Sid & Nancy
by Alex Cox
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DVD Cover Information
Actor: Andrew Schofield, Chloe Webb, David Hayman, Debby Bishop, Gary OldmanDirector: Alex Cox
Writer: Alex Cox
Writer: Abbe Wool
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0; Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0; French (Original Language), Dolby Digital 2.0; Spanish (Dubbed), Dolby Digital 2.0
Format: Anamorphic, Closed-captioned, Color, DVD, Full Screen, NTSC, Widescreen
Picture Format: 1.85:1
Running Time: 112 minutes
DVD Release Date: 2000-12-19
Audience Rating: R (Restricted)
Studio: MGM (Video & DVD)
Movie Reviews of Sid & Nancy
Movie Review: Feeling helpless as history rewinds and reminds
Summary: 5 Stars
I think many people don't have the right feelings about this film. Empathy being one of them. Although Sid Vicious and Nancy Spungeon could indeed be described as two wastes of sperm and eggs, empty and apathetic as they lie on their beds strung out on heroin in one scene, we have to acknowledge their backgrounds and their ages. Sid, bassist with 70s punk band The Sex Pistols and Nancy, his American groupie girlfriend, were just a pair of misguided teenagers. Nobody is perfect at the age of nineteen or twenty, nobody really knows exactly what they want to do in life. And there are a lot of young people, who at that age, can't see a future for themselves.
We may very well say drugs are bad and drug addicts deserve no respect, both of the above being true. But the fact is that this is being too narrow minded. Those of us who have had wonderful childhoods and loving parents to guide us through those turbulent teenage years may scoff and scorn at the films title characters, as we see them embark on the doomed journey of drug abuse with only one end in mind. Sid might have been an intelligent, bright and witty young man, Nancy could have had the chance to fix her life if her parents hadn't given up on her and sent her packing. This film is a remarkable movie, one that should be watched with empathy, as it replays the ill fated romance of punk's 'Romeo and Juliet' I understand John Lydon when he scorned the film, but no movie can ever capture real life. As a teenager recovering from the draining world of drugs, depression and apathy, I have to say that this movie accurately portrays the effects of drug abuse.
The drugs do eventually end up taking control of you, and there is nothing more dangerous than having a friend or lover who feels the same despair that you do. Trying to escape the dark hole of drugs seems almost impossible in that scenario. I think this film is an excellent portrayal of the effects of drug abuse, of the 70s punk scene, of the blurry details surrounding Nancy's death.
It's a pity the film was given an R rating, because a lot more young people should see this movie. Sex Pistols fans may also ike to see this movie, maybe to gain an idea of the helplessness of Sid and Nancy's situation. For all those drug addicts out there, I just wanna say, you should see this film before you "climb the ladder to the poppy". During a time when I was stupid enough to want to become a junkie, this movie saved my life. The scene that hit me the hardest was one of the last, where Sid tries desperately to get out of the hotel room he and Nancy share, tries desperately to escape Nancy's rantings of death, before engaging in the scuffle that got her killed.
It may or may not have happened in real life, but I had never felt so suffocated watching a movie before, watching helplessly as Sid's fingers reach for the latch on the door but don't quite make it. I won't give the ending away, but many people have scoffed it. I think it worked very well and understood and exactly the irony that Alex Cox was getting at. Maybe some of you will understand it too. But you have to watch it to find out..You can watch this movie with feelings of disgust, scorn, helplessness and sadness. But this move made me personally, empathise with Sid and Nancy, two lost children in a vast world, searching for something that can't be found. And although many punks made it through the seventies, supress your contempt when watching this movie, and feel sadness for those who didn't.
Summary of Sid & Nancy
Gary Oldman (Harry Potter and the Prisoner of Azkaban, Lost In Space) and Chloe Webb (The Newton Boys) execute performances that are nothing short of phenomenal (Los AngelesTimes) as Sex Pistols bassist Sid Vicious and his unforgettable junkie girlfriendtwo socialmisfits who literally love each other to death. In this riveting biography of burnt-out icons (The Washington Post), award-winning* writer/director Alex Cox (Repo Man) creates a great film ('siskel & Ebert ) about the destructive lives of two 1970's punk legends. Their love affair is one of pure devotion. Sid falls hard for groupie Nancy Spungen, who seduces him with her affectionand addiction to heroin. Their inseparable bondto each other and their drugseventually corrodes the band, sending Sid and Nancy down a dark road of despair. Out of money, hope and options,the despondent two hit rock bottom while living in squalor at New York's infamous Chelsea Hotel. But their journey takes yet another tragic turn as they face their final curtainand attempt to fulfill their destiny of going out in a blaze of glory! *1986: Critics Award, Sao Paulo International Film FestivalAfter the cultish success of Repo Man, maverick director Alex Cox made the film that remains his masterpiece--a loud, brash, abrasive, painful, funny, and utterly brilliant screen biography of British punk rocker Sid Vicious and his American girlfriend Nancy Spungen. As played to perfection by Gary Oldman and Chloe Webb, Sid and Nancy are made for each other, serving their mutual strengths and weaknesses and rising with the punk-rock fame of Sid's group, the Sex Pistols, while falling into the ultimately lethal pit of drug abuse. Cox doesn't pull any punches or compromise the unsavory aspects of this passionate love story, so the film presents a harsh mix of emotional and physical anguish tempered by the very poignant and genuine love shared by its tormented central characters. Through it all, the film emerges as an intimate and yet oddly epic chronicle of punk's glory days of anarchic sex, drugs and rock & roll. It's as dynamic and confidently directed as any screen biography before or since, no less fascinating for its unpleasant aspects as for the touching emotions at its very human core. --Jeff Shannon
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