-husband (Keith Carradine) in a campaign to make her life a living hell. British character actor Callow's ambition behind the camera proves a little overwrought, but he delivers a powerfully atmospheric, even nightmarish, drama. --Tom Keogh
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