Sansho the Bailiff - Criterion Collection
by Kenji Mizoguchi

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Movie Reviews of Sansho the Bailiff - Criterion Collection

Movie Review: in the face of evil, patience and duty
Summary: 5 Stars

Summary of Sansho the Bailiff - Criterion Collection

The arc of this story is beautiful in itself, but Mizoguchi's telling of the tale is extraordinary. His moving camera seems weightless, and he effortlessly reminds us of how we've returned to certain key images that chart the progress of the characters: the breaking of a tree branch, the way water can swallow up a life, a song that ties together different lives and different places. As for the final sequence, it achieves a rare power, a mix of emotional tones reminiscent of the end of The Searchers. Mizoguchi made Sansho (Sansho Dayu in its original title) after having made The Life of Oharu and Ugetsu in the previous two years--surely one of the great creative bursts for any filmmaker. Yes, lavish praise can sometimes be dangerous, but now that we've got your attention, Sansho will make its own eloquent case. --Robert Horton

On the DVD
The Criterion Collection has a beautiful print of Sansho the Bailiff and a few illuminating extras. Most valuable are the new interviews with three people who knew Mizoguchi: a critic, an assistant director, and actress Kyoko Kagawa; all emphasize Mizoguchi as a director obsessed with the acting (and a taskmaster in the William Wyler-Stanley Kubrick mode), and suggest that his soaring use of long takes was designed to serve the performances. A booklet gives two versions of the original story source, plus a thoughtful essay by Mark Le Fanu. The commentary by Japanese-literature professor Jeffrey Angles puts its emphasis on cultural background rather than film criticism. --Robert Horton

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