Shakespeare in Love

Shakespeare in Love

Shakespeare in Love
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DVD Cover Information

Actor: Antony Sher, Geoffrey Rush, Joseph Fiennes, Martin Clunes, Tom Wilkinson
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 5.1
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, NTSC, Widescreen
Picture Format: 2.35:1
Running Time: 123 minutes
DVD Release Date: 1999-08-10
Audience Rating: R (Restricted)
Studio: Walt Disney Video

Movie Reviews of Shakespeare in Love

Movie Review: An enchanting piece of fiction!
Summary: 5 Stars

Be forewarned: this is not, nor was it ever intended to be a history lesson about the creation of what is surely the greatest literary tragedy of all time. It was, however, intended to be a charming and ingenious FICTIONAL look at the period and the people who inhabited it. On that level it succeeds beautifully. Oh, for sure there are truths here, not the least of which has to do with the fact that all the parts in theatres of that time and place were played by men. But even that is presented with a keen sense of humor. In fact, the story revolves, to a great degree, around that element. The character of Viola (charmingly portrayed by Gwyneth Paltrow) loves the theatre so much she dresses as a man in order to enable her to act. This gender switching plot twist has been attempted several times in films of the past. TOOTSIE and YENTL are excellent examples of similar story lines. But here you have the character falling in love with a certain playwright named Will. How that element is integrated with Viola's gender switching is most ingenious. NOT historically correct but ingenious.

The script by Marc Norman (who also served as one of the producers) and Tom Stoppard is really what makes this film come alive. Without their vision, it would have been just another romantic comedy. As it is, these writers have humanized a period so remote from ours that you feel yourself transported back to that time. They certainly deserved their Oscar.

With all the controversy at the Academy Awards that year SHAKESPEARE IN LOVE came out looking like a villian. There is no doubt that SAVING PRIVATE RYAN should have won the Best Picture Oscar. If it were possible, this reviewer would give that film TEN stars instead of the usual maximum of five. It is that much better at what it does than SHAKESPEARE.... is at what it tries to accomplish! But why bother with technicalities. The Academy has made mistakes similar to this before. Miramax, the company responsible for releasing the film bought the votes from those that would have voted for ....RYAN. For that, they were wrong. But isn't it wonderful that they had the gumption to grab this film and distribute it so it could be seen by all of us. It truly is a blessing, even if it wasn't the best film of the year.

As far as the other awards go, Paltrow definitely deserved the Oscar. Her performance of the very classy girl that falls in love with Shakespeare is at once realistic and romantic. Without overacting, she convinces you she is the girl who loves the theatre so much she would temporarily give up her own identity to participate. Judi Dench as Queen Elizabeth shines briefly but did not deserve the Supporting Actress Oscar. The role is nothing more than a glorified walk-on. The supporting actress award should have gone to Lynn Redgrave in GODS AND MONSTERS. However, nearly all the other Oscars the film won were deserved. The costumes, sets, and music score by Stephen Warbeck are excellent. Occasionally, the sound department on the film overpowers the dialogue with the beautiful music and this is a shame. Otherwise the film is technically superb.

The rest of the cast, Geoffrey Rush, Colin Firth, Ben Affleck and especially Joseph Fiennes as the love sick Will S. are perfect. John Madden directs with a keen eye for the period and setting and along with the fantastic script should be given credit for transporting the audience with a very smooth flight.

But the real beauty of the film is it's ability to make the viewer see just how down to earth and beautiful the works of Shakespeare really are. Over the years the intimidation of actors and directors alike has kept the Bard's works from reaching a wider audience, both in film and on stage. Thank goodness, we finally have a film which, without changing the works themselves, has made the playwright seem human and just as likely to flop as any have since. While it's not likely it really did happen this way, isn't it a beautifully creative way of telling the story. For that, the film is worth seeing, buying and seeing again. If you do your life will be enriched immeasurably!

Summary of Shakespeare in Love

One of the most winning and intelligent romantic comedies of the '90s, Shakespeare in Love is filled with such good will, sunny romance, snappy one-liners, and devilish cleverness that it's absolutely irresistible. At the 1999 Academy Awards, this dark-horse costume comedy sneaked off with seven Oscars, besting the highly favored Saving Private Ryan for Best Picture. With tongue placed firmly in cheek, at its outset the film tracks young Will Shakespeare's overwrought battle with writer's block and the efforts of theater owner Philip Henslowe (Geoffrey Rush, in rare form) to stage Will's latest comedy, Romeo and Ethel, the Pirate's Daughter. Most of the jokes in the first one-third of the film are along these lines: Will's anachronistic therapist session, a mug inscribed "A Souvenir from Stratford-Upon-Avon," Henslowe's battles to pay off his debts, and the backstage high jinks of pre-production. However, once Will sets his eyes on the beautiful Viola De Lesseps (Gwyneth Paltrow), joking takes a backseat to ravishing romance. Well, almost--turns out Viola wants to break into the world of male-only theater, and disguises herself as a young man to wangle herself an audition. She wins the part of Romeo and, after much misunderstanding, the playwright's heart. Soon enough, Will's pirate comedy becomes a beautiful, tragic romance, and Ethel is shoved aside for a woman named Juliet. Will and Viola's romance, however, is equal parts comedy and tragedy--he's married, and she's betrothed to the slimy Lord Wessex (Colin Firth), and it doesn't take an English major to figure out that it's not all's well that ends well.

Like Shakespeare's work itself, the film is instantly accessible to everyone, from the raucous groundlings looking for low comedy to the aesthetes hankering for some intellectual bite behind their entertainment. The way that Oscar-winning screenwriters Marc Norman and Tom Stoppard enfold their story within the parameters of Romeo and Juliet (and even Twelfth Night) is nothing short of brilliant--it would take a Shakespearean scholar to dissect the innumerable parallels, oft-quoted lines, plot developments, and thematic borrowings. And most amazingly, Norman and Stoppard haven't forgotten to entertain their audience in addition to riding a Shakespearean roller coaster. Director John Madden (Mrs. Brown) reigns in his huge ensemble with a rollicking energy that keeps the film's momentum going at top speed for its entire two hours. Along the way there are small gems to be found: Ben Affleck's riotous egotistical actor, Imelda Staunton's nimble nurse, and of course Judi Dench's eight-minute, Oscar-winning turn as a truly regal Queen Elizabeth. However, the key element of Shakespeare in Love's success rests on the milky-white shoulders of its two stars. Fiennes, inexplicably overlooked at Oscar time, is a dashing Will as we might expect him at the early stage of his career, bundled full of comedy and tragedy but unsure of how to harness his talent. And as for Best Actress winner Paltrow... well, nothing she'd done before could have prepared viewers for how amazing she is here. Breathtakingly beautiful, fiercely intelligent, strong-willed, and lovestruck--it's a performance worthy of Shakespeare in more ways than one. By the film's end, you'll be thoroughly won over--and brushing up your Shakespeare with newfound ardor. --Mark Englehart

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