Samurai Trilogy Box Set - Criterion Collection

Samurai Trilogy Box Set - Criterion Collection
by Hiroshi Inagaki

Samurai Trilogy Box Set - Criterion Collection
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DVD Cover Information

Actor: Kaoru Yachigusa, Koji Tsuruta, Mariko Okada, Michiko Saga, Toshir? Mifune
Director: Hiroshi Inagaki
Brand: Image Entertainment
Cinematographer: Jun Yasumoto
Cinematographer: Kazuo Yamada
Writer: Hiroshi Inagaki
Producer: Kazuo Takimura
Writer: Eiji Yoshikawa
Writer: Hideji H?j?
Writer: Tokuhei Wakao
DVD: Region Code 1
Audio: Japanese (Original Language); English (Subtitled)
Format: Box set, Color, DVD-Video, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 300 minutes
DVD Release Date: 2004-05-18
Audience Rating: Unrated
Studio: Criterion

Movie Reviews of Samurai Trilogy Box Set - Criterion Collection

Movie Review: A Worthy Conclusion
Summary: 4 Stars

Hiroshi Inagaki's Samurai Trilogy comes to a worthy conclusion with 1956's Duel at Ganryu Island. In this installment Inagaki manages to tie up all of his hanging plot points quite nicely.

Mushasi Miyamoto (Toshiro Mifune)has learned much in his travels on the road to becoming a samurai. He no longer relies on only his strength in defeating his enemies; he now uses his humility and compassion as well. In contrast, Kojiro Sasaki (Koji Tsuruta) looks only for fame in his quest to become the greatest fencer in Japan. To achieve his goal he feels that he must defeat Mushasi at all costs. To that end he poses a challenge for a duel. Mishasi postpones the fight for a year so that he can continue his studies and take up a simple life of farming.

The village he chooses to live in is attacked by brigands and Mushasi must fight to save his new found community. The middle section of the film is similar to Kurasawa's Seven Samurai in this respect. We have the noble samurai fighting for those who cannot fight for themselves. Finally Sasaki's challenge must be met an a duel is scheduled for the remote Ganryu Island.

The film , presented by Criterion, shows a great deal of wear. This is not the pristine restoration that the company has become famous for. Despite its flaws the film, like the other two films in the series is quite watchable. There are no extras presented but the theatrical trailer. All in all this is a great conclusion to a great series of films that deserve a place in the collection of any serious collector. Let's hope that Criterion reissues these films in editions that do them justice in the future.

Summary of Samurai Trilogy Box Set - Criterion Collection

Based on the novel that has been called Japan's Gone With the Wind, Hiroshi Inagaki's acclaimed Samurai Trilogy is a sweeping saga of the legendary 17th-century samurai Musashi Miyamoto (portrayed by Toshiro Mifune) set against the turmoil of a devastating civil war. Now available for the first time together in a specially priced gift pack, the films follow Musashi's odyssey from unruly youth to enlightened warrior in an epic tale of combat, valor, and self-discovery.
Samurai I: Musashi Miyamoto
Toshir? Mifune defines the quintessential samurai in Hiroshi Inagaki's 1954 Samurai I: Musashi Miyamoto, the first feature in a trilogy based on the epic novel by Eiji Yoshikawa. As in Kurosawa's classic Seven Samurai, which appeared the same year, Mifune plays a brash and ambitious peasant who desires fame and power as a swordsman. His dreams of glory in war sour when his army is routed and he becomes hunted by the authorities, but the "tough love" attentions of a kindly but severe monk help him develop from a hot-tempered outlaw to a thoughtful swordsman. Inagaki's somber color epic is very different from the energetic action of Kurosawa's films. The sword fights and battles are practically theatrical in their presentation, staged in long takes that emphasize form and movement over flash and flamboyance. Mifune brings a sad, almost tragic quality to the samurai warrior Musashi Miyamoto, whose dedication proscribes him to a lonely life on the road. Though the film stands well on its own, its stature takes on greater significance as the first act of Inagaki's stately, contemplative epic of the professional and spiritual development of Musashi.

Samurai II: Duel at Ichijoji Temple
Picking up where Samurai I left off, Toshir? Mifune's samurai in training Musashi Miyamoto is a wandering swordsman who hones his skills in a succession of duels. When he defeats a succession of students from a local school of martial arts, he becomes marked for death by the school elders and is attacked in a series of cowardly ambushes. Romantic threads from the first film become further complicated when the virginal Otsu (Kaoru Yachigusa) and the sad courtesan Akemi (Mariko Okada) meet and discover their rivalry and Musashi earns himself an archenemy, an ambitious young swordsman named Sasaki Kojiro (Koji Tsuruta) who vows to defeat Musashi to make his name as the finest fencer in all of Japan. Inagaki ably manages the rather complicated plot with unexpected ease (subtitles are employed to help English viewers make a few narrative jumps) while he charts Musashi's education in compassion and humility and his internal struggle with his conflicted love for Otsu. The direction is still as distant and unostentatious as in the first film, while the color and settings become richer and more pronounced: studio-bound locations take on the quality and delicacy of paintings. The dramatic centerpiece of the trilogy, an epic pre-dawn battle where 40 swordsmen ambush Musashi, uses darkness and landscape to great dramatic effect as figures seep in and out of the picture

Samurai III: Duel at Ganryu Island
Toshir? Mifune is confidence supreme and humility incarnate as the mature samurai master Musashi Miyamoto in the final film of Inagaki's sprawling trilogy. Now a legendary swordsman whose latest quest is to save an isolated village from rampaging brigands (shades of Seven Samurai), he remains haunted by the memory of Otsu (Kaoru Yachigusa). Meanwhile the ruthless and increasingly jealous Kojiro Sasaki (Koji Tsuruta) plots his battle royal with Musashi to prove who is the finest fencer in Japan. Inagaki weaves the web of subplots into a series of grand confrontations, among them the most exciting battles of the trilogy: Musashi's skirmish with the army of cutthroats while the village erupts in a fiery inferno around him, and the sunset duel between Musashi and Kojiro on an isolated beach, the two warriors taking on mythic dimensions silhouetted against the sun setting over the surf. Inagaki's delicate use of color throughout the series becomes most pronounced in this final sequence, where the glow of orange and red adds dramatic flourish to the twilight battle. Inagaki's reserved, restrained style and Mifune's melancholy performance--his granite face and stocky stance the very essence of somber wisdom and sad assurance--bring a gravity and seriousness to the drama that ultimately illuminates the personal cost of Musashi's supreme skill as his story ends on an elegiac but hopeful note. --Sean Axmaker

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