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Russian Ark: The Masterworks Edition
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DVD Cover InformationActor: Aleksandr Chaban, Aleksei Barabash, Anna Aleksakhina, Konstantin Anisimov, Sergei Dontsov Brand: UNIVERSAL MUSIC VIDEO DIST. DVD: Region Code 1 Audio: Russian (Unknown), Dolby Digital 5.1; English (Subtitled); French (Subtitled); Russian (Original Language), Dolby Digital 5.1 Format: Color, Dolby, NTSC, Subtitled, Widescreen Picture Format: 1.78:1 Running Time: 99 minutes Published: 2003-09-01 DVD Release Date: 2003-09-09 Audience Rating: Unrated Model: FLV5382 Studio: Fox Lorber Product features: - A modern filmmaker magically finds himself transported to the 18th century, where he embarks on a time-traveling journey through 300 years of Russian history. Filmed with a cast of thousands, three live orchestras and an army of technicians, Russian Ark is the longest uninterrupted shot in film history, and the first feature film ever created in a single take. Format: DVD MOVIE Genre: FO
Movie Reviews of Russian Ark: The Masterworks EditionMovie Review: Not for everyone Summary: 5 Stars
Stunning. Visually arresting. Groundbreaking. Moviegoers who have seen Alexander Sokurov's "Russian Ark" know these terms apply in spades to this pioneering motion picture. Why? Because this little film set in the Hermitage Museum in St. Petersburg, Russia is a period piece ranking right up there with Stanley Kubrick's "Barry Lyndon." It is also the only film to date-that I have heard of, anyway-to use a single ninety-six minute shot. That's right-no cuts, no crazy zooms, no MTV style editing to be found in this film. It would doubtless entertain greatly to watch a person accustomed to Britney Spears's videos or the latest Vin Diesel film attempt to view Sokurov's production. I suspect they would either fall asleep immediately or suffer some sort of sensory input malfunction. A viewer who doesn't need a lot of flash, eardrum shattering music, or CGI effects to the nth degree is the ones who will get the most out of "Russian Ark." I suspect other filmmakers will soon attempt to replicate this director's pioneering cinematography in their own works, and that's all right. After all, Sergei Eisenstein's montage technique soon found innumerable copycats. What is it with Russian filmmakers and groundbreaking cinema? Must be something in the water."Russian Ark" boasts thousands of characters, but the most important are a French Marquis and his Russian narrator. The nobleman suddenly "wakes up" in the Hermitage, surprised not only to find himself in Russia but also that he speaks Russian so well. He begins to stroll around the museum, taking in its artwork and the people he discovers in the various rooms. The Marquis is quite a character, a typical eighteenth/nineteenth century European that considers Russia a backward nation populated with barbaric Orientals and ruled over by bumpkin nobles. He often praises obviously European objet d'art even as he scoffs at the "inferior" Russian imitations. The good Marquis even has the temerity to criticize the type of artwork purchased abroad! His Russian companion tries to put up an appropriate defense of his people and his country, pointing out paintings and sculptures he finds marvelous. Still, the two disagree more often than they find common ground. Something quite peculiar occurs as these two individuals stroll about the museum. Time is not what it seems in the Hermitage, as historical figures from various epochs in Russian history turn up in every room. The Marquis sees Peter the Great, Catherine, Pushkin, Tsar Nicholas II hobnobbing with his doomed family, a state visit from a Persian emissary, three directors of the museum pondering art, and an amazing ballroom party that is definitely the best part of the film. He also meets and argues with twentieth century Russians. Guess who we don't see wondering the halls in contemplation of the greatness adorning the walls? Yep, you got it. Nary a Lenin, Trotsky, Stalin, or Khrushchev can be found anywhere in the Hermitage. The only visual reference to the communist years I saw was a scene where the Marquis stumbles over a freezing room with pictures stacked up against the walls while bombs explode outside, obviously a snapshot of the dark days of World War II. That last, lingering shot of the partygoers filing out of the ballroom only to confront a freezing ocean outside the doors is an amazing metaphor for Russia's culture. Always adrift between Europe and Asia, threatened from without and from within, Sokurov's film says that Russia did develop its own unique culture and that it must be preserved at all costs. That ocean, I think, represents not only Western European encroachment in the eighteenth and nineteenth centuries, but the horrific nightmares of the communist takeover. Fortunately, the Hermitage-the Ark-protects Russia's glory. Are there anachronisms in "Russian Ark"? Probably, but I didn't see any leaping off the screen. I am no expert on Russian history, and definitely no expert on art, but I know more than the average guy on the street about these historical eras. The great thing about the movie is that you don't need to be an expert on Russia to get something out of it. If you don't understand the ins and outs of art or history, the splendid visuals and the anticipation that a cut must, absolutely must, happen at some point is enough of a reason to watch the film. The ballroom mazurka at the end of the picture can be enjoyed by anyone regardless of nationality or breadth of historical knowledge. Watching that colorful procession going on and on for nearly thirty minutes brought tears to my eyes. I can only imagine what effect the film would have on a Russian. The extras make the disc. You get a commentary, a trailer, a behind the scenes featurette, a short series of interviews with the principal crewmembers, and a fascinating look at the Hermitage and St. Petersburg. I found the latter extremely interesting as it showcases several individuals associated with restoring the treasures of the museum, a resident of the city who often visits the Hermitage, and a father interested in teaching his son about the country. All of these people have a great love of the museum, the culture, and the country. Particularly noteworthy is the man with the phonograph. He looks like he stepped right out of a Tolstoy novel, embodying everything we associate with the archetypical Russian. He's happy even while sad, whimsical and deeply religious. I highly recommend "Russian Ark" to anyone looking for a magical film filled with beautiful images. It's not for everyone, obviously, but it is a treasure trove for those viewers willing to put forth a little effort.
Summary of Russian Ark: The Masterworks EditionA modern filmmaker magically finds himself transported to the 18th century, where he embarks on a time-traveling journey through 300 years of Russian history in Alexander Sokurov?s masterpiece. Filmed in HD with directors commentary Russian master Alexander Sokurov has tapped into the very flow of history itself for this flabbergasting film. Thanks to the miracles of digital video, Sokurov (and cinematographer Tilman Buttner) uses a single, unbroken, 90-minute shot to wind his way through the Hermitage in St. Petersburg--the repository of Russian art and the former home to royalty. Gliding through time, we glimpse Catherine II, modern-day museumgoers, and the doomed family of Nicholas II. History collapses on itself, as the opulence of the past and the horrors of the 20th century collide, and each door that opens onto yet another breathtaking gallery is another century to be heard from. The movie climaxes with a grand ball and thousands of extras, prompting thoughts of just how crazy Sokurov had to be to try a technical challenge like this--and how far a distance we've traveled, both physically and spiritually, since the movie began. --Robert Horton
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