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SLC Punk by James Merendino
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DVD Cover InformationActor: Annabeth Gish, Christopher McDonald, Jennifer Lien, Matthew Lillard, Michael A. Goorjian Director: James Merendino Brand: Sony Writer: James Merendino Producer: Andrea Kreuzhage Producer: Glenn Salloum Producer: Jan de Bont Producer: Katrina Fernandez Producer: Michael Peyser Producer: Peter Ward DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 2.0 Surround; English (Subtitled); Spanish (Subtitled); French (Subtitled) Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, NTSC, Subtitled, Widescreen Picture Format: Anamorphic Widescreen, 2.35:1 Running Time: 97 minutes DVD Release Date: 1999-10-19 Audience Rating: R (Restricted) Studio: Sony Pictures Home Entertainment
Movie Reviews of SLC PunkMovie Review: SLC Punk is so funny because it is/was so real Summary: 5 Stars
Been there, done that, seen that. If you grew up in SLC during the 1980s you have no excuse not to watch this film and verify that everything Stevo says really happened, if not to you, then to someone you personally know. I loved this film because it was told with a perspective of someone who is so intimately threaded into the fabric of this strange SLC culture as an outsider (non-Mormon transplant). SLC of the 1980s is more like this movie than the Mormon stereotype the rest of the world thinks exists for 100% of us SLC-ites. LOL! SLC does a LOT to TRY to shed it's stereotypical image of Mormonism to the rest of the world. These guys help take that job to the nth degree. WHY? Mostly because SLC can be SO BORING! I've tried to get others to watch this movie because it is so worthwhile to explore an aspect of American culture that isn't often seen in film -- covered in such an intelligent manner. Those I've asked to watch the film look at the cover, see the young punks and title and refuse to even consider the time to watch it. Believe me, the cover of the box has nothing to do with the depth and quality of introspection you will gain by immersing yourself into this quality guided tour of the SLC underground culture in such a way that ONLY SLC can do it. (The movie is right, we are NOT normal here. You can't duplicate this kind of perspective anywhere else, you couldn't change the title to any other city name.) What would I like to see? Another film by the same director looking at the equally juxtaposed strangeness of the Goth scene that the SLC Punk scene evolved into during the early to mid-90s. What would I like to see after that? Another film by the same director looking at equally juxtaposted strangeness of the Metal scene that preceded the SLC Punk scene which evolved during very late 1970's and crossed over a bit with the SLC Punk scene. Don't believe SLC could possibly have such anarchist attitudes, in such a conservative environment? Just how many times have you seen SLC anarchists on national news in the past 10 years? Straight Edgers, Animal Liberation Front, Skinheads, for example. It's just too bad it has evolved into some violence that seems to be growing. It didn't used to be that way at all in the '80s, well, except beating the crap out of "the cowboys". My "most true" highlights from the film: 1. The fact that not all Punks LOOK like punks (the geek guy). 2. The fact that the surrounding states north of Utah are more like what the rest of the world thinks of Mormons than is SLC (Evanston, WY trip). 3. Posers in the malls (you know they only dress like that to go to the mall -- they wouldn't be caught dead looking or acting like a Punk at home or in school). Like I said, "Been there, done that, seen that" (including being a student at the U, intimately involved 1978-1984, encouraged others along the anarchy line until mid-1990s, now I miss it all -- thanks for the movie to bring back the memories). Roobah
Summary of SLC PunkSLC PUNK - DVD Movie SLC Punk starts out entertainingly enough as a sarcastic snapshot of the punk-rock scene in Salt Lake City in 1985--complete with mohawks, moshing, and vague avowals of anarchy. But gradually, the wanderings of Stevo (Matthew Lillard from Scream) and Heroin Bob (Michael Goorjian) turn into a multilayered exploration of character and culture shock. Though he spends his days drinking and mocking the values of his parents, Stevo turns just as critical an eye on his own rhetoric and lifestyle, and comes to find that aimless rebellion may be just as hollow as the mindless pursuit of money. No character has the right point of view; there are no easy solutions. Despite lacking anything in the way of a plot, SLC Punk sustains its energy through wit, realism, propulsive editing, and excellent performances from Lillard, Goorjian, and the rest of the cast. It's emblematic of the movie's sophistication that Stevo's lawyer father (Christopher McDonald, who played Geena Davis's husband in Thelma and Louise) is treated satirically without being dismissed; though baffled by his son's form of rebellion, he never loses hope that Stevo will go on to law school and continues to cajole Stevo and argue with him about how the world works. By its end, the constantly shifting perspective of SLC Punk achieves a surprising emotional depth. It's also given a lot of energy by a well-chosen soundtrack of energetic but not overly familiar music of the time, including selections from Fear, the Dead Kennedys, the Stooges, and even Roxy Music. --Bret Fetzer
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