Slaughterhouse-Five

Slaughterhouse-Five

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Movie Reviews of Slaughterhouse-Five

Movie Review: Billy Pilgrim Lives...from Time to Time
Summary: 5 Stars

As bizarre and confusing as this summarization may sound, the unusually structured plot is not all that difficult to follow, and the film is actually quite excellent. This cinematic success can be primarily attributed to the skills of screenwriter Stephen Geller, director George Roy Hill, and film editor Dede Allen. Due to their strong understanding of the novel and a good sense of aesthetics, they are able to seamlessly shift the story from one era or event to an ostensibly disparate one by intercutting one scene with another while attention is focused on some detail common to both. This circular narrative better serves the message of the film than the more common linear (i.e., natural moment-to-moment flow of time) plotting, as it makes it possible to juxtapose events that, while separated by years or even decades chronologically, are similar in theme.

And just what is the message this surreal film is trying to convey? As with the novel upon which it is based, the primary message is a nihilistic one, to wit, that life and the absurd events of which it is comprised are meaningful only because humans impute meaning to them. However, the film also has a subtle but complex existentialist and ontological subtext. Just below the nihilistic façade is the suggestion that humans should be willing to assume ultimate responsibility for the consequences of their actions. In addition, the non-linear plotting suggests that living beings are not disconnected entities WITH a history, but are, instead, comprised OF their history. In other words, a being is not an objective, corporeal identity existing in a state of temporal flux; a being is an abstract entity that is simultaneously all the different things he has done, is doing, and will do. Heady stuff, that.

The acting in SLAUGHTERHOUSE-FIVE is top-notch. As Billy Pilgrim, Michael Sacks epitomizes the naïve, baby-faced child-soldier Billy in the WWII sequences, but he also gives very believable performances when portraying the listless middle-aged Billy and the Billy living as a zoo specimen on Tralfamadore. Sexy Valerie Perrine plays soft-core porn actress Montana Wildhack, Billy's "mate" in the Tralfamadorian zoo. A one-time topless dancer herself, Perrine infuses her character with genuine emotional depth and complexity rather than playing it as the stereotypical porn bimbo. Ron Leibman chews the scenery in the supporting role of Lazzaro, Billy's comrade-in-arms-cum-assassin, and Eugene Roche gives a very affecting performance as Billy's wartime mentor, Edgar Derby. There are also cameos by very notable thespians such as Sorrell Booke, Roberts Blossom, John Dehner, Lucille Benson, and British actor John Wood.

The new DVD release from MCA/Universal is a no-frills disc offering only the theatrical trailer as bonus material. However, unlike previous DVD releases of the film, the widescreen presentation is anamorphically enhanced for 16x9 televisions. The digital transfer is good, but there are noticeable filmic and digital artifacts. Nonetheless, the disc is offered at a very reasonable price, and the film itself should have a spot in the collection of any serious film lover.

Summary of Slaughterhouse-Five