Rossini - L'Italiana in Algeri

Rossini - L'Italiana in Algeri
by Jean-Pierre Ponnelle

Rossini - L'Italiana in Algeri
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DVD Cover Information

Actor: Allan Monk, Douglas Ahlstedt, James Levine, Marilyn Horne, Paolo Montarsolo
Director: Jean-Pierre Ponnelle
Brand: Universal Studios
DVD: Region Code 0
Audio: English (Unknown); Chinese (Subtitled); English (Subtitled); French (Subtitled); German (Subtitled); Italian (Subtitled); Spanish (Subtitled); French (Original Language); Italian (Published)
Format: Classical, Dolby, DTS Surround Sound, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 157 minutes
DVD Release Date: 2007-03-13
Audience Rating: NR (Not Rated)
Studio: Deutsche Grammophon

Movie Reviews of Rossini - L'Italiana in Algeri

Movie Review: Great performance, Met quality standard
Summary: 5 Stars

"Underrated masterpiece" is a frequently remark about "La Italiana". And I certainly agree. Generally considered inferior to "Il Barbiere de Siviglia" and "La Cenerentola", this early opera buffa contains some of the most charming Rossini music you can imagine, full of beautiful arias and brilliant ensembles. It reminds me Mozart more than the later.

In this 1987 Met recording, Jean Pierre Ponnelle's production shows colourful yet sober, and you can relax on his good taste to resolve every detail, from sets to costumes. No "modern" crap here: Mustafa's palace is Moorish, and we can see moor pirates, nice moor veiled girls from the "seraglio" and funny looking moor eunuchs, who sing at the very start the haunting chorus "Serenate il mesto ciglio", while they are making their usual embroidery.

Horne's voice may not suit everyone ears, partly due to her aggressive low tessitura and resounding chest notes, but she's always musical and accurate, and that's especially important when singing Rossini. Near her 50's in this DVD, she has some (little) trouble with very high notes, but she excels in every other issue, bravura passages included. Add her natural sympathy and easiness on the stage and you get a terrific Isabella. In my opinion, her arriving on Act I and next "Cruda sorte" delivering is just what defines a great opera artist.

Paolo Montarsolo is a full featured basso buffo, and if he can't sing 100% the fioritura Rossini wrote for the role, he compensates the fact by large with a splendid performance, considering both singing and performing. Though he was past his 60 in this recording, he's an agile Mustafa, looking a lot much younger. It's delightful to watch him absolutely overjoyed with his new degree of Pappataci, singing and dancing in the Lindoro-Taddeo-Mustafa trio "Fra gli amori e le belleze". He'll drive more than a good laugh from you, guaranteed.

Alan Monk, which I had never listened before, was quite a surprise for me as Taddeo. He sings in good voice and more than acceptable italianate sound, playing his part undiminished by the bigger-named Isabella and Mustafa.

Douglas Ahlstedt is the weakest link in the chain, mainly because he seems not to be the quick, spicy, Latin light tenor needed for the role. But he does a decent Lindoro, which I consider one of the most difficult tenor roles in Rossini's operas. Lindoro's notes are high, way high, and Ahlstedt gets to sing them all, and right on the pitch. Visually, he looks perhaps a little too thin and boyish besides the other heavier weighted players of the love triangle, Isabella and Taddeo, but all in all, he does the job nicely.

Secondary singers are also good and visually correct, especially graceful Myra Merrit's Elvira, who's moment of glory is of course the tremendous high note in Act I magnificent finale, cheerfully noticed by Horne, who won't let her steal the show and knocks Mustafa out at the very last moment. Prima donna's privileges are well observed here.

Levine guides the Met forces at the best Rossini pace you can imagine, delivering a precise, swift performance since the Overture's first notes to the happy ending. Perhaps in Act I finale he goes a little too fast, turning the original singing intringulis in a rather undistinguishable mumbling, but this is a minor complaint.

Sound quality is good in all 3 modes (2ch, Dolby 5.1 and DTS), 4:3 format picture is bright and clear. Subtitles in spanish are OK.

If you love Rossini masterful blending of humor and music, you can't go wrong with this DVD. Just enjoy it. And don't forget your limoncello.

Summary of Rossini - L'Italiana in Algeri

ROSSINI:L'ITALIANA IN ALGER - DVD Movie
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