Sister Helen

Sister Helen
by Rebecca Cammisa, Rob Fruchtman

Sister Helen
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DVD Cover Information

Actor: Paul La Greca
Director: Rebecca Cammisa, Rob Fruchtman
Brand: New Video
Cinematographer: Alex Aurichio
Cinematographer: Andrew Holbrooke
Cinematographer: Peter Pearce
Cinematographer: Rebecca Cammisa
Producer: Rebecca Cammisa
Cinematographer: Rob Fruchtman
Producer: Rob Fruchtman
Cinematographer: Scott Sinkler
Editor: Jonathan Oppenheim
Editor: Juliet Weber
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Stereo; English (Original Language), Dolby Digital 2.0 Stereo
Format: Closed-captioned, Color, DVD, NTSC
Picture Format: 1.33:1
Running Time: 90 minutes
DVD Release Date: 2004-12-28
Audience Rating: NR (Not Rated)
Studio: New Video Group
Product features:
  • One of the most unanimously acclaimed documentaries in recent years and winner of the coveted Sundance Film Festival Directing Award, this emotionally compelling film is an inspirational and uplifting portrait of a truly colorful and most unusual New York character. Brash, foul-mouthed, and no-nonsense, Sister Helen Travis is not your typical saintly soul. A recovering alcoholic who lost her husba

Movie Reviews of Sister Helen

Movie Review: This Sister Donned a Habit -- But Retained Her Old Habits
Summary: 5 Stars

"Sister Helen" is a superb documentary about a rigid, intolerant, foul mouthed, bitter, oblate (civilian) nun who runs a shelter for drunks and dopers in a very rundown neighborhood in the south Bronx. All but one of the 21 residents are gutter drunks/addicts. Robert, the only middle class representative - he had a real job, house, and even a BMW - regrets she died before he could tell her off. Why?


Robert, like six of the residents, was on parole. He complained that Helen wielded a huge stick over him and constantly threatened to turn him in if he didn't cow-tow to her. In an "extras" interview he said Helen ran the center to compensate for the deaths of the three men in her life - her husband and her two boys. The husband was an alcoholic who died of a heart attack at 55. One boy died of a heroin overdose and the other was stabbed to death at 15. Helen was left with one daughter, who she abandoned to run the center. The daughter was not pleased. She wanted her mom.

What's fascinating is how little Helen changed. Outwardly it seems she made a huge sea change. But after seeing this riveting and disturbing video a few times -- once with the directors narrating -- it became clear that Helen substituted 21 male addicts to boss around to replace her three dead males.

Helen admits she ignored her kids and spent every day in bars. But her bossiness, intolerance, and sharp tongue didn't emerge at age 56. Living with her must have been extremely difficult. Even Robert says he stayed clean in spite of Helen.

The film opens with Helen abusively demeaning a man who wants to live at the shelter. Supposedly she is showing off her street savvy. Another time she publicly demeans Mel, her "assistant" for not bathing for a year. Then she waves his filthy pillowcase in the air. The film is viscous with Helen threatening and demeaning people. Her signature song is "My Way." Her favorite phrase is, "I'm going to be totally honest with you." Often, people who use such phrases, turn out o be the opposite.

The residents are really down and out. Only Robert has any marketable skills beyond pushing a broom. They all desperately need a roof over their heads, and Helen, since she runs the place on her own, has the power to admit or evict whoever she pleases. She has no governing board to answer to and gets no public funding. It is her show.

Helen believes in the cookie approach to sobriety. She stopped drinking cold turkey and that means everyone else can too. She blames substance abuse on the drug or booze, and not the underlying issues that drove the men to drink and drug. She's no therapist; just a landlady who dyes her hair, wears a habit, and has wields complete power over her tenants.
Helen also lords it over her inmates by demanding urine (ureen she calls it) tests on requests. Twice Major, a very solid and respected long term older resident -- who she trusted -- failed his tests. Helen was furious and evicted him. Major stood his ground and said the results were wrong because he never did heroin. Helen didn't yield and failed to consider a mistake could have been made. This was especially troubling since she knew Major for a long time. Yet she discounted her relationship with him, assumed he was a liar, and relied completely on the results. Major eventually discovered the codeine in his cough syrup showed up as an opiate. Helen never apologized publicly, but supposedly made up with major privately.

Helen also had a very tainted reputation in her old neighborhood. She tacitly admitted to Robert she once stayed up very late one night to slash someone's tires. The person wronged her and certainly deserved to have his/her tires slashed.

She was not a nice woman. So eventually, she decided the only way to keep the Travis name (her last name) alive - since the three male Travises died - was to start the Travis Center.
For some of the residents it was a great deal. They complied with Helen and in exchange received a cheap, safe, sober, and structured place to live. One however, said he preferred jail.

Addicts and drunks don't all need to be treated like children. Helen employed "old school" techniques which have been discredited. However, no one was forced to remain at the center and for some, it was definitely a positive experience. The Travis Center is not a treatment center. It is a residence for alcoholics and dopers who what to straighten out their lives.

To receive the full Sister Helen experience, see all the extra interviews plus the audio version in which the two directors share their experiences living with Sister Helen and her guests.















Summary of Sister Helen

One of the most unanimously acclaimed documentaries in recent years and winner of the coveted Sundance Film Festival Directing Award, this emotionally compelling film is an inspirational and uplifting portrait of a truly colorful and most unusual New York character. Brash, foul-mouthed, and no-nonsense, Sister Helen Travis is not your typical saintly soul. A recovering alcoholic who lost her husband and sons to substance abuse, she single-handedly fights her own war on drugs as director of a halfway house for recovering addicts in NYC?s South Bronx. Filmmakers Rob Fruchtman and Rebecca Cammisa put their fly-on-the-wall, cinema verité technique to expert use as they vividly capture the complex love/hate relationship between this tough-as-nails nun and the men who both fear her and rely on her to help them battle their own inner demons. Inspired by Sinatra?s "my-way-or-the-highway" mantra, Sister Helen runs a tight ship in which everyone must obey her rules and the hand that writes them. For the residents who wish to permanently kick the habit, this sobering dose of tough love may be their last and only hope.
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