Robocop Trilogy

Robocop Trilogy

Robocop Trilogy
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DVD Cover Information

Actor: Jodi Long, John Posey, Mario Machado, Remy Ryan Hernandez, Robert John Burke
Brand: Sony
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 5.1; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1; French (Dubbed), Dolby Digital 2.0 Surround; Spanish (Dubbed)
Format: Anamorphic, Box set, Color, Dolby, Dubbed, DVD, NTSC, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 325 minutes
DVD Release Date: 2004-06-08
Audience Rating: PG-13 (Parental Guidance Suggested)
Studio: MGM (Video & DVD)

Movie Reviews of Robocop Trilogy

Movie Review: Even better than that fantastic Criterion edition
Summary: 5 Stars

I was skeptical about this when I first saw it at the store, as I already owned the fantastic Criterion edition DVD. I was pleasantly surprised to find that the new MGM unrated version found in the Trilogy boxed set is well worth it. So here is a review for people who already own the Criterion disc and are wondering if they should shell out their hard earned cash for this newer DVD.

Here are the differences I found between the new disc and the Criterion one...

PLUSES:
a.. Anamorphic widescreen. The Criterion disc was not anamorphic. As a result, the picture on the MGM disc is a lot less pixellated than the Criterion one. The color is also more saturated.

b.. New sound mix. The Criterion disc was mixed in Dolby surround. The new mix is in Dolby 5.1, and they obviously had fun remixing it. The surrounds are split and very directional. The sound is really an improvement in every way (see (d)).

c.. It's the same unrated cut that was on the Criterion disc.

d.. They fixed some of the excrutiatingly bad sound edits that were on the Criterion disc. Although Criterion had re-edited the violent footage back into the movie, they neglected to remix the sound for those moments, ie. they didn't remix the sound to blend the new footage. On the new MGM disc, they FINALLY fixed this. Now the new footage sounds like it was SUPPOSED to be there.

e.. As one reviewer mentioned before, the director's commentary on the MGM disc is new and completely different than the one on the Criterion disc (ie. don't throw away your Criterion disc).

f.. We finally have the sequels in anamorphic widescreen and Dolby 5.1. This is a plus or a minus depending on if you enjoy them or not! Although it would have been nice to have a longer version of Robocop 2, as Frank Miller has alluded that huge chunks of that movie were edited out of the final version.

g.. The new MGM version of Robocop also has some good documentaries and other curiosities for you to peruse (only on the unrated cut). These are NOT available on the bare-bones theatrical DVD that MGM has out for individual />MINUSES:
a.. The picture is a bit darker on the MGM disc than on the Criterion disc.

b.. The director's commentary was recorded when they were watching the theatrical cut of the movie, so it is oddly funny (and a bit distracting) that they will be commenting, "remember how we had to cut out the more violent shot of...." when we at home are actually watching the footage that they are talking about.

c.. If you don't like the sequels, it sucks to be you, because the only way to get the unrated cut of the first movie is to buy the boxed set.

d.. Don't really know if this is a minus or not as I'm not 100% sure what Verhoeven's intention was. The Criterion disc is framed at 1.66:1, and the new MGM disc is framed at 1.85:1. As it is, Criterion tends not to mess around. I'd wager that it's supposed to be projected at 1.66:1. Either way, 1.85:1 still looks />All in all, more pluses than minuses I wager. I found that the new version has everything the Criterion one had, and it presents it in a more pleasing manner (sound, picture, extras, etc..). If you're a fan, I think this would be right up your alley.

Summary of Robocop Trilogy

ROBOCOP TRILOGY - DVD Movie
The first Robocop was thrilling, hilarious, and totally original--none of which has as much to do with the film's spawning two sequels (plus two separate television shows) as its $50 million-plus take at the box office. Though the Law of Diminishing Returns inevitably applies to the theatrical trilogy, the central premise is so strong that each of the lesser sequels has at least a few moments worth catching. That's because the original (wherein Detroit cop Peter Weller, killed in the line of duty, gets transformed into a crime-fighting cyborg) set up an entire world. Director Paul Verhoeven spends as much time lampooning television news, commercial products, and big business as he does on the story; however violent or gory things get (and they get quite icky), the tone throughout is comic, even giddy. Robocop 2, helmed by Irvin Kershner of The Empire Strikes Back fame, sobers up considerably. The film is rather underrated; sure, there are fewer ads and newsbreaks this time around, but there are several inventive touches--Robocop is briefly reprogrammed into a homily-spouting Dudley Do-Right; drug dealers step in to bail out the financially strapped city--and the villains (including the most foul-mouthed, amoral 12-year-old in movie history) are less outrageous than in the first installment. Robocop 3, however, is profit-driven hash. Having Robocop (now acted by Robert John Burke) join a citizens' uprising is a nice idea, and even the ninja android could have been fun, but the movie tries too often to be heartwarming, an emotion thoroughly out of place in this wickedly satirical series. --Bruce Reid
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